Jarrod's Film Log
Submitted by Werto on Mon, 05/07/2007 - 08:44
Tags:
- 2001: A Space Odyssey (Stanley Kubrick, 1968, UK/USA) [35mm print]
- Leave Her to Heaven (John M. Stahl, 1945, USA)
- The Landlord (Hal Ashby, 1970, USA)
- Modern Romance (Albert Brooks, 1981, USA)
- A Letter to Three Wives (Joseph L. Mankiewicz, 1949, USA)
- Fat City (John Huston, 1972, USA)
- Mogambo (John Ford, 1953, USA)
- The Delinquents (Robert Altman, 1957, USA)
- Les Vampires (Louis Feuillade, 1915, France)
- Stars in My Crown (Jacques Tourneur, 1950, USA)
- Hellzapoppin' (H.C. Potter, 1941, USA)
- Adjustment and Work (Frederick Wiseman, 1986, USA)
- The Gingerbread Man (Robert Altman, 1998, USA)
- This is It (Kenny Ortega, 2009, USA)
- Silent Movie (Mel Brooks, 1976, USA)
- The Exorcist (William Friedkin, 1973, USA) [35mm print]
- Captains Courageous (Victor Fleming, 1937, USA)
- Gabriel Over the White House (Gregory La Cava, 1933, USA)
- The Innocents (Jack Clayton, 1961, USA)
- Kansas City (Robert Altman, 1996, USA)
- A Serious Man (Ethan & Joel Coen, 2009, USA)
- Adam's Rib (George Cukor, 1949, USA)
- The Big Sky (Howard Hawks, 1952, USA)
- The Wicker Man (Robin Hardy, 1973, UK)
- Monkey Business (Howard Hawks, 1952, USA)
- Flight Commander/The Dawn Patrol (Howard Hawks, 1930, USA)
- The Call of the Wild (William A. Wellman, 1935, USA)
- Ed Wood (Tim Burton, 1994, USA) [35mm print]
- Sound of the Mountain (Mikio Naruse, 1954, Japan)
- The Southerner (Jean Renoir, 1945, USA)
- The Rising of the Moon (John Ford, 1957, Ireland/USA)
- The WIngs of Eagles (John Ford, 1957, USA)
- They Were Expendable (John Ford, 1945, USA)
- The Horse Soldiers (John Ford, 1959, USA)
- The Struggle Against Cancer (Carl Th. Dreyer, 1947, Denmark)
- The Ghost and Mrs. Muir (Joseph L. Mankiewicz, 1947, USA)
- Wagon Master (John Ford, 1950, USA)
- The Castle Within the Castle (Carl Th. Dreyer, 1955, Denmark)
- En rachâchant (Danièle Huillet & Jean-Marie Straub, 1982, France)
- How Green Was My Valley (John Ford, 1941, USA)
- The Party (Blake Edwards, 1967, USA)
- The Rain People (Francis Ford Coppola, 1969, USA)
- The Black Book/Reign of Terror (Anthony Mann, 1949, USA)
- Shane (George Stevens, 1953, USA)
- Streamers (Robert Altman, 1983, USA)
- Dr. T and the Women (Robert Altman, 2000, USA)
- Memento (Christopher Nolan, 2000, USA)
- Bound for Glory (Hal Ashby, 1976, USA) [35mm print]
- Basements (The Dumb Waiter/The Room) [television] (Robert Altman, 1987, Canada)
- The Caine Mutiny Court-Martial [television] (Robert Altman, 1988, USA)
- The Sound of Music (Robert Wise, 1965, USA)
- The Hurt Locker (Kathryn Bigelow, 2009, USA)
- Inglourious Basterds (Quentin Tarantino, 2009, USA)
- My Little Chickadee (Edward F. Cline, 1940, USA)
- My Winnipeg (Guy Maddin, 2007, Canada)
- Five Easy Pieces (Bob Rafelson, 1970, USA)
- Gloria! (Hollis Frampton, 1979, USA)
- Noctiluca (Magellan's Toys: #1) [2nd day of Magellan cycle] (Hollis Frampton, 1974, USA)
- Killer of Sheep (Charles Burnett, 1977, USA)
- Go! Go! Go! (Marie Menken, 1963, USA)
- Juvenile Court (Frederick Wiseman, 1973, USA)
- Ghosts (Stan Winston, 1997, USA)
