Criterion Collection DVD's I Own

Submitted by staup2005 on Sat, 09/30/2006 - 01:38
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  • Grand Illusion (Jean Renoir, 1937)
  • Seven Samurai (Akira Kurosawa, 1954)
  • The Lady Vanishes (Alfred Hitchcock, 1938)
  • Amarcord (Federico Fellini, 1974)
  • The 400 Blows (Francois Truffaut, 1959)
  • Beauty and the Beast (Jean Cocteau, 1946)
  • A Night to Remember (Roy Ward Baker, 1958)
  • The Killer (John Woo, 1989)
  • Hard Boiled (John Woo, 1992)
  • Walkabout (Nicholas Roeg, 1971)
  • The Seventh Seal (Ingmar Bergman, 1957)
  • This is Spinal Tap (Rob Reiner, 1984)
  • The Silence of the Lambs (Jonathan Demme, 1991)
  • Samurai I: Musashi Miyamoto (Hiroshi Inagaki, 1954)
  • Samurai II: Duel at Ichijoji Temple (Hiroshi Inagaki, 1955)
  • Samurai III: Duel at Ganryu Island (Hiroshi Inagaki, 1956)
  • Salo, le 120 giornate di Sodoma (Pier Paolo Pasolini, 1975)
  • The Naked Kiss (Samuel Fuller, 1964)
  • Shock Corridor (Samuel Fuller, 1963)
  • Sid and Nancy (Alex Cox, 1986)
  • Dead Ringers (David Cronenberg, 1988)
  • Summertime (David Lean, 1955)
  • RoboCop (Paul Verhoeven, 1987)
  • High and Low (Akira Kurosawa, 1963)
  • Alphaville (Jean-Luc Godard, 1965)
  • The Long Good Friday (John Mackenzie, 1980)
  • Flesh for Frankenstein (Paul Morrissey, 1974)
  • Blood for Dracula (Paul Morrissey, 1974)
  • Picnic at Hanging Rock (Peter Weir, 1975)
  • M (Fritz Lang, 1931)
  • Great Expectations (David Lean, 1946)
  • Oliver Twist (David Lean, 1948)
  • Nanook of the North (Robert Flaherty, 1922)
  • Andrei Rublev (Andrei Tarkovsky, 1969)
  • Les Diaboliques (Henri-Georges Clouzot, 1955)
  • Wages of Fear (Henri-Georges Clouzot, 1953)
  • Time Bandits (Terry Gilliam, 1981)
  • Branded to Kill (Seijun Suzuki, 1967)
  • Tokyo Drifter (Seijun Suzuki, 1966)
  • Armageddon (Michael Bay, 1998)
  • Henry V (Laurence Olivier, 1944)
  • Fishing with John (John Lurie, 1992)
  • Lord of the Flies (Peter Brook, 1963)
  • The Red Shoes (Michael Powell & Emeric Pressburger, 1948)
  • Taste of Cherry (Abbas Kiarostami, 1997)
  • The Most Dangerous Game (Irving Pichel & Ernest B. Schoedsack, 1932)
  • Insomnia (Erik Skjoldbjaerg, 1997)
  • Black Orpheus (Marcel Camus, 1959)
  • Nights of Cabiria (Federico Fellini, 1957)
  • And the Ship Sails On (Federico Fellini, 1984)
  • Brazil (Terry Gilliam, 1985)
  • Yojimbo (Akira Kurosawa, 1961)
  • Sanjuro (Akira Kurosawa, 1962)
  • For All Mankind (Al Reinert, 1989)
  • The Unbearable Lightness of Being (Philip Kaufman, 1988)
  • The 39 Steps (Alfred Hitchcock, 1935)
  • Charade (Stanley Donen, 1963)
  • Peeping Tom (Michael Powell, 1960)
  • The Night Porter (Liliana Cavani, 1974)
  • Autumn Sonata (Ingmar Bergman, 1978)
  • Life of Brian (Terry Jones, 1979)
  • The Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
  • Carnival of Souls (Herk Harvey, 1962)
  • The Third Man (Carol Reed, 1949)
  • Rushmore (Wes Anderson, 1998)
  • Blood of a Poet (Jean Cocteau, 1930)
