Greatest Work of Art for Each Year, any medium (becoming less complete)

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  • 1857 - [Charles Baudelaire] Les Fleurs Du Mal
  • 1864 - [Julia Margaret Cameron] Sadness
  • 1865 - [Lewis Carroll] Alice's Adventures in Wonderland
  • 1866 - [Fyodor Dostoevsky] Crime and Punishment
  • 1885 - [Eadweard Muybridge] Striking a blow with right hand
  • 1888 - [August Strindberg] Miss Julia
  • 1889 - [Auguste Rodin] Monument to the Burghers of Calais
  • 1890 - [Louis Sullivan] Wainwright Building
  • 1892 - [Endo Mutsuo] Drifting ice off the island of Etorofu
  • 1893 - [H.H. Holmes] Chicago World's Fair
  • 1900 - [Anton Chekhov] Uncle Vanya
  • 1901 - [Thomas Bergmann] Bergmann Simplex
  • 1902 - [Claude Debussy] Pélleas et Mélisande
  • 1903 - [Wilhelm Jensen] Gradiva
  • 1904 - [Giacomo Puccini] Madama Butterfly
  • 1905 - [Lorado Taft] Incident in the Temple
  • 1906 - [multiple] Mançana de la Discòrdia
  • 1907 - [Gustav Klimt] Adele Bloch-Bauer
  • 1908 - [Henri Matisse] Harmony in Red
  • 1909 - [Coco Chanel] Chanel Suit
  • 1910 - [Alberto Giacometti] Das Kreisen der Planeten
  • 1911 - [Max Beerbohm] Zuleika Dobson
  • 1912 - [Arnold Schoenberg] Pierrot Lunaire
  • 1913 - [multiple] Grand Central Terminal
  • 1914 - [George Bernard Shaw] Pygmalion
  • 1915 - [Paul Strand] Wall Street
  • 1916 - [Jacques-Emile Ruhlmann] Ebony Corner Cupboard
  • 1917 - [Marcel Duchamp] Fountain
  • 1918 - [Lev Kuleshov] Kuleshov Experiment
  • 1919 - [Amy Lowell] Generations
  • 1920 - [Ezra Pound] Hugh Selwyn Mauberley
  • 1921 - [Aleksandr Rodchenko] Hanging Spatial Construction
  • 1922 - [James Joyce] Ulysses
  • 1923 - [Varvara Stepanova] Sports Clothes
  • 1924 - [George Gershwin] Rhapsody in Blue
  • 1925 - [Franz Kafka] Trial
  • 1926 - [George Herriman] Krazy Kat
  • 1927 - [Marcel Proust] In Search of Lost Time
  • 1928 - [Dorothy Parker] Frustration
  • 1929 - [Rene Magritte] Treason of Images
  • 1930 - [Paul Klee] Ad Marginem
  • 1931 - [Salvador Dali] Persistence of Memory
  • 1932 - [Man Ray] Les Larmes
  • 1933 - [Marx Brothers] Duck Soup
  • 1934 - [William Carlos Williams] This is Just to Say
  • 1935 - [Frank Lloyd Wright] Fallingwater
  • 1936 - [Georges Bernanos] Diary of a Country Priest
  • 1937 - [Pablo Picasso] Guernica
  • 1938 - [Orson Welles] War of the Worlds
  • 1939 - [Henry Miller] Tropic of Capricorn
  • 1940 - [ee cummings] anyone lived in a pretty how town
  • 1941 - [Orson Welles] Citizen Kane
  • 1942 - [Max Ernst] Europe After the Rain II
  • 1943 - [Salvador Dali] Geopoliticus Child
  • 1944 - [Martha Graham, Aaron Copland, Isamu Noguchi] Appalachian Spring
  • 1945 - [Charlie Parker] Ko Ko
  • 1946 - [James Merrill] Black Swan
  • 1947 - [Malcolm Lowry] Under the Volcano
  • 1948 - [Bertolt Brecht] Caucasian Chalk Circle
  • 1949 - [Lennie Tristano] Crosscurrents
  • 1950 - [Mies van der Rohe] Farnsworth House
  • 1951 - [JD Salinger] Catcher in the Rye
  • 1952 - [Dylan Thomas] Do Not Go Gentle Into That Good Night
  • 1953 - [Francis Bacon] Study for Innocenzo X
  • 1954 - [Edgar Varese] Déserts
  • 1955 - [Laurence Olivier] Richard III
  • 1956 - [O. Winston Link] Hot Shot Eastbound at the Iaeger Drive In
  • 1957 - [Samuel Beckett] Endgame
  • 1958 - [Anita O'Day] Newport Jazz Festival
  • 1959 - [Frank Lloyd Wright] Solomon R. Guggenheim Museum
  • 1960 - [Alfred Hitchcock] Psycho
  • 1961 - [Yasushi Nagao] Assassination of Asanuma
  • 1962 - [Vladimir Nabokov] Pale Fire
  • 1963 - [Stan Getz/Joao Gilberto] Getz/Gilberto
  • 1964 - [Frank O'Hara] Ave Maria
  • 1965 - [Ingmar Bergman] Persona
  • 1966 - [Oscar Levant] Memoirs of an Amnesiac
  • 1967 - [Jean-Luc Godard] Weekend
  • 1968 - [Louis Armstrong] What a Wonderful World