- Public Enemies (Michael Mann, 2009, USA)
- Jo Jo Dancer, Your Life is Calling (Richard Pryor, 1986, USA)
- Bad (Martin Scorsese, 1987, USA)
- Near Death (Frederick Wiseman, 1989, USA)
- Zoo (Frederick Wiseman, 1993, USA)
- The Black Cat (Edgar G. Ulmer, 1934, USA)
- Force of Evil (Abraham Polonsky, 1948, USA)
- The Long Gray Line (John Ford, 1955, USA)
- Land of the Pharaohs (Howard Hawks, 1955, USA)
- This is Spinal Tap (Rob Reiner, 1984, USA)
- Pinocchio (Hamilton Luske & Ben Sharpsteen, 1940, USA)
- Up (Pete Docter & Bob Peterson, 2009, USA). [3-D]
- God's Country (Louis Malle, 1986, USA)
- Real Life (Albert Brooks, 1979, USA)
- Peggy Sue Got Married (Francis Coppola, 1986, USA)
- Drag Me to Hell (Sam Raimi, 2009, USA)
- They All Laughed (Peter Bogdanovich, 1981, USA)
- Time Indefinite (Ross McElwee, 1994, USA)
- Flaming Star (Don Siegel, 1960, USA)
- Madigan (Don Siegel, 1968, USA)
- The Beguiled (Don Siegel, 1971, USA)
- The Ox-Bow Incident (William A. Wellman, 1943, USA)
- HealtH (Robert Altman, 1980, USA)
- The Young One [Alfred Hitchcock Presents] (Robert Altman, 1957, USA)
- Star Trek (J.J. Abrams, 2009, USA)
- Star 80 (Bob Fosse, 1983, USA)
- The Taking of Power by Louis XIV (Roberto Rossellini, 1966, France)
- The Second Circle (Aleksandr Sokurov, 1990, USSR)
- "Home Movie" [Saturday Night Live] (Robert Altman, 1977, USA)
- Detour (Edgar G. Ulmer, 1945, USA)
- Adventureland (Greg Mottola, 2009, USA)
- 23rd Psalm Branch Pts I & II (Stan Brakhage, 1967/1978, USA) [16mm print]
- The Jesus Trilogy and Coda (Stan Brakhage, 2001, USA) [16mm print]
- Yggdrasill: Whose Roots Are Stars in the Human Mind (Stan Brakhage, 1998, USA) [16mm print]
- The Loom (Stan Brakhage, 1986, USA) [16mm print]
- Made Manifest (Stan Brakhage, 1980, USA) [16mm print]
- Creation (Stan Brakhage, 1979, USA) [16mm print]
- Resurrectus Est (Stan Brakhage, 2002, USA) [16mm print]
- Coupling (Stan Brakhage, 1999, USA) [16mm print ]
- What the Water Said, Nos. 1-3 (David Gatten, 1997-1998, USA) [16mm print]
- Unsere Afrikareise (Peter Kubelka, 1966, Austria) [16mm print]
- Summer Stock (Charles Walters, 1950, USA)
- East of Eden (Elia Kazan, 1955, USA)
- Metropolitan (Whit Stillman, 1990, USA)
- Neil Young: Don't Be Denied (Ben Whalley, 2008, UK)
- The Archive (Sean Dunne, 2008, USA)
- La Dolce Vita (Federico Fellini, 1960, Italy) [35mm print]
- Lumiere (David Lynch, 1995, USA)
- The Cowboy and the Frenchman (David Lynch, 1988, USA/France)
- The Amputee (David Lynch, 1974, USA)
- The Alphabet (David Lynch, 1968, USA)
- Six Figures Getting Sick (David Lynch, 1966, USA)
- Inland Empire (David Lynch, 2006, USA/France/Poland)
- Dr. Jekyll and Mr. Hyde (Victor Fleming, 1941, USA)
- Blue Velvet (David Lynch, 1986, USA) [35mm print]
- Blue Tide, Black Water (Sam Hamilton and Eve Gordon, New Zealand)
- The Presentation Theme (Jim Trainor, 2008, USA) [16mm print]
- Intermittent Delight (Akosua Adoma Owusu, 2007, USA/Ghana)
- Lampang Bouquet (Tony Balko, 2007, USA) [16mm print]
- Nook and Cranny (Francien Van Everdingen, 2007, Netherlands) [16mm print]
