seen from daniel's film canon
Submitted by WB on Sun, 04/23/2006 - 08:44
Tags:
- Annabelle Serpentine Dance (August and Louis Lumiere, 1895, France)
- 20,000 Employees Entering Lord Armstrong's Elswick Works (James Kenyon/Sagar Mitchell, 1900, UK)
- Le Voyage a travers l'impossible/The Impossible Voyage (Georges Melies, 1904, France)
- Jack and the Beanstalk (Edwin S. Porter, 1907, USA)
- A Corner in Wheat (D.W. Griffith, 1909, USA)
- Afgrunden/The Abyss (Urban Gad, 1910, Denmark)
- L'Inferno (Francesco Bertolini, 1911, Italy)
- How a Mosquito Operates (Winsor McCay, 1911, USA)
- Posle Smerti/After Death (Evgeni Bauer, 1915, Russia)
- Thais (Anton Giulio Bragaglia, 1916, Italy)
- Behind the Screen (Charles Chaplin, 1916, USA)
- Judex (Louis Feuillade, 1916, France)
- Erotikon (Mauritz Stiller, 1920, Sweden)
- Der Golem: wie er in die Welt kam/The Golem (Paul Wegener, 1920, Germany)
- Tol'able David (Henry King, 1921, USA)
- Korkarlen/The Phantom Chariot (Victor Sjostrom, 1921, Sweden)
- Foolish Wives (Erich von Stroheim, 1922, USA)
- L'inhumaine/The Inhuman Woman (Marcel L'Herbier, 1924, France)
- The Red Lily (Fred Niblo, 1924, USA)
- Go West (Buster Keaton, 1925, USA)
- The Devil's Circus (Benjamin Christensen, 1926, USA)
- Kurutta Ippeji/A Page of Madness (Teinosuke Kinugasa, 1926, Japan)
- Menilmontant (Dmitri Kirsanoff, 1926, France)
- Die Abenteuer des Prinzen Achmed/The Adventures of Prince Achmed (Lotte Reiniger, 1926, Germany)
- Le Joueur d'echecs/The Chess Player (Raymond Bernard, 1927, France)
- L'invitation au voyage/Invitation to a Journey (Germaine Dulac, 1927, France)
- Napoleon (Abel Gance, 1927, France)
- The Kid Brother (Ted Wilde/Lewis Milestone/J.A. Howe, 1927, USA)
- Sunrise (F.W. Murnau, 1927, USA)
- Konets Sankt-Peterburga/The End of St. Petersburg (Vsevolod Pudovkin, 1927, USSR)
- Piccadilly (Ewald Andre Dupont, 1929, UK)
- Novyy Vavilon/New Babylon (Grigori Kozintsev/Leonid Trauberg, 1929, USSR)
- Das Tagebuch einer Verlorenen/Diary of a Lost Girl (G.W. Pabst, 1929, Germany)
- Dans la nuit (Charles Vanel, 1929, France)
- Chevolek s kino-apparatom/Man With the Movie Camera (Dziga Vertov, 1929, USSR)
- Der Morder Dimitri Karamasoff/The Murderer Dmitri Karamazov (Fyodor Otsep, 1931, Germany)
- Freaks (Tod Browning, 1932, USA)
- Ivan (Alexander Dovzhenko, 1932, USSR)
- Que Viva Mexico! (Sergei Eisenstein, 1932, USA/Mexico)
- Schastye/Happiness (Alexander Medvedkin, 1932, USSR)
- Quatorze Juillet/July 14 (Rene Clair, 1933, France)
- Gabriel Over the White House (Gregory La Cava, 1933, USA)
- Ekstase/Ecstasy (Gustav Machaty, 1933, Czechoslovakia/Austria)
- Queen Christina (Rouben Mamoulian, 1933, USA)
- Liebelei (Max Ophuls, 1933, Germany)
- Man of Aran (Robert Flaherty, 1934, UK)
- L'Atalante (Jean Vigo, 1934, France)
- Shen Nu/The Goddess (Wu Yonggang, 1934, China)