  • Orpheus (Jean Cocteau, 1949)
  • Testament of Orpheus (Jean Cocteau, 1959)
  • The Last Temptation of Christ (Martin Scorsese, 1988)
  • The Magic Flute (Ingmar Bergman, 1975)
  • Le Million (Rene Clair, 1931)
  • Cleo from 5 to 7 (Agnes Varda, 1962)
  • Vagabond (Agnes Varda, 1985)
  • Chasing Amy (Kevin Smith, 1997)
  • Brief Encounter (David Lean, 1946)
  • And God Created Woman (Roger Vadim, 1956)
  • The Bank Dick (Edward Cline, 1940)
  • W. C. Fields: Six Short Films
  • The Element of Crime (Lars von Trier, 1984)
  • Variety Lights (Alberto Lattuada & Federico Fellini, 1950)
  • Hamlet (Laurence Olivier, 1948)
  • The Harder They Come (Perry Henzell, 1973)
  • Good Morning (Yasujiro Ozu, 1959)
  • Pygmalion (Leslie Howard & Anthony Asquith, 1938)
  • Alexander Nevsky (Sergei Eisenstein, 1938)
  • Ivan The Terrible Part I (Sergei Eisenstein, 1945)
  • Ivan the Terrible Part II (Sergei Eisenstein, 1945)
  • Sisters (Brian De Palma, 1973)
  • Kwaidan (Masaki Kobayashi, 1965)
  • The Blob (Irvin S. Yeaworth, 1958)
  • Fiend Without a Face (Arthur Crabtree, 1958)
  • Black Narcissus (Michael Powell & Emeric Pressburger, 1947)
  • I Know Where I'm Going! (Michael Powell & Emeric Pressburger, 1945)
  • All That Heaven Allows (Douglas Sirk, 1955)
  • Written on the Wind (Douglas Sirk, 1956)
  • Do the Right Thing (Spike Lee, 1989)
  • L'avventura (Michelangelo Antonioni, 1960)
  • Gimme Shelter (David Maysles, Albert Maysles & Charlotte Zwerin, 1970)
  • Beastie Boys Video Anthology
  • Cries and Whispers (Ingmar Bergman, 1972)
  • The Discreet Charm of the Bourgeoisie (Luis Bunuel, 1972)
  • The Lady Eve (Preston Sturges, 1941)
  • Double Suicide (Masahiro Shinoda, 1969)
  • Spartacus (Stanley Kubrick, 1960)
  • Coup de Torchon (Bertrand Tavernier, 1981)
  • Mona Lisa (Neil Jordan, 1986)
  • The Rock (Michael Bay, 1996)
  • The Scarlet Empress (Josef von Sternberg, 1934)
  • Mr. Hulot's Holiday (Jacques Tati, 1953)
  • Mon Oncle (Jacques Tati, 1958)
  • Playtime (Jacques Tati, 1967)
  • Big Deal on Madonna Street (Mario Monicelli, 1958)
  • My Man Godfrey (Gregory La Cava, 1936)
  • Rififi (Jules Dassin, 1955)
  • The Hidden Fortress (Akira Kurosawa, 1958)
  • Diary of a Chambermaid (Luis Bunuel, 1964)
  • Sullivan's Travels (Preston Sturges, 1942)
  • Withnail and I (Bruce Robinson, 1986)
  • How to Get Ahead in Advertising (Bruce Robinson, 1988)
  • Billy Liar (John Schlesinger, 1963)
  • Salesman (David Maysles, Albert Maysles & Charlotte Zwerin, 1968)
  • Grey Gardens (David Maysles Albert Maysles, Muffie Meyer, Susan Froemke, & Ellen Hovde, 1976)
  • Day of Wrath (Carl Theodor Dreyer, 1943)
  • Ordet (Carl Theodor Dreyer, 1955)
  • Gertrud (Carl Theodor Dreyer, 1964)
  • Carl Th. Dreyer: My Metier (Torben Skjodt Jensen, 1995)
  • Le Trou (Jacques Becker, 1960)
  • The Shop on Main Street (Elmar Klos & Jan Kadar, 1965)
  • Closely Watched Trains (Jiri Menzel, 1966)
  • The Ruling Class (Peter Medak, 1972)