- Yard Work is Hard Work (Jodie Mack, 2008, USA) [16mm print]
- Gravity (Nicolas Provost, 2007, Belgium)
- Space Ghost (Laurie Jo Reynolds, 2007, USA)
- All That Rises (Daichi Saito, 2007, Canada) [16mm print]
- Spaceballs (Mel Brooks, 1987, USA) [35mm print]
- Them! (Gordon Douglas, 1954, USA)
- Watermelon Man (Melvin Van Peebles, 1970, USA)
- Fletch (Michael Ritchie, 1985, USA)
- Belfast, Maine (Frederick Wiseman, 1999, USA)
- Domestic Violence (Frederick Wiseman, 2001, USA)
- The Wrestler (Darren Aronofsky, 2008, USA)
- Sinai Field Mission (Frederick Wiseman, 1978, USA)
- Public Housing (Frederick Wiseman, 1997, USA)
- Gran Torino (Clint Eastwood, 2008, USA)
- Basic Training (Frederick Wiseman, 1970, USA)
- It's All True (Orson Welles, Norman Foster, Richard Wilson, Bill Krohn, Myron Meisel, 1993, France/USA)
- Doubt (John Patrick Shanley, 2008, USA)
- The Curious Case of Benjamin Button (David Fincher, 2008, USA)
- Southland Tales (Richard Kelly, 2006, USA)
- Milk (Gus Van Sant, 2008, USA)
- The Store (Frederick Wiseman, 1983, USA)
- Heller in Pink Tights (George Cukor, 1960, USA)
- Father Brown/The Detective (Robert Hamer, 1954, UK)
- Frost/Nixon (Ron Howard, 2008, USA)
- Welfare (Frederick Wiseman, 1975, USA)
- The Sun Shines Bright (John Ford, 1953, USA)
- Beat the Devil (John Huston, 1953, UK/USA/Italy)
- Spiritual Voices (Aleksandr Sokurov, 1995, Russia)
- To Sir, With Love (James Clavell, 1967, UK)
- Intimate Lighting (Ivan Passer, 1966, Czechoslovakia)
- Law and Order (Frederick Wiseman, 1969, USA)
- Tanner on Tanner (Robert Altman, 2004, USA)
- Essene (Frederick Wiseman, 1972, USA)
- Decision at Sundown (Budd Boetticher, 1957, USA)
- Ride Lonesome (Budd Boetticher, 1959 USA)
- Tanner '88 (Robert Altman, 1988, USA)
- Somebody Up There Likes Me (Robert Wise, 1956, USA)
- How to Sleep (Nick Grinde, 1935, USA)
- Frankenstein (James Whale, 1931, USA)
- For All Mankind (Al Reinert, 1989, USA)
- Nixon (Oliver Stone, 1995, USA)
- 1776 (Peter H. Hunt, 1972, USA)
- The Burmese Harp (Kon Ichikawa, 1956, Japan)
- Silver Jew (Michael Tully, 2007, USA)
- Paul Tomkowicz: Street-railway Switchman (Roman Kroitor, 1954, Canada)
- Universe (Roman Kroitor & Colin Low, 1960, Canada)
- The Hutterites (Colin Low, 1964, Canada)
- The Romance of Transportation in Canada (Colin Low, 1952, Canada)
- 23 Skidoo (Julian Biggs, 1964, Canada)
- Corral (Colin Low, 1954, Canada)
- Chinatown (Roman Polanski, 1974, USA) [35mm print]
- Tol'able David (Henry King, 1921, USA)
- Freud (John Huston, 1962, USA)
- Burn After Reading (Joel & Ethan Coen, 2008, USA)
- Man on Wire (James Marsh, 2008, UK/USA)
- The Blood of Jesus (Spencer Williams, 1941, USA)
- Dial M for Murder (Alfred Hitchcock, 1954, USA) [35mm print]
- Tacoma Narrows Bridge Collapse (Barney Elliott, 1940, USA)
- Jammin' the Blues (Gjon Mili, 1944, USA)
- America is Hard to See (Emile de Antonio, 1970, USA)
- The Hustler (Robert Rossen, 1961, USA)
- The African Queen (John Huston, 1951, USA)
- Heaven Knows, Mr. Allison (John Huston, 1957, USA)
- I'm Not There (Todd Haynes, 2007, USA)
- Jaws (Steven Spielberg, 1975, USA) [35mm print!]
