What I've seen of...Harvard's noncommittal faculty's list of movies undergraduates should try to see
Submitted by RosieCotton on Thu, 06/01/2006 - 03:40
Tags:
- Arrival of a Train (1895)
- Workers Leaving the Factory (1895)
- Watering the Gardener (1895)
- Feeding the Baby (1895)
- The Lady Vanishes
- A Trip to the Moon (Melies, 1903)
- Conquest Of North Pole (Melies, 1912)
- Fantomas (one episode) (Feuillade, 1913-14)
- The Kiss (1896)
- Life of an American Fireman (1902)
- Uncle Josh at the Moving Picture Show (1902)
- Romance of the Rails (1903)
- The Great Train Robbery (1903)
- The Dream of the Rarebit Fiend (1906)
- The Lonely Villa (1909)
- A Corner in Wheat (1909)
- The Lonedale Operator (1911)
- The Musketeers of Pig Alley (1912)
- The Battle of Elderbush Gulch (1913)
- The House Divided (Alice Guy, 1913, US)
- The Birth of a Nation (D.W. Griffith, 1915, US)
- Intolerance (D. W. Griffith, 1916, US)
- The Cabinet Of Dr. Caligari (Robert Weine, 1919, Ger)
- Nosferatu (Friedrich W. Murnau, 1921, Ger)
- The Blot (Lois Weber, 1921, US)
- The Last Laugh (F.W. Murnau, 1924, Ger)
- Greed (Erich von Stroheim, 1924, US)
- Sherlock Junior (Buster Keaton, 1924, US)
- Battleship Potemkin (Sergei Eisenstein, 1925, USSR)
- The Gold Rush (Charles Chaplin, 1925, US)
- Body and Soul (Oscar Micheaux, 1925, US)
- The General (Buster Keaton, 1926, US)
- Page Of Madness (Teinosuke Kinugasa, 1926, Jap)
- Metropolis (Fritz Lang, 1926, Ger)
- The End of St. Petersburg (Vsevolod Pudovkin, 1927, USSR)
- Napoleon (Abel Gance, 1927, Fr)
- Sunrise (Friedrich W. Murnau, 1927, US)
- October (Sergei Eisenstein, 1927-8, USSR)
- Our Daily Bread (F.W. Murnau, 1928, US)
- The Crowd (King Vidor, 1928, US)
- Pandora's Box (Georg W. Pabst, 1928-9, Ger)
- The Passion Of Joan of Arc (Carl Th. Dreyer, 1928, Fr)
- Earth (Dovzhenko, 1930, USSR)
- L'Age d'Or (Luis Buñuel, 1930, Fr)
- M (Fritz Lang, 1931, Germany)
- The Exile (Oscar Michaux, 1931, US)
- Trouble in Paradise (Ernst Lubitsch, 1932, US)
- I Am a Fugitive from a Chain Gang (Mervyn LeRoy, 1932, US)
- Ten Minutes to Live (Oscar Michaux, 1932, US)
- Zero de Conduite (Jean Vigo, 1933, Fr)
- Christopher Strong (Dorothy Arzner, 1933, US)
- El Compadre Mendoza (Fernando de Fuentes, 1933, Mexico)
- L'Atalante (Jean Vigo, 1934, Fr)
- Land without Bread (Luis Buñuel, 1934, Sp)
- It Happened One Night (Frank Capra, 1934, US)
- The Scarlet Empress (Joseph von Sternberg, 1934, US)
- A Night at the Opera (Marx Brothers, 1935, US)
- The Crime of M. Lange (Jean Renoir, 1935, Fr)
- The 39 Steps (Alfred Hitchcock, 1935, GB)
- Modern Times (Charles Chaplin, 1936, US)
- Sisters of the Gion (Kenji Mizoguchi, 1936, Jap)
- Grand Illusion (Jean Renoir, 1937, Fr)
- Bringing up Baby (Howard Hawks, 1938, US)
- Alexander Nevsky (Sergei Eisenstein, 1938, USSR)
- Le Jour Se Leve (Marcel Carné, 1939, Fr)
- Mr. Smith Goes to Washington (Frank Capra, 1939, US)
- Stagecoach (John Ford, 1939, US)
- The Rules Of The Game (Jean Renoir, 1939, Fr)
- Gone With the Wind (Victor Flemming, 1939, US)