- Top Hat (Mark Sandrich, 1935, USA)
- The Phantom Empire (Otto Brower, 1935, USA)
- U samogo sinyego moray/By the Bluest of Seas (Boris Barnet, 1936, USSR)
- Rose Hobart (Joseph Cornell, 1936, USA)
- Le Roman d'un tricheur/Story of a Cheat (Sacha Guitry, 1936, France)
- Hitori musoko/The Only Son (Yasujiro Ozu, 1936, Japan)
- Un Carnet du Bal (Julien Duvivier, 1937, France)
- Trade Tattoo (Len Lye, 1937, UK)
- Make Way for Tomorrow (Leo McCarey, 1937, USA)
- Ninjo kami fusen/Humanity and Paper Balloons (Sadao Yamanaka, 1937, Japan)
- La Femme du boulanger/The Baker's Wife (Marcel Pagnol, 1938, France)
- Young Mr. Lincoln (John Ford, 1939, USA)
- Zangiku Monogatori/Story of the Last Chrysanthemum (Kenji Mizoguchi, 1939, Japan)
- Johnny Apollo (Henry Hathaway, 1940, USA)
- Rebecca (Alfred Hitchcock, 1940, USA/UK)
- La Corona di ferro/The Iron Crown (Alessandro Blasetti, 1941, Italy)
- Hellzapoppin' (H.C. Potter, 1941, USA)
- Here We Go Again (Allan Dwan, 1942, USA)
- Fires Were Started (Humphrey Jennings, 1943, UK)
- The Keys of the Kingdom (John M. Stahl, 1944, USA)
- An American Romance (King Vidor, 1944, USA)
- Dillinger (Max Nosseck, 1945, USA)
- Les Jeux sont faits/The Chips are Down (Jean Delannoy, 1947, France)
- Nightmare Alley (Edmund Goulding, 1947, USA)
- Anjo-ke no Butokai/Ball at the House of Anjo (Yoshimuira Kozaburo, 1947, Japan)
- Out of the Past (Jacques Tourneur, 1947, USA)
- Pursued (Raoul Walsh, 1947, USA)
- Portrait of Jennie (William Dieterle, 1948, USA)
- The Red Shoes (Michael Powell/Emeric Pressburger, 1948, UK)
- Pattes Blanches/White Paws (Jean Gremillon, 1949, France)
- The Black Book (Anthony Mann, 1949, USA)
- Pacific 231 (Jean Mitry, 1949, Canada)
- Wuya yu maque/Crows and Sparrows (Zheng Junli, 1949, China)
- The Dividing Line (Joseph Losey, 1950, USA)
- Awaara (Raj Kapoor, 1951, India)
- Baiju Bawra (Vijay Bhatt, 1952, India)
- Singin' in the Rain (Stanley Donen/Gene Kelly, 1952, USA)
- Park Row (Sam Fuller, 1952, USA)
- Vida en Sombras (Lorenzo Llboet Gracia,1952, Spain)
- Angel Face (Otto Preminger, 1952, USA)
- Neighbors (Norman Maclaren, 1952, Canada)
- Eaux d'artifice (Kenneth Anger, 1953, USA)
- The Blue Gardenia (Fritz Lang, 1953, USA)
- Le Carrosse d'Or (Jean Renoir, 1953, France/Italy)
- The 5,000 Fingers of Dr. T (Roy Rowland, USA, 1953)
- Yama no oto/Sound of the Mountain (Mikio Naruse, 1954, Japan)
- Tiefland (Leni Riefenstahl, 1954, Germany)
- The Saga of Anatahan (Josef Von Sternberg, USA/Japan, 1954)
- Kiss Me Deadly (Robert Aldrich, USA, 1955)
- Muerte de un ciclista/Death of a Cyclist (Juan Antonio Bardem, 1955, Spain/Italy)
- Gervaise (Rene Clement, 1956, France)
- Baby Doll (Elia Kazan, 1956, USA)
- A Kiss Before Dying (Gerd Oswald, 1956, USA)
- Bigger Than Life (Nicholas Ray, 1956, USA)
- Rock All Night (Roger Corman, 1957, USA)