- The Errand Boy (Jerry Lewis, 1961, USA)
- The Dark Knight (Christopher Nolan, 2008, USA) [IMAX]
- Moulin Rouge (John Huston, 1952, UK)
- Ryan's Daughter (David Lean, 1970, UK) [70mm print!!!]
- A Passage to India (David Lean, 1984, UK) [35mm print]
- The Misfits (John Huston, 1961, USA)
- A Moment of Innocence (Mohsen Makhmalbaf, 1996, Iran)
- Cockfighter (Monte Hellman, 1974, USA)
- The Beautiful Delight (Pierre Perrault, Michel Brault, Bernard Gosselin, 1968, Canada)
- The River Schooners (Pierre Perrault, 1968, Canada)
- Charley Varrick (Don Siegel, 1973, USA)
- The Times That Are (Pierre Perrault, 1967, Canada)
- Corvette Summer (Matthew Robbins, 1978, USA)
- The Steamroller and the Violin (Andrei Tarkovsky, 1961, Soviet Union)
- Ivan's Childhood (Andrei Tarkovsky, 1962, Soviet Union)
- Wall-E (Andrew Stanton, 2008, USA)
- The List of Adrian Messenger (John Huston, 1963, USA)
- The Queen (Stephen Frears, 2006, UK)
- The Last Movie (Dennis Hopper, 1971, USA)
- Duck Dodgers in the 24 1/2 Century (Chuck Jones, 1953, USA)
- The Band Concert (Wilfred Jackson, 1935, USA)
- What's Opera, Doc? (Chuck, Jones, 1957, USA)
- One Froggy Evening (Chuck Jones, 1956, USA)
- Multiple Sidosis (Sid Laverents, 1970, USA)
- Field of Dreams (Phil Alden Robinson, 1989, USA)
- The Patsy (Jerry Lewis, 1964, USA)
- Cinderfella (Frank Tashlin, 1960, USA)
- Reflections in a Golden Eye (John Huston, 1967, USA)
- The Night of the Iguana (John Huston, 1964, USA)
- How to Beat the High Co$t of Living (Robert Scheerer, USA)
- Outer Space (Peter Tscherkassky, 1999, Austria)
- Blind Justice/Night of Revenge (Benjamin Christensen, 1916, Denmark)
- Faces of November (Robert Drew, 1963, USA)
- Crisis: Behind a Presidential Commitment (Robert Drew, 1963, USA)
- Close Encounters of the Third Kind (Steven Spielberg, 1977, USA) [35mm print]
- The Disorderly Orderly (Frank Tashlin, 1964, USA)
- The Young One (Luis Bunuel, 1960, Mexico/USA)
- Dr. Tube's Madness (Abel Gance, 1915, France)
- Primary (Robert Drew, 1960, USA)
- Used Cars (Robert Zemeckis, 1980, USA)
- The Way We Were (Sidney Pollack, 1973, USA)
- The Wedding Night (King Vidor, 1935, USA)
- Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008, USA)
- Landscape Suicide (James Benning, 1986, USA) [16mm print]
- Confederation Park (Bill Brown, 1999, USA) [16mm print]
- The Bible - In the Beginning (John Huston, 1966, USA)
- Leatherheads (George Clooney, 2008, USA)
- The Jerk (Carl Reiner, 1979, USA) [35mm print]
- Let There Be Light (John Huston, 1946, USA)
- Rust Never Sleeps ("Bernard Shakey"/Neil Young, 1979, USA)
- The Maltese Falcon (John Huston, 1941, USA) [35mm print]
- Schastye/Happiness (Aleksandr Medvedkin, 1934, USSR)
- Finis Terrae (Jean Epstein, 1929, France)
- Funny Games (Michael Haneke, 2007, USA)
- Our Century (Artavazd Pelechian, 1983, USSR)
- After the Rehearsal (Ingmar Bergman, 1984, Sweden)
- Karin's Face (Ingmar Bergman, 1984, Sweden)
- Be Kind Rewind (Michel Gondry, 2008, USA)
- Moby Dick (John Huston, 1956, USA)
- The Battle of San Pietro (John Huston, 1945, USA)
- The Red Badge of Courage (John Huston, 1951, USA)
- Year of the Yahoo! (Herschell Gordon Lewis, 1972, USA)
- The Serpent's Egg (Ingmar Bergman, 1977, USA/Germany)
- Singin' In the Rain (Stanley Donen & Gene Kelly, 1952, USA) [35mm print!]