  • The Vanishing (George Sluizer, 1988)
  • Haxan (Benjamin Christensen, 1922)
  • Rebecca (Alfred Hitchcock, 1940)
  • Spellbound (Alfred Hitchcock, 1945)
  • Notorious (Alfred Hitchcock, 1946)
  • Rashomon (Akira Kurosawa, 1950)
  • Wild Strawberries (Ingmar Bergman, 1957)
  • 8 1/2 (Federico Fellini, 1963)
  • Children of Paradise (Marcel Carne, 1945)
  • The Last Wave (Peter Weir, 1977)
  • That Obscure Object of Desire (Luis Bunuel, 1977)
  • Loves of a Blonde (Miloš Forman, 1965)
  • The Firemen's Ball (Miloš Forman, 1967)
  • The Cranes Are Flying (Mikhail Kalatozov, 1957)
  • In the Mood for Love (Wong Kar-wai, 2000)
  • Ballad of a Soldier (Grigori Chukhrai, 1959)
  • Juliet of the Spirits (Federico Fellini, 1965)
  • Bob le Flambeur (Jean-Pierre Melville, 1956)
  • Traffic (Steven Soderbergh, 2000)
  • George Washington (David Gordon Green, 2000)
  • General Idi Amin Dada (Barbet Schroeder, 1974)
  • The Horse's Mouth (Ronald Neame, 1958)
  • Tokyo Olympiad (Kon Ichikawa, 1965)
  • Hearts and Minds (Peter Davis, 1974)
  • The Royal Tenenbaums (Wes Anderson, 2001)
  • The Importance of Being Earnest (Anthony Asquith, 1952)
  • Red Beard (Akira Kurosawa, 1965)
  • A nous la liberte (Rene Clair, 1931)
  • Under the Roofs of Paris (Rene Clair, 1930)
  • Ratcatcher (Lynne Ramsay, 1999)
  • Hopscotch (Ronald Neame, 1980)
  • Solaris (Andrei Tarkovsky, 1972)
  • Man Bites Dog (Remy Belvaux, Andre Bonzel, & Benoit Poelvoorde, 1992)
  • Down by Law (Jim Jarmusch, 1986)
  • Monterey Pop (D. A. Pennebaker, 1967)
  • Jimi Plays Monterey & Shake! Otis at Monterey (D. A. Pennebaker, 1986)
  • Trouble in Paradise (Ernst Lubitsch, 1932)
  • Contempt (Jean-Luc Godard, 1963)
  • Pepe le Moko (Julien Duvivier, 1936)
  • The Life and Death of Colonel Blimp (Michael Powell & Emeric Pressburger, 1943)
  • Band of Outsiders (Jean-Luc Godard, 1964)
  • Fear and Loathing in Las Vegas (Terry Gilliam, 1998)
  • The Killers (Robert Siodmak, 1946)
  • The Killers (Don Siegel, 1964)
  • The Lost Honor of Katharina Blum (Margarethe von Trotta & Volker Schlöndorff, 1975)
  • My Life as a Dog (Lasse Hallstrom, 1985)
  • I Am Curious (Yellow) (Vilgot Sjoman, 1967)
  • I Am Curious (Blue) (Vilgot Sjoman, 1967)
  • Straw Dogs (Sam Peckinpah, 1971)
  • Les dames du Bois de Boulogne (Robert Bresson, 1945)
  • By Brakhage: an Anthology (Stan Brakhage)
  • Stolen Kisses (Francois Truffaut, 1968)
  • Bed & Board (Francois Truffaut, 1970)
  • Love on the Run (Francois Truffaut, 1979)
  • The White Sheik (Federico Fellini, 1952)
  • Throne of Blood (Akira Kurosawa, 1957)
  • Jubilee (Derek Jarman, 1978)
  • Coup de Grace (Volker Schlondorff, 1976)
  • Quai des Orfevres (Henri-Georges Clouzot, 1947)
  • Il Posto (Ermanno Olmi, 1961)
  • I Fidanzati (Ermanno Olmi, 1962)
  • Hiroshima mon amour (Alain Resnais, 1959)
  • Night and Fog (Alain Resnais, 1955)
  • Ali: Fear Eats the Soul (Rainer Werner Fassbinder, 1974)
  • Schizopolis (Steven Soderbergh, 1996)
