Movies Watched In 2002
Submitted by Amie on Fri, 04/19/2002 - 02:51
Tags:
- Amelie
- The Royal Tenenbaums
- Amores Perros
- Hole
- Delicatessen
- Italian for Beginners
- A Beautiful Mind
- Trees Lounge
- The Sweet and Lowdown
- Days of Being Wild
- Memento
- Flirt
- Hard Eight
- Light Sleeper
- Blood: The Last Vampire
- Mulholland Drive
- Yu Tu Mama Tambien
- Spiderman
- Bottle Rocket
- Ginger Snaps
- Donnie Darko
- Insomnia
- Withnail and I
- On the Waterfront
- Four Rooms
- Shallow Hal
- Road to Perdition
- Chuck and Buck
- Slacker
- Finding Forrester
- i am sam
- Signs
- The Good Girl
- Punch-Drunk Love
- The Graduate
- Lovely and Amazing
- The Ref
- sex, lies, & videotape
- Gremlins (It's a Christmas movie...)
Author Comments:
The list is chronological.








GINGER SNAPS!!!!!
Yes!
I take it you liked the movie?! I thought the film had a lot to say behind the blood and the gore. I thought it was an interesting sex role reversal--instead of the adolescent boy who can't deal with his raging hormones and turns into a werewolf, this time it's a girl. I believe it's a feminist movie. I didn't like the ending, though.
Yeah, the ending was definitely a letdown. I loved the film up until then though. Of course, you do have to ask yourself how else it could have ended.
I just thought it did a good job in showing teenage alienation in a newer light.
Katharine Isabelle, who played Ginger(snaps) Fitzgerald, was also good in Insomina. I think she's up and coming.
I definitely loved her in GS, so maybe I'll have to check her out in Insomnia, thanks for the tip.
Did you like Withnail and I? I always forget about that film on these lists, but goodness, that movie cracked me up.
Shalom, y'all!
L. "Making time!" Bangs
I did like it, but I think it's one of those movies you have to watch twice or more to catch and understand all the good, rich dialogue.
Actually, I found Withnail & I to be a British mix of On the Road and Fear and Loathing in Los Vegas, but perhaps that's just my own frame of reference.
I'd be interested in knowing what you thought of Road to Perdition.
I had high expectations for Road to Perdition, but I was greatly disappointed. The film was given a "10" by a reviewer for my local paper, but I thought it was the worst movie I've seen in a long time. I thought the cast was great, the acting good, and the 1930s "period piece" setting and style nice to look at, but I thought the actual content to be threadbare and the dialogue to be cliche. I'm not into action movies, so I was bored by all the "good guy, bad guy" characterizations and the attempt to shock the audience with random scenes of violence for the sake of violence. But, mainly, if the movie was about a father's fear that his son would follow in his footsteps, this theme wasn't obvious until it I was hit over the head with it at the end. Besides one fight in school, there was no evidence that the son was turning gangsta and the last scene with the kid's cheesy voice over..."and that's the last time I held a gun," didn't do it for me. What did you think of it?
My thoughts on it are right here. I guess what it boils down to for me is that I don't understand why the movie was made. It didn't really have anything sterling to say about the human condition, so what made a bunch of Oscar-caliber filmmakers spend their time making it? Great cinematography does not a movie make.
Recently watched on the bottom?
Yup.
Hi Amie, what did you think of Finding Forrester (which I've seen), Signs, and Punch-drunk Love (haven't seen those two)?
Hey Jim. I didn't like Finding Forrester much. I thought it was badly edited. Yet, as a writer, I liked the part where Forrester instructs, "don't type like that, pound on the keys." Good, albeit noisy advice. Also, I think he was right on when he said that a way to a woman's heart is with unexpected gift at an unexpected time. Too bad Connery didn't offer any advice to the key to a man's heart. What did you think of the film?
Signs was nice-to-look-at shallow summer movie, but the faux spirituality/philosophy got annoying.
Punch-Drunk Love is no Boogie Nights or Magnolia, but I like Anderson's minimalism (e.g., his use of a harmonium to show Sandler/Egan's real character), Sandler's new direction and his very funny anger scenes, and the theme (one of my favorites) that even misfits can find love.
I liked Finding Forrester. I thought it was well-written and I'm a bit of a sucker for those uplifting mentor/student plots. Pretty good example of the breed, actually.
Funny thing regarding the "pound on the keys" advice: I was just helping move some stuff out of my grandmother's house and came across an old Olivetti manual typewriter. I don't know how anybody got anything done on one of those things.
I know it wasn't your intent, but I'm encouraged by Punch-Drunk Love being "no Magnolia." :-)
Thanks for the feedback!
Actually, I liked Punch-Drunk Love a lot better than Magnolia. Magnolia is so, I don't know...forced? Why didn't you like it?
Here's an old rant. Upon re-reading it, I think I must have gotten up on the wrong side of the bed that day.
How was Lovely and Amazing? I've been seeing it's been getting all kinds of attention from the "independant film awards" (or something like that).
It's actually the Independent Spirit Awards, but same difference. I don't mean to cut in, but I have wanted to recommend this film to someone for a while.
I originally liked the film, but didn't love it. The further away I get from the film, the more cohesive and great it feels. There are real, flawed characters, interesting themes, smart writing, and, best of all, there's great acting. Catherine Keener and Emily Mortimer are both great. Unfortunately, the other aspects of Mortimer's performance have been overshadowed by the fact that she has a painful fully nude scene about halfway through the movie that was all the talk when the film opened. Overall, a very good film that I might move up into my top tier with more consideration.
As shallow as it sounds, the main reason I picked up Lovely and Amazing was to see Jake Gyllenhall, who oddly plays a character similar to that in The Good Girl (although he's the best in Donnie Darko). Not to play the devil's advocate to AAA--I remember our discussion of The Man Who Wasn't There, Jim ;)--I didn't like Lovely and Amazing, mainly because of the dialogue. I found Keener's character's dialogue, where out of nowhere, twice, she ponders the wonders of childbirth, and where her recount of the bad relationship with her father to Gyllenhaal's 17-year-old character in his bedroom is less emotionally bonding than unaccounted for and trite, to be unrealistic. I found the neurotic trio of daughters (with the exception of the wonderful performance of the "adopted sister," by 12-year-old African-American Raven Goodwin who, ironically, is not even listed as part of the cast on the Lovely and Amazing official web page) to be maudlin and annoying and, unless I missed it, I don't think the movie had anything to say. Man, you're really going to have to catch me on a movie that I have nothing but praise for!
Oh sure, now I don't know if I should see it or not! :-) Anybody care to break the Amie/AAA tie?
Seriously though, thanks for the comments. I always find your movie views insightful. I just wish you provided them as a matter of course! :-)
I don't think the movie had anything to say. Man, you're really going to have to catch me on a movie that I have nothing but praise for!-James Stuckey