- O Brother, Where Art Thou? (Joel Coen, 2000, USA)
- Jimmy Carter Man from Plains (Jonathan Demme, 2007, USA)
- Glimpse of the Garden (Marie Menken, 1957, USA)
- Night of the Living Dead (George A. Romero, 1968, USA) [35mm print]
- Take the 5:10 to Dreamland (Bruce Conner, 1977, USA)
- Permian Strata (Bruce Conner, 1969, USA)
- The White Rose (Bruce Conner, 1967, USA)
- Vivian (Bruce Conner, 1965, USA)
- Breakaway (Bruce Conner, 1966, USA)
- Mongoloid (Bruce Conner, 1978, USA)
- A Movie (Bruce Conner, 1958, USA)
- Pas de deux (Norman McLaren, 1968, Canada)
- Synchromy (Norman McLaren, 1971, Canada)
- Blinkity Blank (Norman McLaren, 1955, Canada)
- Begone Dull Care (Norman McLaren & Evelyn Lambart 1949, Canada)
- Babe: Pig in the City (George Miller, 1998, Australia)
- Out of the Frying Pan Into the Firing Line (Ben Sharpsteen, 1942, USA)
- Unsere Afrikareise (Our Trip to Africa) (Peter Kubelka, 1966, Austria)
- The Hart of London (Jack Chambers, 1970, Canada) [16mm print]
- R-34 (Jack Chambers, 1967, Canada) [16mm print]
- A Clockwork Orange (Stanley Kubrick, 1971, UK) [35mm print]
- The Desert of the Tartars (Valerio Zurlini, 1976, Italy)
- The Saga of Anatahan (Josef von Sternberg, 1954, Japan)
- I Fidanzati (Ermanno Olmi, 1963, Italy)
- Babe (Chris Noonan, 1995, Australia)
- There Will Be Blood (Paul Thomas Anderson, 2007, USA)
- Blade Runner - The Final Cut (Ridley Scott, 1982, USA)
- White Christmas (Michael Curtiz, 1954, USA)
- Hitler: A Film from Germany (Hans-Jurgen Syberberg, 1978, West Germany)
- When Willie Comes Marching Home (John Ford, 1950, USA)
- Pacific 231 (Jean Mitry, 1949, France)
- Ferris Bueller's Day Off (John Hughes, 1986, USA) [35mm print]
- The Monastery of Sendomir (Victor Sjostrom, 1920, Sweden)
- No Country for Old Men (Joel & Ethan Coen, 2007, USA)
- Zorns Lemma (Hollis Frampton, 1970, USA)
- (nostalgia) (Hollis Frampton, 1971, USA)
- Tiefland (Leni Riefenstahl, 1954, Germany)
- Loud Visual Noises (Stan Brakhage, 1987, USA)
- The Dead (Stan Brakhage, 1960, France/USA)
- Thigh Line Lyre Triangular (Stan Brakhage, 1961, USA)
- Europa '51 (Roberto Rossellini, 1952, Italy)
- Recreation (Robert Breer, 1956, USA)
- LMNO (Robert Breer, 1978, USA)
- 70 (Robert Breer, 1970, USA)
- Fuji (Robert Breer, 1974, USA)
- 69 (Robert Breer, 1968, USA)
- A Man and His Dog Out for Air (Robert Breer, 1957, USA)
- Ryan's Daughter (David Lean, 1970, UK)
- Man of the West (Anthony Mann, 1958, USA)
- Serene Velocity (Ernie Gehr, 1970, USA)
- The Birds (Alfred Hitchcock, 1963, USA)
- Ace in the Hole (Billy Wilder, 1951, USA)
- The Big Sleep (Howard Hawks, 1946, USA)
- The Immortal Story (Orson Welles, 1968, France)
- Organism (Hilary Harris, 1975, USA)
- 9 Variations (Hilary Harris, 1966, USA)
- Highway (Hilary Harris, 1958, USA)
- Film (Alan Schneider, 1965, USA)
- The Hearts of Age (William Vance & Orson Welles, 1934, USA)
- Rear Window (Alfred Hitchcock, 1954, USA) [35mm print!]