  • The Honeymoon Killers (William Kastle, 1970)
  • Umberto D. (Vittorio De Sica, 1952)
  • Indiscretion of an American Wife & Terminal Station (Vittorio De Sica, 1953)
  • The Marriage of Maria Braun (Rainer Werner Fassbinder, 1978)
  • Veronika Voss (Rainer Werner Fassbinder, 1982)
  • Lola (Rainer Werner Fassbinder, 1981)
  • The Pornographers (Shohei Imamura, 1966)
  • Through a Glass Darkly (Ingmar Bergman, 1961)
  • Winter Light (Ingmar Bergman, 1962)
  • The Silence (Ingmar Bergman, 1963)
  • Ingmar Bergman Makes a Movie (Vilgot Sjoman, 1962)
  • Richard III (Laurence Olivier, 1955)
  • The Devil and Daniel Webster (William Dieterle, 1941)
  • Knife in the Water (Roman Pola?ski, 1962)
  • The Rules of the Game (Jean Renoir, 1939)
  • Tokyo Story (Yasujiro Ozu, 1953)
  • Le Cercle Rouge (Jean-Pierre Melville, 1970)
  • La Strada (Federico Fellini, 1954)
  • Naked Lunch (David Cronenberg, 1991)
  • Ikiru (Akira Kurosawa, 1952)
  • Diary of a Country Priest (Robert Bresson, 1951)
  • Maitresse (Barbet Schroeder, 1973)
  • Pickup on South Street (Samuel Fuller, 1953)
  • Tunes of Glory (Ronald Neame, 1960)
  • Onibaba (Kaneto Shindo, 1964)
  • Le Corbeau (Henri-Georges Clouzot, 1943)
  • Salvatore Giuliano (Francesco Rosi, 1961)
  • Scenes from a Marriage (Ingmar Bergman, 1973)
  • 3 Women (Robert Altman, 1977)
  • The Testament of Dr. Mabuse (Fritz Lang, 1933)
  • A Story of Floating Weeds (Yasujiro Ozu, 1959)
  • Floating Weeds (Yasujiro Ozu, 1934)
  • Stray Dog (Akira Kurosawa, 1949)
  • The Tin Drum (Volker Schlondorff, 1979)
  • The Leopard (Luchino Visconti, 1963)
  • Mamma Roma (Pier Paolo Pasolini, 1962)
  • Smiles of a Summer Night (Ingmar Bergman, 1955)
  • A Woman Is a Woman (Jean-Luc Godard, 1961)
  • The Lower Depths (Akira Kurosawa, 1957)
  • The Lower Depths (Jean Renoir, 1936)
  • Early Summer (Yasujiro Ozu, 1951)
  • The Golden Coach (Jean Renoir, 1953)
  • French Cancan (Jean Renoir, 1955)
  • Elena and Her Men (Jean Renoir, 1956)
  • Port of Shadows (Marcel Carne, 1938)
  • I Vitelloni (Federico Fellini, 1953)
  • Slacker (Richard Linklater, 1991)
  • Videodrome (David Cronenberg, 1983)
  • The Battle of Algiers (Gillo Pontecorvo, 1965)
  • Shadows (John Cassavetes, 1959)
  • Faces (John Cassavetes, 1968)
  • A Woman Under the Influence (John Cassavetes, 1974)
  • The Killing of a Chinese Bookie (John Cassavetes, 1976)
  • Opening Night (John Cassavetes, 1977)
  • A Constant Forge (Charles Kiselyak, 2000)
  • Secret Honor (Robert Altman, 1984)
  • Tanner '88 (Robert Altman, 1988)
  • Fat Girl (Catherine Breillat, 2001)
  • Eyes Without a Face (Georges Franju, 1960)
  • Fanny and Alexander (Television Version) (Ingmar Bergman, 1982)
  • Fanny and Alexander (Theatrical Version) (Ingmar Bergman, 1982)
  • The Making of Fanny and Alexander (Ingmar Bergman, 1982)
  • Short Cuts (Robert Altman, 1993)
  • The King of Kings (Cecil B. DeMille, 1927)
  • Kagemusha (Akira Kurosawa, 1980)
  • Youth of the Beast (Seijun Suzuki, 1963)