  • Like many people (Ralph Ellison) I sometimes hear a depth in Louis Armstrong that may or may not actually be there. Reading the lyrics to "Wonderful World", it's a sappy pop tune meant to distract from the political unrest of the time. Hearing Louis sing it, with his health starting to fail, the precious, temporary nature of life comes through. He wasn't ignorant or uncaring towards the civil rights movement; he saw the big picture and knew what mattered.
  • 1969 - [Monty Python] Monty Python's Flying Circus
  • 1970 - [Yukio Mishima] Seppuku
  • In "Confessions of a Mask" Mishima described several images important to his sexual awakening: marching soldiers, scenes of death and gore, and, most significantly, a picture of Sebastian pierced by arrows. Over the course of 15 years or more he managed to transform himself from a sickly youth into a muscle-bound martyr a la Saint Sebastian. He trained intensively with weights and in kendo. In 1967, he joined the army and soon formed his own right wing militia. For the last year of his life he carefully planned an overthrow of the government, which was mean to fail, only to set the stage for the suicide he always dreamed of: the most ambitious piece of performance art ever to succeed.
  • 1971 - [Eddie Hazel] Maggot Brain
  • This is perhaps the best guitar solo on record. Not only that, it is, along with Beckett and Proust, one of the most powerful ruminations on death.
  • 1972 - [Werner Herzog] Aguirre: The Wrath of God
  • 1973 - [Thomas Pynchon] Gravity's Rainbow
  • 1974 - [Jacques Rivette] Celine and Julie Go Boating
  • 1975 - [Frank Zappa & Captain Beefheart] Spring Tour
  • 1976 - [Philip Glass] Einstein on the Beach
  • 1977 - [Ray and Charles Eames] Powers of Ten
  • 1978 - [B-52s] Rock Lobster
  • 1979 - [Cheng Conglin] Some Day of 1968 Snowy
  • 1980 - [William Eggleston] Untitled (hot sauce bottle)
  • 1981 - [Richard Estes] Urban Landscapes III
  • 1982 - [Maya Lin] Vietnam Veterans Memorial
  • The war cut a gash in the earth, revealing the names of the dead and missing. That part, I believe was inspired by Lutyen's Memorial to the Missing of the Somme. Oddly, for someone who didn't know anyone who died in Nam, you can sense the loss much more strongly from looking at Lin's sketches of the black scar than standing in the intersection, surrounded by jabbering tour groups.
  • 1983 - [Dynamite Kid vs. Tiger Mask] 2 out of 3 Falls Match
  • 1984 - [Marvel Comics] Secret Wars
  • 1985 - [Isamu Noguchi] Memorial to Ben Franklin
  • 1986 - [Bob Hoskins] Mona Lisa
  • 1987 - [Ute Lemper] Cabaret
  • 1988 - [Sally Mann] Jessie at 6
  • 1989 - [Coop Himmelblau] Office Extension
  • 1990 - [Michael Graves] Swan and Dolphin Resort
  • 1991 - [Slint] Spiderland
  • 1992 - [Gu Cheng] Cheng
  • 1993 - [Wu-Tang Clan] Enter the Wu-Tang
  • 1994 - [Shawn Michaels vs. Razor Ramon] Ladder Match
  • 1995 - [Reggie Miller] 8.9 Seconds
  • The most beautiful thing about this is the mixture of pain, admiration, and disbelief on the faces of the Knicks fans. With his team down by six, Miller, whose shot has been compared to the Bust of Nefertiti, buried a textbook three, stole an inbounds pass and hit another three from the exact same spot. It's a masterpiece of skill and execution.
  • 1996 - [George Carlin] Back in Town
  • 1997 - [Frank Gehry] Guggenheim Museum Bilbao
  • 1998 - [Stan Douglas] Win, Place, or Show
  • 1999 - [Residents] Wormwood Tour
  • 2000 - [Simon Callow] Mystery of Charles Dickens
  • 2001 - [David Lynch] Mulholland Dr.
  • 2002 - [Residents] Demons Dance Alone
  • 2003 - [Patricia Piccinini] We Are Family
  • 2004 - [Keita Takahashi] Katamari Damacy
  • 2005 - [Dale Chihuly] Gardens of Glass
Author Comments: 