- Celui Qui Doit Mourir/He Who Must Die (Jules Dassin, 1957, Italy/France)
- Pyaasa (Guru Dutt, 1957, India)
- China Doll (Frank Borzage, 1958, USA)
- The Very Eye of Night (Maya Deren, 1958, USA)
- From the Earth to the Moon (Byron Haskin, 1958, USA)
- Some Came Running (Vincente Minnelli, 1958, USA)
- Jalsaghar/The Music Room (Satyajit Ray, 1958, India)
- Pickpocket (Robert Bresson, 1959, France)
- The Hanging Tree (Delmer Daves, 1959, USA)
- L'il Abner (Melvin Frank, 1959, USA)
- India (Roberto Rossellini, 1959, France/Italy)
- Imitation of Life (Douglas Sirk, 1959, USA)
- Ride Lonesome (Budd Boetticher, 1959, USA)
- La Maschera del demonio/Black Sunday (Mario Bava, 1960, Italy
- The Young One (Luis Bunuel, 1960, Mexico/USA)
- The Bellboy (Jerry Lewis, 1960, USA)
- Der Schweigende Stern/First Spaceship on Venus (Kurt Maetzig, 1960, East Germany/Poland)
- Hadaka no shima/The Island (Kaneto Shindo, 1960, Japan)
- Komal Gandhar/E-Flat (Ritwik Ghatak, 1961, India)
- Ples v dezju/Dancing in the Rain (Bostjan Hladnik, 1961, Yugoslavia)
- Il Gigante di Metropolis/The Giant of Metropolis (Umberto Scarpelli, 1961, Italy)
- Walk on the Wild Side (Edward Dmytryk, 1962, USA)
- Freud (John Huston, 1962, USA)
- Chushingura – Hana no maki yuki no maki/The 47 Ronin (Hiroshi Inagaki, 1962, Japan)
- Khaneh siah ast/The House is Black (Forugh Farrokhzad, 1963, Iran)
- Gidget Goes to Rome (Paul Wendkos, 1963, USA)
- Le Feu follet/The Fire Within (Louis Malle, 1963, France)
- Pasazerka/Passenger (Andrzej Munk, 1963, Poland)
- I Fidanzati (Ermanno Olmi, 1963, Italy)
- Pour La Suite du Monde/Of Whales, the Moon, and Men (Pierre Perrault, 1963, Canada)
- Muriel ou Le temps d'un retour/Muriel (Alain Resnais, 1963, France)
- Il Deserto Rosso/Red Desert (Michelangelo Antonioni, 1964, Italy)
- Mass for the Dakota Sioux (Bruce Baillie, 1964, USA)
- Padurea spinzuratilor/Forest of the Hanged (Liviu Ciulei, 1964, Romania)
- Girl with Green Eyes (Desmond Davis, 1964, UK)
- Manji (Yasuzo Masumura, 1964, Japan)
- Rekopis znaleziony w Saragossie/Saragossa Manuscript (Wojciech Has, 1965, Poland)
- Wutail jiemei/Stage Sisters (Jin Xie, 1965, China)
- Le Bonheur (Agnes Varda, 1965, France)
- Campanadas a Medianoche/Chimes at Midnight (Orson Welles, 1965, Spain)
- Django (Sergio Corbucci, 1966, Italy)
- El Dorado (Howard Hawks, 1966, USA)
- Unsere Afrikareise (Peter Kubelka, 1966, Austria)
- L'Armata Brancaleone (Mario Monicelli, 1966, Italy)
- Giorgobistve/Falling Leaves (Otar Iosseliani, 1966, USSR)
- Tanin no kao/Face of Another (Hiroshi Teshigahara, 1966, Japan)
- Komissar/The Commissar (Alexander Askoldov, 1967, USSR)
- La Cina e vicina/China is Near (Marco Bellocchio, 1967, Italy)
- Report (Bruce Conner, 1967, USA)
- Edipo Re/Oedipus Rex (Pier Paolo Pasolini, 1967, Italy)