- Pour la suite du monde/For the Ones to Come (Pierre Perrault & Michel Brault, 1963, Canda)
- A Trip Down Memory Lane (Arthur Lipsett, 1965, Canada)
- Fluxes (Arthur Lipsett, 1968, Canada)
- The Tarnished Angels (Douglas Sirk, 1958, USA)
- Battle Hymn (Douglas Sirk, 1957, USA)
- The Prisoner of Shark Island (John Ford, 1936, USA)
- The Long Voyage Home (John Ford, 1940, USA)
- The End (Christopher Maclaine, 1953, USA)
- 21-87 (Arthur Lipsett, 1964, Canada)
- Very Nice Very Nice (Arthur Lipsett, 1961, Canada)
- The Battle of Kerzhenets (Ivan Ivanov-Vano & Yuri Norstein, 1971, USSR)
- Tobacco Road (John Ford, 1941, USA)
- Education for Death (Clyde Geronimi, 1943, USA)
- Chicken Little (Clyde Geronimi, 1943, USA)
- Reason and Emotion (Bill Roberts, 1943, USA)
- Der Fuehrer's Face (Jack Kinney, 1942, USA)
- Hedgehog in the Fog (Yuri Norstein, 1975, USSR)
- Tale of Tales (Yuri Norstein, 1979, USSR)
- Being There (Hal Ashby, 1979, USA)
- Steamboat Round the Bend (John Ford, 1935, USA)
- A Perfect Couple (Robert Altman, 1979, USA)
- Paper Moon (Peter Bogdanovich, 1973, USA)
- 7 Women (John Ford, 1966, USA)
- Drums Along the Mohawk (John Ford, 1939, USA)
- The Simpsons Movie (David Silverman, 2007, USA)
- Rescue Dawn (Werner Herzog, 2007, USA)
- Buchanan Rides Alone (Budd Boetticher, 1958, USA)
- Birth (Jonathan Glazer, 2004, USA)
- Two Rode Together (John Ford, 1961, USA)
- Rookie of the Year (John Ford, 1955, USA)
- Tennessee Johnson (William Dieterle, 1942, USA)
- Comanche Station (Budd Boetticher, 1960, USA)
- Ocean's Thirteen (Steven Soderbergh, 2007, USA)
- Cheyenne Autumn (John Ford, 1964, USA)
- 3 Godfathers (John Ford, 1948, USA)
- A Matter of Life and Death (Powell & Pressburger, 1946, UK)
- Ashes and Diamonds (Andrzej Wajda, 1958, Poland)
- Live Free or Die Hard (Len Wiseman, 2007, USA)
- I Saw What You Did (William Castle, 1965, USA)
- The Blacksmith (Buster Keaton & Malcolm St. Clair, 1922, USA)
- Memories of Underdevelopment (Tomás Gutiérrez Alea, 1968, Cuba)
- Lonely Boy (Wolf Koenig & Roman Kroitor, 1962, Canada)
- Legend of the Taira Clan (Kenji Mizoguchi, 1955, Japan)
- The Last Supper (Tomás Gutiérrez Alea, 1976, Cuba)
- The Travelling Players (Theo Angelopoulos, 1975, Greece)
- Seven Men from Now (Budd Boetticher, 1956, USA)
- Il Deserto rosso/Red Desert (Michelangelo Antonioni, 1964, Italy)
- Hi, Mom! (Brian De Palma, 1969, USA)
- Beggars of Life (William A. Wellman, 1928, USA)
- Head (Bob Rafelson, 1968, USA)
- Doc Savage: The Man of Bronze (Michael Anderson, 1975, USA)
- Made in U.S.A (Jean-Luc Godard, 1966, France)
- They Caught the Ferry (Carl Th. Dreyer, 1948, Denmark)
- Good Mothers (Carl Th. Dreyer, 1942, Denmark)
- Killer's Kiss (Stanley Kubrick, 1955, USA)
- The Jonker Diamond (Jacques Torneur, 1936, USA)
- Thorvaldsen (Carl Th. Dreyer & Preben Frank, 1949, Denmark)
- The Shanghai Gesture (Josef von Sternberg, 1941, USA)
- Fires on the Plain (Kon Ichikawa, 1959, Japan)
- Nashville (Robert Altman, 1975, USA) [35mm print!]