- The Wizard of Oz (Victor Flemming, 1939, US)
- Philadelphia Story (George Cukor, 1940, US)
- His Girl Friday (Howard Hawks, 1940, US)
- Thief of Bagdad (Michael Powell, 1940, GB)
- Sullivan's Travels (Preston Sturges, 1941, US)
- Citizen Kane (Orson Welles, 1941, US)
- The Blood of Jesus (Spencer Williams, 1941, US)
- Ivan the Terrible, Part I (Sergei Eisenstein, 1943-44, USSR)
- Day Of Wrath (Carl Th. Dreyer, 1943, Denmark)
- Children of Paradise (Marcel Carne, 1945, Fr)
- Rome Open City (Roberto Rossellini, 1945, It)
- Paisan (Roberto Rossellini, 1946, It)
- The Big Sleep (Howard Hawks, 1946, US)
- The Lady in the Lake (Robert Montgomery, 1947, US)
- La TerraTrema (Luchino Visconti, 1948, It)
- Bicycle Thieves (Vittorio De Sica, 1949, It)
- Diary of A Country Priest (Robert Bresson, 1950, Fr)
- Los Olvidados (Luis Buñuel, 1950, Mexico)
- Rashomon (Akira Kurosawa, 1950, Jap)
- Outrage (Ida Lupino, 1950, US)
- High Noon (Fred Zinnemann, 1952, US)
- The Earrings of Madame De (Max Ophuls, 1953, Fr)
- Tokyo Story (Yasujiro Ozu, 1953, Jap)
- The Wages of Fear (Henri-Georges Clouzot, 1953, Fr)
- Ugetsu Monogatari (Kenji Mizoguchi, 1953, Jap)
- Monsieur Hulot's Holiday (Jacques Tati, 1953, Fr)
- The Big Heat (Fritz Lang, 1953, US)
- Salt of the Earth (Herbert J. Biberman, 1953, US)
- Voyage in Italy (Roberto Rossellini, 1953, It)
- The Little Fugitive (Ray Ashley, 1953, US)
- Seven Samurai (Akira Kurosawa, 1954, Jap)
- Sansho the Bailiff (Kenji Mizoguchi, 1954, Jap)
- On the Waterfront (Elia Kazan, 1954, US)
- Ordet (Carl Th. Dreyer, 1954, Den)
- La Strada (Federico Fellini, 1954, It)
- The Night of the Hunter (Charles Laughton, 1955, US)
- Pather Panchali (Satyajit Ray, 1955, India)
- The Searchers (John Ford, 1956, US)
- Kanal (Andrzej Wajda, 1956, Poland)
- A Man Escaped (Robert Bresson, 1956, Fr)
- Wild Strawberries (Ingmar Bergman, 1957, Sw)
- Touch of Evil (Orson Welles, 1957, US)
- Paths of Glory (Stanley Kubrick, 1957, US)
- Nights of Cabiria (Federico Fellini, 1957, It)
- Pyaasa (Guru Dutt, 1957, India)
- Ashes and Diamonds (Andrzej Wajda, 1958, Poland)
- Vertigo (Alfred Hitchcock, 1958, US)
- Ballad Of A Soldier (Grigori Chukrai, 1959, USSR)
- Breathless (Jean-Luc Godard, 1959, Fr)
- Hiroshima Mon Amour (Alain Resnais, 1959, Fr)
- The Four Hundred Blows (Francois Truffaut, 1959, Fr)
- Some Like It Hot (Billy Wilder, 1959, US)
- Shadows (John Cassavetes, 1959, US)
- The World of Apu (Satyajit Ray, 1959, India)
- L'Avventura (Michelangelo Antonioni, 1960, It)
- Mother Joan of the Angels (Jerzy Kawalerowicz, 1960, Poland)
- Rocco And His Brothers (Luchino Visconti, 1960, It)
- The Hidden Star (Ritwak Ghatak, 1960, India)
- Psycho (Alfred Hitchcock, 1960, US)
- Accattone (Pier Paolo Pasolini, 1961, It)
- Last Year at Marienbad (Alain Resnais, 1961, Fr)
- The Island (Kaneto Shindo, 1961, Jap)
- Viridiana (Luis Buñuel, 1961, Sp)
- Cleo from 5 to 7 (Agnes Varda, 1961, Fr/It)
- The Connection (Shirley Clarke, 1961, US)
- An Autumn Afternoon (Yasujiro Ozu, 1962, Jap)
- The Eclipse (Michelangelo Antonioni, 1962, It)
