100(-ish) cinematic pillars
Submitted by sidehacker on Fri, 08/01/2008 - 04:10
Tags:
- The Seasons (Artavazd Peleshyan, 1975, USSR)
- Pickpocket (Robert Bresson, 1959, France)
- Portrait of Jennie (William Dieterle, 1948, USA)
- Histoire(s) du Cinéma (Jean-Luc Godard, 1988-1998, France)
- Chimes at Midnight (Orson Welles, 1965, Spain)
- The Hart of London (Jack Chambers, 1970, Canada)
- L'Amour Fou (Jacques Rivette, 1969, France)
- Hitler: A Film From Germany (Hans-Jürgen Syberberg, 1978, West Germany)
- Pour La Suite du Monde (Pierre Perrault, 1963, Canada)
- In Vanda's Room (Pedro Costa, 2000, Portugal)
- After Death (Evgeni Bauer, 1915, Russia)
- Behind the Screen (Charles Chaplin, 1916, USA)
- Foolish Wives (Erich von Stroheim, 1922, USA)
- L'inhumaine (Marcel L'Herbier, 1924, France)
- Strike (Sergei Eisenstein, 1925, USSR)
- Menilmontant (Dmitri Kirsanoff, 1926, France)
- A Page of Madness (Teinosuke Kinugasa, 1926, Japan)
- Napoleon (Abel Gance, 1927, France)
- Beggars of Life (William A. Wellman, 1928, USA)
- The Man With the Movie Camera (Dziga Vertov, 1929, USSR)
- New Babylon (Grigori Kozintsev/Leonid Trauberg, 1929, USSR)
- The Dawn Patrol (Howard Hawks, 1930, USA)
- The Murderer Dmitri Karamazov (Fyodor Otsep, 1931, Germany)
- Happiness (Alexander Medvedkin, 1932, USSR)
- Footlight Parade (Lloyd Bacon, 1933, USA)
- Quatorze Juillet (Rene Clair, 1933, France)
- L'Atalante (Jean Vigo, 1934, France)
- The Wedding Night (King Vidor, 1935, USA)
- By the Bluest of Seas (Boris Barnet, 1936, USSR)
- Story of the Last Chrysanthemum (Kenji Mizoguchi, 1939, Japan)
- Christmas in July (Preston Sturges, 1940, USA)
- Fires Were Started (Humphrey Jennings, 1943, UK)
- The Keys of the Kingdom (John M. Stahl, 1944, USA)
- Experiment Perilous (Jacques Tourneur, 1945, USA)
- Dragonwyck (Joseph L. Mankiewicz, 1946, USA)
- Golden Earrings (Mitchell Leisen, 1947, USA)
- Louisiana Story (Robert Flaherty, 1948, USA)
- The Red Shoes (Michael Powell/Emeric Pressburger, 1948, UK)
- Venom and Eternity (Jean Isidore Isou, 1951, France)
- Singin' in the Rain (Stanley Donen/Gene Kelly, 1952, USA)
- Vida en Sombras (Lorenzo Llobet Gracia, 1952, Spain)
- The End (Christopher Maclaine, 1953, USA)
- Anatahan (Josef Von Sternberg, 1954. USA/Japan)
- Sound of the Mountain (Mikio Naruse, 1954, Japan)
- Centuries of June (Joseph Cornell/Stan Brakhage, 1955, USA)
- Kiss Me Deadly (Robert Aldrich, USA, 1955)
- The Long Gray Line (John Ford, 1955, USA)
- Elena et les hommes (Jean Renoir, 1956, France/Italy)
- Bitter Victory (Nicholas Ray, 1957, USA)
- China Gate (Sam Fuller, 1957, USA)
- Jalsaghar (Satyajit Ray, 1958, India)
- Man of the West (Anthony Mann, 1958, USA)
- Some Came Running (Vincente Minnelli, 1958, USA)
- Vertigo (Alfred Hitchcock, 1958, USA)
- India (Roberto Rossellini, 1959, France/Italy)
- Ride Lonesome (Budd Boetticher, 1959, USA)
- The Young One (Luis Bunuel, 1960, Mexico/USA)
- Taste of Fear (Seth Holt, 1961, UK)
- An Autumn Afternoon (Yasujiro Ozu, 1962, Japan)