- Marketa Lazarova (Frantisek Vlacil, 1967, Czechoslovakia)
- Ljubavni slucaj ili tragedija sluzbenice P.T.T./Love Affair or the Case of the Missing Switchboard Operator (Dusan Makavejev, 1967, Yugoslavia)
- Privilege (Peter Watkins, 1967, UK)
- Privarzaniyat balon/The Tied Up Balloon (Binka Zhelyazkova, 1967, Bulgaria)
- Memorias del subdesarrollo/Memories of Underdevelopment (Tomas Gutierrez Alea, 1968, Cuba)
- Brilliantovaya ruka/The Diamond Arm (Leonid Gaidai, 1968, USSR)
- Gaav/The Cow (Dariush Mehrjui, 1969, Iran)
- Diaries, Notebooks and Sketches (Jonas Mekas, 1969, USA)
- L'Armee des ombres/Army in the Shadows (Jean-Pierre Melville, 1969, France)
- Strategia del ragno/The Spider's Stratagem (Bernardo Bertolucci, 1970, Italy)
- Valerie a týden divu/Valerie and Her Week of Wonders (Jaromil Jires, 1970, Czechoslovaki)
- The Hart of London (Jack Chambers, 1970, Canada)
- La Maison des Bories/The House of the Bories (Jacques Doniol-Valcroze, 1970, France)
- Magasiskola/Falcons (Istvan Gaal, 1970, Hungary)
- N-Zone (Arthur Lipsett, 1970, Canada)
- Beyond the Valley of the Dolls (Russ Meyer, 1970, USA)
- Mihai Viteazul/The Last Crusade (Sergiu Nicolaescu, 1970, Romania)
- Blanche (Walerian Borowczyk, 1971, France)
- Two-Lane Blacktop (Monte Hellman, 1971, USA)
- Fata Morgana (Werner Herzog, 1971, West Germany)
- The Last Movie (Dennis Hopper, 1971, USA)
- Les Levres rouges/Daughters of Darkness (Harry Kumel, 1971, Belgium/France)
- Wanda (Barbara Loden, 1971, USA)
- Szerelem/Love (Karoly Makk, 1971, Hungary)
- Petit a petit (Jean Rouch, 1971, France)
- La Region Centrale (Michael Snow, 1971, Canada)
- Viskingar och rop/Cries and Whispers (Ingmar Bergman, 1972, Sweden)
- The Text of Light (Stan Brakhage, 1972, USA)
- Les Expériences érotiques de Frankenstein/The Rites of Frankenstein (Jess Franco, 1972, France/Spain)
- Meg ker a nep/The Red Psalm (Miklos Jancso, 1972, Hungary)
- A zori zeds tikhie/The Dawns Here are Quiet (Stanislav Rostotsky, 1972, USSR)
- Sisters (Brian de Palma, 1973, USA)
- Touki Bouki (Djibril Diop Mambety, 1973, Senegal)
- Pat Garrett and Billy the Kid (Sam Peckinpah, 1973, USA)
- Charley Varrick (Don Siegel, 1973, USA)
- La Gueule ouverte/The Mouth Agape (Maurice Pialat, 1974, France)
- Tabiate bijan/Still Life (Sohrab Shahid Saless, 1974, Iran)
- Parade (Jacques Tati, 1974, France)
- Alice in den Stadten/Alice in the Cities (Wim Wenders, 1974, West Germany)
- Tinimbang ka ngunit kulang/You Are Weighed in the Balance But Are Found Wanting (Lino Brocka, 1974, Philippines)
- O thiassos/The Travelling Players (Theo Angelopoulos, 1975, Greece)
- Profondo rosso/Deep Red (Dario Argento, 1975, Italy)
- La Mort du rat/Death of the Rat (Pascal Aubier, 1975, France)
- Batalla de Chile/Battle of Chile (Patricio Guzman, 1975-1979, France/Cuba)