- La Jetée (Chris Marker, 1962, Fr)
- 8 1/2 (Federico Fellini, 1963, It)
- The Leopard (Luchino Visconti, 1963, It)
- Vidas Secas (Nelson Pereira Dos Santos, 1963, Brazil)
- The Red Desert (Michelangelo Antonioni, 1964, It)
- Shadows of Our Forgotten Ancestors (Sergei Paradjanov, 1964, USSR)
- Dr. Strangelove (Stanley Kubrick, 1964, US)
- The Gospel According to St. Matthew (Pier Paolo Pasolini, 1964, It)
- The Brig (Jonas Mekas, 1964, US)
- Black Girl (Ousmane Sembene, 1965, Senegal)
- Pierrot le Fou (Jean-Luc Godard, 1965, Fr/It)
- The Round-Up (Miklós Jancsó, 1965, Hun)
- The Shop on Main Street (Jan Kadar, 1965, Czech)
- Not Reconciled (Jean-Marie Straub and Danielle Huillet, 1965, WGer)
- Happiness (Agnes Varda, 1965, Fr)
- The Battle of Algiers (Gillo Pontecorvo, 1966, It)
- Blow-up (Antonioni, 1966, GB)
- Daisies (Vera Chytilova, 1966, Czech)
- Au Hasard, Balthazar (Robert Bresson, 1966, Fr/Sw)
- Andrei Rublev (Andrei Tarkovsky, 1966, USSR)
- Two or Three Things I Know about Her (Jean-Luc Godard, 1966, Fr)
- Persona (Ingmar Bergman, 1966, Sw)
- Hawks and Sparrows (Pier Paolo Pasolini, 1966, It)
- Playtime (Jacques Tati, 1967, Fr)
- Bonnie and Clyde (Arthur Penn, 1967, US)
- Land In Anguish (Glauber Rocha, 1967, Brazil)
- I Even Met Happy Gypsies (Aleksander Petrovic, 1967, Yugo)
- Silence And Cry (Miklós Jancsó, 1968, Hungary)
- 2001: A Space Odyssey (Stanley Kubrick, 1968, US)
- Death by Hanging (Nagisa Oshima, 1968, Jap)
- Memories of Underdevelopment (Tomas Gutierrez Alea, 1968, Cuba)
- The Conformist (Bernardo Bertolucci, 1969, It)
- The Night of Counting the Years (Shadi Abdelsalam, 1969, UAR)
- Easy Rider (Dennis Hopper, 1969, US)
- Blood of the Condor (Jorge Sanjines, 1969, Bolivia)
- Antonio das Mortes (Glauber Rocha, 1969, Brazil)
- Lucia (Humberto Solas, 1969, Cuba)
- The Jakal of Nahualtoro (Miguel Littin, 1969, Chile)
- King Lear (Grigori Kozintsev, 1970, USSR)
- Sweet Sweetback's Badasssss Song (Melvin Van Peebles, 1971, US)
- My Uncle Antoine (Claude Jutra, 1971, Can)
- Shaft (Gordon Parks, 1971, US)
- How Tasty Was My Little Frenchman (Nelson Pereira Dos Santos, 1971, Brazil)
- Aguirre, Wrath Of God (Werner Herzog, 1972, W Ger)
- Last Tango in Paris (Bernardo Bertolucci, 1972, It/Fr)
- The Rat Trap (Adoor Gopalakrishnan, 1972, India)
- The Spirit of The Beehive (Victor Erice, 1973, Sp)
- Badlands (Terrence Malick, 1973, US)
- The Mother and the Whore (Jean Eustache, 1973, Fr)
- India Song (Marguerite Duras, 1974, Fr)
- Xala (Ousmane Sembene, 1974, Senegal)
- The Conversation (Francis Ford Coppola, 1974, US)
- Cria Cuervos (Carlos Saura, 1975, Sp)
- Jeanne Dielman... (Chantal Akerman, 1975, Belgium)
- Nashville (Robert Altman, 1975, US)
- Travelling Players (Theodor Angelopoulos, 1975, Greece)
- Eraserhead (David Lynch, 1976, US)
- Kings of the Road (Wim Wenders, 1976, W Ger)
- Iphigenia (Michael Cacoyannis, 1976, Greece)
- The Ascent (Larisa Shepitko, 1976, USSR)
- In the Realm of the Senses (Nagisa Oshima, 1976, Fr/Jap)
- Car Wash (Michael Schultz, 1976, US)