- The Fire Within (Louis Malle, 1963, France)
- The House is Black (Forugh Farrokhzad, 1963, Iran)
- Muriel (Alain Resnais, 1963, France)
- Normal Love (Jack Smith, 1963, USA)
- Mass for the Dakota Sioux (Bruce Baillie, 1964, USA)
- Fists in the Pocket (Marco Bellocchio, 1965, Italy)
- Fugitive From the Past (Tomu Uchida, 1965, Japan)
- Face of Another (Hiroshi Teshigahara, 1966, Japan)
- Unsere Afrikareise (Peter Kubelka, 1966, Austria)
- 23rd Psalm Branch (Stan Brakhage, 1967, USA)
- Marketa Lazarova (Frantisek Vlacil, 1967, Czechoslovakia)
- Oedipus Rex (Pier Paolo Pasolini, 1967, Italy)
- Memories of Underdevelopment (Tomas Gutierrez Alea, 1968, Cuba)
- Claire's Knee (Eric Rohmer, 1970, France)
- Eden and After (Alain Robbe-Grillet, 1970, France)
- N-Zone (Arthur Lipsett, 1970, Canada)
- Zorn's Lemma (Hollis Frampton, 1970, USA)
- The House in the Woods (Maurice Pialat, 1971, France)
- La Region Centrale (Michael Snow, 1971, Canada)
- Two-Lane Blacktop (Monte Hellman, 1971, USA)
- Wanda (Barbara Loden, 1971, USA)
- What's the Matter With Helen? (Curtis Harrington, 1971, USA)
- The Red Psalm (Miklos Jancso, 1972, Hungary)
- Travels With My Aunt (George Cukor, 1972, USA)
- Still Life (Sohrab Shahid Saless, 1974, Iran)
- Curriculum Vitae (Krzysztof Kieslowski, 1975, Poland)
- Death of the Rat (Pascal Aubier, 1975, France)
- The Travelling Players (Theo Angelopoulos, 1975, Greece)
- The Desert of the Tartars (Valerio Zurlini, 1976, Italy)
- Le Fond de l'air est rouge (Chris Marker, 1977, France)
- News From Home (Chantal Akerman, 1977, France/Belgium)
- The Night of the Hunted (Jean Rollin, 1980, France)
- Possession (Andrzej Zulawski, 1981, France/West Germany)
- The Marathon Family (Slobodon Sijan, 1982, Yugoslavia)
- Nostalghia (Andrei Tarkovsky, 1983, Italy)
- Class Relations (Straub and Huillet, 1984, France/West Germany)
- Love Streams (John Cassavetes, 1984, USA)
- Opera (Dario Argento, 1987, Italy)
- Distant Voices, Still Lives (Terrence Davies, 1988, UK)
- And Life Goes On (Abbas Kiarostami, 1991, Iran)
- El Sol de Membrillo (Victor Erice, 1992, Spain)
- Videogram of a Revolution (Harun Farocki, 1992, Germany)
- Satantango (Bela Tarr, 1994, Hungary)
- Spiritual Voices (Alexander Sokurov, 1995, Russia)
- A Moment of Innocence (Mohsen Makhmalbaf, 1996, Iran)
- Tren de Sombras (Jose Luis Guerin, 1997, Spain)
- Alone. Life Wastes Andy Hardy (Martin Arnold, 1998, Austria)
- Outer Space (Peter Tscherkassky, 1999, Austria)
- Time Regained (Raoul Ruiz, 1999, Portugal/France)
- Mission to Mars (Brian De Palma, 2000, USA)
- Chico (Ibolya Fekete, 2001, Hungary)
- Sex and Lucia (Julio Medem, 2001, Spain)
- Goodbye, Dragon Inn (Tsai Ming-Liang, 2003, Taiwan)
- Twentynine Palms (Bruno Dumont, 2003, France/USA)
- The New World (Terrence Malick, 2005, USA)
- Inland Empire (David Lynch, 2006, USA)
- Woman on the Beach (Hong Sang-Soo, 2006, South Korea)
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Tracking my progress through this wonderful list. Highlighted = seen.