- Chronique des annees de braise/Chronicle of the years of embers (Mohammed Lakhdar-Hamina, 1975, Algeria)
- Orokbefogadas/Adoption (Marta Meszaros, 1975, Hungary)
- Tarva yeghanakner/The Seasons (Artavazd Peleshyan, 1975, USSR)
- Le Sauvage (Jean-Paul Rappeneau, 1975, France)
- Al-Risalah/The Message (Moustapha Akkad, 1975, Libya)
- Mikey and Nicky (Elaine May, 1976, USA)
- Voskhozhdeniye/Ascent (Larisa Shepitko, 1976, USSR)
- News From Home (Chantal Akerman, 1977, France/Belgium)
- 3 Women (Robert Altman, 1977, USA)
- Killer of Sheep (Charles Burnett, 1977, USA)
- Une sale histoire/A Dirty Story (Jean Eustache, 1977, France)
- Le Fond de l'air est rouge/Grin Without a Cat (Chris Marker, 1977, France)
- Martin (George A. Romero, 1977, USA0
- Czlowiek z marmuru/Man of Marble (Andrzej Wajda, 1977, Poland)
- Desperate Living (John Waters, 1977, USA)
- In einem Jahr mit 13 Monden/In a Year of 13 Moons (Rainer Werner Fassbinder, 1978, West Germany)
- A Walk Through H (Peter Greenaway, 1978, UK)
- Perceval (Eric Rohmer, 1978, France)
- Life of Brian (Terry Jones, 1979, UK)
- Lachenite obuvki na neznayniya voin/The Unknown Soldier's Patent Leather Shoes (Rangel Vulchanov, 1979, Bulgaria)
- Amator/Camera Buff (Krzysztof Kieslowski, 1979, Poland)
- Skazka skazok/Tale of Tales (Yuri Norstein, 1979, USSR)
- Gates of Heaven (Errol Morris, 1980, USA)
- Deprisa, Deprisa/Faster, Faster (Carlos Saura, 1981, Spain)
- The French Lieutenant's Woman (Karel Reisz, 1981, UK)
- Yol (Yilmaz Guney, 1982, Turkey)
- Parsifal (Hans-Jurgen Syberberg, 1982, West Germany)
- Mortelle Randonnee/Deadly Circuit (Claude Miller, 1983, France)
- El Norte (Gregory Nava, 1983, USA/UK)
- La Belle Captive (Alain Robbe-Grillet, 1983, France)
- Nostalghia (Andrei Tarkovsky, 1983, Italy)
- Die Vierde man/The Fourth Man (Paul Verhoeven, 1983, Netherlands)
- Love Streams (John Cassavetes, 1984, USA)
- Klassenverhaltnisse/Class Relations (Jean-Marie Straub/Daniele Huillet, 1984, France/West Germany)
- Peril en la demeure (Michel Deville, 1985, France)
- Manner…/Men… (Doris Dorrie, 1985, West Germany)
- Idi I smotri/Come and See (Elim Klimov, 1985, USSR)
- Crimewave (John Paizs, 1985, Canada)
- Obert Reidl/Colonel Reidl (Istvan Szabo, 1985, Hungary)
- Lianlian fengchen/Dust in the Wind (Hou Hsiao-Hsien, 1986, Taiwan)
- Sherman's March (Ross Mcelwee, 1986, USA)
- Landscape Suicide (James Benning, 1986, USA)
- Sleepwalk (Sara Driver, 1987, USA)
- King Lear (Jean-Luc Godard, 1987, Bahamas/USA)
- Yeelen (Souleymane Cisse, 1987, Mali)
- Bicycleran/The Cyclist (Mohsen Makhmalbaf, 1987, Iran)
- Distant Voices, Still Lives (Terrence Davies, 1988, UK)
- Ashugi Qarabi/Ashik Kerib (Sergei Parajanov, 1988, USSR)
- Bashu/The Little Stranger (Bahram Beizai, 1989, Iran)
- Kuroi Ame/Black Rain (Shohei Imamura, 1989, Japan)
- Sempre Xonxa (Chano Pineiro, 1989, Spain)