Trying to make this as inclusive as possible, though I obviously have a cultural bias towards Anglo-American and a personal predilection for surrealism among other things. The dates on some of these works can be ambiguous.

I'm slowly expanding into the 19th century. By popular demand, I will try to include some explanation for why I picked each item. It's not normally in my nature to expound on anything. I'd rather compress my thoughts until they're as brief and cryptic as possible.

Ideas needed for the following years: 1858-1863, 1867-1884, 1886, 1887, 1890-1892, 1894-1899

For that brief moment, Reggie Miller transended skill and produced a work of art. :-)

Interesting list. But Mishima's suicide - artful or simply ritualistic?

Artful. He wouldn't have waited so long except to establish a dramatic moment. In fact, I believe the whole political aspect was a consciously created premise for him to be martyred like St Sebastian.

Under the Volcano? If I never have to read that book again...

You didn't have to read it at all. What would you rather have for that year?

Au contraire, mon frere (does that have an accent? I'm not usually up this early, and I'm too lazy and cranky to look it up). I did have to read it, because it was for a class in 20th century continental fiction. I have no idea what would be a better choice for that year, but I'm sure that one exists. (That's a good argument for The Artful Dodger, by the way...hides them all over the freakin' place.)

Suicide's a sin, by the way, or would be for me.

I usually skip accents when typing anyway. Too much trouble to dig up that character map.

I hate assigned reading. I always faked it, even if it was a book I would've liked anyway.

Are you Catholic? Han Suyin was a Catholic and she famously said: "Moralists have no place in an art gallery."

Catholic will do nicely. Moralists do have a place in an art gallery, but they can be diffiult to tolerate when the morals are not yours.

There is no aesthetics apart from morality, because every aesthetic quality is a moral one.

I don't think that's true. Every decision has a moral quality and an aesthetic quality, and every decision is bound by whatever morals one might have, but art isn't art if it's morally motivated. Science is the same way. Pure science would be benefitted by a lot of reprehensible acts that most people wouldn't consider. On the other hand, intelligent design speculation can't be considered science whether or not one thinks it's correct.

How 'bout Bill Viola's The Passions?

Interesting, never seen that before. I like Quintet of the Astonished but not enough to bump any of my choices.