  • Fighting Elegy (Seijun Suzuki, 1966)
  • Casque d'or (Jacques Becker, 1952)
  • Touchez pas au grisbi (Jacques Becker, 1954)
  • La commare secca (Bernardo Bertolucci, 1962)
  • Thieves' Highway (Jules Dassin, 1949)
  • Night and the City (Jules Dassin, 1950)
  • Tout va bien (Jean-Luc Godard & Jean-Pierre Gorin, 1972)
  • The River (Jean Renoir, 1951)
  • My Own Private Idaho (Gus Van Sant, 1991)
  • L'eclisse (Michelangelo Antonioni, 1962)
  • Young Torless (Volker Schlondorff, 1966)
  • The Sword of Doom (Kihachi Okamoto, 1966)
  • Jules and Jim (Francois Truffaut, 1962)
  • A Generation (Andrzej Wajda, 1955)
  • Kanal (Andrzej Wajda, 1957)
  • Ashes and Diamonds (Andrzej Wajda, 1958)
  • Divorce, Italian Style (Pietro Germi, 1961)
  • Burden of Dreams (Les Blank, 1982)
  • F for Fake (Orson Welles, 1975)
  • Hoop Dreams (Steve James, Frederick Marx, & Peter Gilbert, 1994)
  • The Phantom of Liberty (Luis Bunuel, 1974)
  • Heaven Can Wait (Ernst Lubitsch, 1943)
  • Unfaithfully Yours (Preston Sturges, 1948)
  • The Flowers of St. Francis (Roberto Rossellini, 1950)
  • The Browning Version (Anthony Asquith, 1951)
  • Crazed Fruit (Ko Nakahira, 1956)
  • Le notti bianche (Luchino Visconti, 1957)
  • Au hasard Balthazar (Robert Bresson, 1966)
  • Gate of Flesh (Seijun Suzuki, 1964)
  • Story of a Prostitute (Seijun Suzuki, 1965)
  • The Life Aquatic (Wes Anderson, 2004)
  • An Angel at My Table (Jane Campion, 1990)
  • Harakiri (Masaki Kobayashi 1962)
  • Bad Timing (Nicolas Roeg), 1982)
  • The Man Who Fell to Earth (Nicolas Roeg, 1976)
  • Boudu Saved from Drowning (Jean Renoir, 1932)
  • Le Samourai (Jean-Pierre Melville, 1967)
  • Naked (Mike Leigh, 1993)
  • Masculin, feminin (Jean-Luc Godard, 1966)
  • Ugetsu (Kenji Mizoguchi, 1953)
  • Samurai Rebellion (Masaki Kobayashi, 1967)
  • Sword of the Beast (Hideo Gosha, 1965)
  • Samurai Spy (Masahiro Shinoda, 1965)
  • Kill! (Kihachi Okamoto, 1968)
  • Pickpocket (Robert Bresson, 1959)
  • Shoot the Piano Player (Francois Truffaut, 1960)
  • Ran (Akira Kurosawa, 1985)
  • The Tales of Hoffmann (Michael Powell & Emeric Pressburger, 1951)
  • Forbidden Games (Rene Clement, 1952)
  • The Bad Sleep Well (Akira Kurosawa, 1960)
  • Young Mr. Lincoln (John Ford, 1939)
  • The Virgin Spring (Ingmar Bergman, 1960)
  • The Complete Mr. Arkadin (Orson Welles, 1955)
  • The Children Are Watching Us (Vittorio de Sica, 1944)
  • La Bete humaine (Jean Renoir, 1938)
  • Kind Hearts & Coronets (Robert Hamer, 1949)
  • Metropolitan (Whit Stillman, 1990)
  • Murmur of the Heart (Louis Malle, 1971)
  • Lacombe Lucien (Louis Malle, 1974)
  • Au revoir les enfants (Louis Malle, 1987)
  • Late Spring (Yasujiro Ozu, 1949)
  • Viridiana (Luis Bunuel, 1961)
  • Fists in the Pocket (Marco Bellocchio, 1965)
  • Harlan County, USA (Barbara Kopple, 1976)
  • Elevator to the Gallows (Louis Malle, 1958)
  • Dazed and Confused (Richard Linklater, 1993)
  • A nos amours (Maurice Pialat, 1983)