- Une histoire de vent/A Tale of the Wind (Joris Ivens, 1989, France)
- Dharmaga tongjoguro kan kkadalgun/Why has Bodhi Dharma Left for the East? (Bae Yong-Kyun, 1989, South Korea)
- All the Vermeers in New York (Jon Jost, 1990, USA)
- Good News: Von Kolporteuren, toten Hunden und anderen Wienern (Ulrich Seidl, 1990, Austria)
- J'entends plus la guitare/I Don't Hear the Guitar Anymore (Philippe Garrel, 1991, France)
- Side/Walk/Shuttle (Ernie Gehr, 1991, USA)
- Zendegi va digar hich/And Life Goes On (Abbas Kiarostami, 1991, Iran)
- La Frontera/The Frontier (Ricardo Larrain, 1991, Chile)
- El Sol de Membrillo/Quince Tree Sun (Victor Erice, 1992, Spain)
- Matinee (Joe Dante, 1993, USA)
- In the Mouth of Madness (John Carpenter, 1993, USA)
- Satantango (Bela Tarr, 1994, Hungary)
- Dukhovnyye golosa/Spiritual Voices (Alexander Sokurov, 1995, Russia)
- Daijiga umule pajinnal/Day a Pig Fell into the Well (Hong Sang-Soo, 1996, South Korea)
- Xianggang zhizao/Made in Hong Kong (Fruit Chan, 1997, Hong Kong)
- Tren de Sombras (Jose Luis Guerin, 1997, Spain)
- He liu/The River (Tsai Ming-Liang, 1997, Taiwan)
- Inquietude (Manoel Oliveira, 1998, Portugal/France)
- Babe: Pig in the City (George Miller, 1998, USA)
- New Rose Hotel (Abel Ferrara, 1998, USA)
- Khrustalyov, mashinu!/Khrustalyov, my car! (Alexei German, 1998, Russia/France)
- Alone. Life Wastes Andy Hardy (Martin Arnold, 1998, Austria)
- South Park: Bigger Longer and Uncut (Trey Parker, 1999, USA)
- Le Temps retrouve/Time Regained (Raoul Ruiz, 1999, Portugal/France)
- Dofka nai meuman/Mysterious Object at Noon (Apichatpong Weerasethakul, 2000, Thailand)
- Zhantai/Platform (Jia Zhang-Ke, 2000, China)
- Chico (Ibolya Fekete, 2001, Hungary)
- Lucia y el sexo/Sex and Lucia (Julio Medem, 2001, Spain)
- Los Angeles Plays Itself (Thom Andersen, 2003, USA)
- Twentynine Palms (Bruno Dumont, 2003, France/USA)
- Star Spangled to Death (Ken Jacobs, 2004, USA)
- The New World (Terrence Malick, 2005, USA)
- Takeshis' (Takeshi Kitano, 2005, Japan)
Author Comments:
One per director for the reason that all these guys and gals are good enough that any film, even their so-called "failures," are worth watching.
Alot of generally regarded "classics" were omitted simply because they don't need little ol' me to further vindicate their worth. That's not to say that I consider all the films I chose to include as underappreciated. I was mostly trying to construct some sort of meta-narrative to describe the force that keeps me up at nights and draws me back to the dvd player. I hope that some sort of consistency/individuality can be found.
Cloned From:








who is the Daniel of this Daniel's film canon?
looks to be an eclectic mix, to say the least
I cloned this list from our user dphayes.
It's very intersting, indeed.
He already has a new list up, btw.