- The Aviary (Joseph Cornell & Rudy Burkhardt, 1954, USA)
- Centuries of June (Joseph Cornell & Stan Brakhage, 1955, USA)
- Nymphlight (Joseph Cornell, 1957, USA)
- A Legend for Fountains (Joseph Cornell, 1957, USA)
- A Diary for Timothy (Humphrey Jennings, 1943, UK)
- Fires Were Started (Humphrey Jennings, 1943, UK)
- The Shoes of the Fisherman (Michael Anderson, 1968, USA)
- Creature from the Black Lagoon (Jack Arnold, 1954, USA) [35mm 3-D print!!]
- In the Year of the Pig (Emile de Antonio, 1968, USA) [35mm print!]
- The Last Detail (Hal Ashby, 1973, USA)
- Spiderman 3 (Sam Raimi, 2007, USA)
- A Streetcar Named Desire (Elia Kazan, 1951, USA)
- Greetings (Brian De Palma, 1968, USA)
- The House is Black (Forough Farrokhzad, 1963, Iran)
- Why Has Bodhi-Dharma Left for the East? (Bae Yong-Kyun, 1989, South Korea)
- Le Tempestaire/The Tempest (Jean Epstein, 1947, France)
- Hospital (Frederick Wiseman, 1970, USA)
- A Star is Born (George Cukor, 1954, USA)
- Hoop Dreams (Steve James, 1994, USA)
- Sirius Remembered (Stan Brakhage, 1959, USA)
- Hour of the Wolf (Ingmar Bergman, 1968, Sweden)
- Original Cast Album - Company (D.A. Pennebaker, 1970, USA)
- Man's Favorite Sport? (Howard Hawks, 1964, USA)
- Only Angels Have Wings (Howard Hawks, 1939, USA)
- Gigi (Vincente Minnelli, 1958, USA)
- Passage à l'acte (Martin Arnold, 1993, Austria)
- Pièce touchée (Martin Arnold, 1989, Austria)
- Mandabi/The Money Order (Ousmane Sembene, 1968, Senegal)
- Borom sarret (Ousmane Sembene, 1966, Senegal)
- Children of Men (Alfonso Cuarón, 2006, USA)
- The Anderson Platoon (Pierre Schoendoerffer, 1967, France)
- The Keys of the Kingdom (John M. Stahl, 1944, USA)
- Anticipation of the Night (Stan Brakhage, 1962, USA)
- Procès de Jeanne d'Arc (Robert Bresson, 1962, France)
- Mahanagar/ The Big City (Satyajit Ray, 1963, India)
- The Text of Light (Stan Brakhage, 1974, USA) [16mm print!]
- Shadows of Our Forgotten Ancestors (Sergei Paradjanov, 1964, Soviet Union)
- The Barefoot Contessa (Joseph L. Mankiewicz, 1954, USA)
- Portrait of Jason (Shirley Clarke, 1967, USA)
- Ordinary People (Robert Redford, 1980, USA)
- Hail the Conquering Hero (Preston Sturges, 1944, USA)
- still/here (Christopher Harris, 2002, USA)
- Christmas in July (Preston Sturges, 1940, USA)
- Arnulf Rainer (Peter Kubelka, 1960, Austria) [16mm print]
- Schwechater (Peter Kubelka, 1958, Austria) [16mm print]
- Adebar (Peter Kubelka, 1957, Austria) [16mm print]
- Angel (Joseph Cornell, 1957, USA)
- 79 Springtimes of Ho Chi Minh (Santiago Alvarez, 1969, Cuba)
- Report (Bruce Conner, 1967, USA)
- The Pirate (Vincente Minnelli, 1948, USA)
- The Knack ...and How to Get It (Richard Lester, 1965, UK)
- Fuses (Carolee Schneemann, 1967, USA)
- 49 Up (Michael Apted, 2005, UK)
- Patton (Franklin J. Schaffner, 1970, USA)
- Skidoo (Otto Preminger, 1968, USA)
- Bunny Lake is Missing (Otto Preminger, 1965, USA)
- Anatomy of a Murder (Otto Preminger, 1959, USA)
- The Diamond Arm (Leonid Gaidai, 1968, Soviet Union)