- Jonah Who Will Be 25 in the Year 2000 (Alain Tanner, 1976, Fr/Switz)
- Killer of Sheep (Charles Burnet, 1977, US)
- Hypothesis of the Stolen Painting (Raœl Ruiz, 1978, Fr)
- The Marriage of Maria Braun (Rainer Werner Fassbinder, 1978, WGer)
- The Two of Them (Marta Meszaros, 1978, Hungary)
- Apocalypse Now (Francis Ford Coppola, 1979, US)
- Vengeance Is Mine (Shohei Imamura, 1979, Jap)
- Raging Bull (Martin Scorsese, 1980, US)
- Germany, Pale Mother (Helma Sanders-Brahms, 1980, Ger)
- Zoot Suit (Luis Valdez, 1981, US)
- Chan is Missing (Wayne Wang, 1981, US)
- The German Sisters (Margarethe von Trotta, 1981, WGer)
- The Draftsman's Contract (Peter Greenaway, 1982, GB)
- Ashes and Embers (Haile Gerima, 1982, US)
- Boat People (Ann Hui, 1982, Hong Kong)
- A Question of Silence (Marleen Gorris, 1982, Netherlands)
- The Wind (Souleymane Cisse, 1982, Mali)
- Yol (Ylmaz Guney, 1982, Turkey)
- The Ballad Of Narayama (Shohei Imamura, 1983, Jap)
- Once Upon A Time In America (Sergio Leone, 1983, US)
- Yellow Earth (Chen Kaige, 1984, China)
- Illusions (Julie Dash, 1984, US)
- Camila (Maria Luisa Bemberg, 1984, Argentina/Sp)
- Ran (Akira Kurosawa, 1985, Fr/Jap)
- The Official Story (Luis Puenzo, 1985, Argentina)
- Blue Velvet (David Lynch, 1986, US)
- Rosa Luxemburg (Margarethe von Trotta, 1986, WGer)
- Yeelen (Souleymane Cisse, 1987, Mali)
- Red Sorghum (Zhang Yimou, 1987, China)
- Wedding In Galilee (Michel Khleifi, 1987, Belgium/Fr)
- Wings of Desire (Wim Wenders, 1987, WGer/Fr)
- Salaam Bombay! (Mira Nair, 1988, Fr/India)
- Time of the Gypsies (Emir Kusturica, 1989, Yugo)
- Freeze -- Die -- Come To Life (Vitali Kanevski, 1989, USSR)
- Do the Right Thing (Spike Lee, 1989, US)
- Sweetie (Jane Campion, 1989, Australia)
- Yaaba (Idrissa Ouedraogo, 1989, ?)
- The Killer (John Woo, 1989, Hong Kong)
- The Match Factory Girl (Aki Kaurismaki, Finland, 1989)
- Looking for Langston (Isaac Julien, 1989, GB)
- Speaking Parts (Atom Egoyan, 1989, Can)
- Tilai (Idrissa Ouedraogo, 1990, ?)
- Ju Dou (Zhang Yimou, 1990, China)
- Raise the Red Lantern (Zhang Yimou, 1991, China)
- Young Soul Rebels (Isaac Julien, 1991, GB)
- Daughters of the Dust (Julie Dash, 1992, US)
- Life According to Agfa (Assi Dayan, 1992, Israel)
- Satanic Tango (Bela Tarr, 1994, Hun)
- Chung King Express (Kar wai Wong, 1994, Hong Kong)
- Vive l’amour (Tsai Ming-liang, 1994, China/Taiwan)








What this list is and what this list is not:
"The faculty of Visual and Environmental Studies [of Harvard University] have drafted the following list of titles which concentrators with a primary interest in film or video should try to see during their undergraduate years. This is not a list of cinema's greatest hits or of the best movies and videos of all time. Rather, it reflects a variety of criteria. Some works we consider great, nothers important, others influential. Not every title on the list represents a unanimous choice. We plan to revise the list periodically and welcome your comments and suggestions."
There are 248 on the list. I've seen the numbered ones.