  • Equinox (Jack Woods, Dennis Muren, 1970)
  • Yi Yi (Edward Yang, 2000)
  • Koko: A Talking Gorilla (Barbet Schroeder, 1978)
  • A Canterbury Tale (Michael Powell & Emeric Pressburger, 1944)
  • The Bakery Girl of Monceau (Eric Rohmer, 1963)
  • Suzanne's Career (Eric Rohmer, 1963)
  • My Night at Maud's (Eric Rohmer, 1969)
  • La Collectionneuse (Eric Rohmer, 1967)
  • Claire's Knee (Eric Rohmer, 1970)
  • Love in the Afternoon (Eric Rohmer, 1972)
  • Kicking and Screaming (Noah Baumbach, 1995)
  • Seduced and Abandoned (Pietro Germi, 1964)
  • The Spirit of the Beehive (Victor Erice, 1973)
  • Jigoku (Nobuo Nakagawa, 1960)
  • Solo con tu pareja (Alfonso Cuaron, 1991)
  • Clean, Shaven (Lodge Kerrigan, 1994)
  • Hands Over the City (Francesco Rosi, 1963)
  • Sweetie (Jane Campion, 1989)
  • The Fallen Idol (Carol Reed, 1948)
  • Pandora's Box (Georg Wilhelm Pabst, 1929)
  • The Double Life of Veronique (Krzysztof Kieslowski, 1991)
  • Symbiopsychotaxiplasm Take One (William Greaves, 1968)
  • The Beales of Grey Gardens (David Maysles, Albert Maysles, Ian Markiewicz, 2006)
  • Border Radio (Kurt Voss, Allison Anders, Dean Lent, 1987)
  • Mouchette (Robert Breeson, 1967)
  • First Man Into Space (Robert Day, 1959)
  • The Atomic Submarine (Spencer Gordon Bennet, 1959)
  • The Haunted Strangler (Robert Day, 1958)
  • Corridors of Blood (Robert Day, 1959)
  • Paul Robeson: Portraits of the Artist
  • Box Set Various
  • The Emperor Jones/Paul Robeson: Tribute to an Artist (Dudley Turrell & Saul J. Murphy, 1933)
  • Body and Soul/Borderline (Kenneth Macpherson & Oscar Micheaux, 1925)
  • Sanders of the River/Jericho (Thornton Freeland & Zoltan Korda, 1935)
  • The Proud Valley/Native Land (Leo Strand, Pen Tennyson, & Leo Hurwitz 1940)
  • Bicycle Thieves (Vittorio De Sica, 1948)
  • Green for Danger (Sidney Gilliat, 1946)
  • 49th Parallel (Michael Powell, 1941)
  • When a Woman Ascends the Stairs (Mikio Naruse, 1960)
  • Fires on the Plain (Kon Ichikawa, 1959)
  • The Burmese Harp (Kon Ichikawa, 1956)
  • The Naked City (Jules Dassin, 1948)
  • La Haine (Mathieu Kassovitz, 1995)
  • Overlord (Stuart Cooper, 1975)
  • Brute Force (Jules Dassin, 1947)
  • Vengeance Is Mine (Shohei Imamura, 1979)
  • Army of Shadows (Jean-Pierre Melville, 1969)
  • Sansho the Bailiff (Kenji Mizoguchi, 1954)
  • La Jetee / Sans Soleil (Chris Marker, 1963)
  • The Two of Us (Claude Berri, 1967)
  • WR: Mysteries of the Organism (Dusan Makavejev, 1971)
  • Sweet Movie (Dusan Makavejev, 1974)
  • If… (Lindsay Anderson, 1968)
  • Three Films by Hiroshi Teshigahara (Box Set)
  • Pitfall (Hiroshi Teshigahara, 1962)
  • Woman in the Dunes (Hiroshi Teshigahara, 1964)
  • The Face of Another (Hiroshi Teshigahara, 1966)
  • Ace in the Hole (Billy Wilder, 1951)
  • Ivan's Childhood (Andrei Tarkovsky, 1962)
  • Les enfants terribles (Jean-Pierre Melville, 1950)
  • House of Games (David Mamet, 1987)
  • Cria cuervos… (Carlos Saura, 1976)
  • The Milky Way (Luis Buñuel, 1969)