- Early Summer (Yasujiro Ozu, 1951, Japan)
- Girl With Green Eyes (Desmond Davis, 1964, UK)
- Meet Me in St. Louis (Vincente Minnelli, 1944, USA)
- Pursued (Raoul Walsh, 1947, USA)
- Cabaret (Bob Fosse, 1972, USA)
- Brigadoon (Vincente Minnelli, 1954, USA)
- Home From the Hill (Vincente Minnelli, 1960, USA)
- Oedipus Rex (Pier Paolo Pasolini, 1967, Italy)
- Tung (Bruce Baillie, 1966, USA)
- Valentin de las Sierras (Bruce Baillie, 1971, USA)
- Mr. Hayashi (Bruce Baillie, 1961, USA)
- All My Life (Bruce Baillie,1966, USA)
- Mass for the Dakota Sioux (Bruce Baillie, 1964, USA)
- Castro Street (Bruce Baillie, 1966, USA)
- Love Me Tonight (Rouben Mamoulian, 1932, USA)
- Bitter Victory (Nicholas Ray, 1957, USA)
- Applause (Rouben Mamoulian, 1929, USA)
- It's Always Fair Weather (Stanley Donen & Gene Kelly, 1955, USA)
- Love Streams (John Cassavetes, 1984, USA)
- The Broadway Melody (Harry Beaumont, 1929, USA)
- The Family Jewels (Jerry Lewis, 1965, USA)
- Ganja & Hess (Bill Gunn, 1973, USA)
- The Missouri Breaks (Arthur Penn, 1976, USA)
- Chameleon Street (Wendell B. Harris Jr., 1989, USA)
- Bad Day at Black Rock (Jon Sturges, 1955, USA)
- The Grapes of Wrath (John Ford, 1940, USA)
- The Great Escape (John Sturges, 1963, USA)
- The Tin Drum (Voler Schlöndorff, 1979, Germany)
- Bone (Larry Cohen, 1972, USA)
- Nothing But a Man (Michael Roemer, 1964, USA)
- Jud Süß/Jew Süss (Veit Harlan, 1940, Germany)
- Passing Through (Larry Clark, 1977, USA)
- The Spook Who Sat by the Door (Ivan Dixon, 1973, USA)
- Trouble in Paradise (Ernst Lubitsch, 1932, USA)
- Death in Venice (Luchino Visconti, 1971, Italy)
- The Thin Blue Line (Errol Morris, 1988, USA)
- A Time for Burning (Barbara Connell & William C. Jersey, 1967, USA)
- Mama Roma (Pier Paolo Pasolini, 1962, Italy)
- Accatone (Pier Paolo Pasolini, 1961, Italy)
- Le Amiche/The Girlfriends (Michelangelo Antonioni, 1955, Italy)
- Powers of Ten (Ray & Charles Eames, 1977, USA)
- Kustom Kar Kommandos (Kenneth Anger, 1965, USA)
- Eaux d'artifice (Kenneth Anger, 1953, USA)
- Rabbit's Moon (Kenneth Anger, 1950, USA)
- Puce Moment (Kenneth Anger, 1949, USA)
- Fireworks (Kenneth Anger, 1947, USA)
- Johnny Guitar (Nicholas Ray, 1954, USA)
- In a Lonely Place (Nicholas Ray, 1950, USA)
- The Mirror (Jafar Panahi, 1997, Iran)
- Electra Glide in Blue (James William Guercio, 1973, USA)
- The Osterman Weekend (Sam Peckinpah, 1983, USA)
- The Killer Elite (1975, Sam Peckinpah, USA)
- Husbands (John Cassavettes, 1970, USA)
- The Parallax View (Alan J. Pakula, 1974, USA)
- The Ghost and Mr. Chicken (Alan Rafkin, 1966, USA)
- Lost Horizon (Frank Capra, 1937, USA)
- Heaven's Gate (Michael Cimino, 1980, USA)








This Film Log is merely a list of the films I have most recently seen. (Most recent at # 1, etc.) Its chief goal is to keep the movies in my mind, as seeing such a large quantity can frequently be overwhelming. Thanks to Amyraeapples for the concept inspiration!