GREAT idea for a list. Now if we could just ask for a short explanation on each of your choices. Not that you have to, but I think it could lead to one of the more constructively discussed lists on Listology in quite some time. I'm assuming of course, that these are personal opinions.

I might try to add explanations once I fill in the rest of the years. I just don't really trust myself to adequately explain things in my own words.

You might (or might not) find interesting the discussion of the Harmony in Red on this page.

I would like to see the artists credited here.

Thanks for acquainting me with We Are Family.

Thanks for the link.

I tried crediting the artists but it was getting difficult to read with too much information on one line. But then I realized that I could name the artist instead of the medium and it would be clear enough. Changing that now.

For Maggot Brain, why not name the group, Funkadelic, and not just the guitarist/co-writer?

Because it's specifically the guitaring that I think is the great work of art. Similar situation crediting Bob Hoskins for Mona Lisa

Rock Lobster? Really? I mean, I enjoy the song, but I could name at least 10 works of art I prefer for that year, most notably the Clash's London Calling album and the movie Apocalypse Now. Do you think there is some hidden brilliance in the song I'm not picking up on, or do you just not really like any other picks for 1979?

Oh, and by the way, brilliant idea for a list, and I love the diversity of your picks. Bravo! I could never make a list as cool as this one.

Thanks

I never liked the Clash. I found them boring and slightly annoying, though not nearly as annoying as the Sex Pistols. I'm more into Ramones/Minor Threat/Black Flag/etc. I like Apocalypse Now but it's not as powerful after a couple repeat viewings. I have it at #263 on my Top 300.

I do think Rock Lobster is a paradoxical work of brilliance. It's a minimalist epic that sounds dark and desperate with absurdly light lyrics. And it supposedly inspired John Lennon to come out of retirement by reminding him of Yoko.

You found the Clash boring? Well, to each his own. I think the Clash's music and lyrics tend to be much more interesting than the Ramones', but hey, what do I know?

Thanks for the comments on Rock Lobster!

I might agree with you that the Ramones aren't that interesting, they're just fun. To be honest, I haven't given the Clash a serious listen. I've only heard the hits and wasn't impelled to dig deeper. I did like Joe Strummer's song off the Chef Aid album.

Well, personally I think the Clash are fun too. And I certainly can't be sure you'd agree, but if you've only heard "Rock the Casbah", I think you'd probably find a little more by digging deeper. I can send you some music if you want to try it but don't feel like spending any money. Just lemme know.

I'll try more Clash. If you tell me what I should listen to I can probably find it on Soulseek.

See if you can download the whole London Calling album (track listing is here. Give it a listen (loud) and let me know what you think.

Can't get into it, still boring. It could be that I've heard so much Clash-inspired music that the original has become predictable.

Fair enough.

Of all the Residents albums that could show up on the list, why choose Demons Dance Alone?

Einstein on the Beach is great, though I admit I mostly listen to "Knee 1", over and over and over. :-)

I think Demons Dance Alone is their best album, and I think they've been getting consistently better since the start (I haven't bought Animal Lover yet). And it's one of the few records that has any emotional impact on me in the way that annoying friends of mine were affected by Elliot Smith.

It is great; I listed to it all the way through just yesterday. Love Knee 2 and Trial 2 the most.

This is the most badass list. I don't think I'd even try something this audacious! Thanks for being courageous and doing something few, if anyone, could. Not to mention you made many great picks it seems (I couldn't possibly claim to be able to honestly critique all these against the entire world of art. Plus its subjective anyway.)

But with that said, you may want to consider "Kind Of Blue-Miles Davis" for 1959. It's very difficult to believe something from that (or most any year) could top it. It is probably the most unanimously hailed album in history. I don't know of any single instance of it not receiving a perfect rating by critics and fans and I can rarely recall it not being voted the greatest jazz album ever made in any large scale poll. After 46 years it not only stands up well, it TOWERS over almost any musical work in history. It is spoken of mythically, preciously, as if sacred. It is impossibly beautful. The definition of art. The epitome of aesthetics. It is something unnattainable: perfect jazz. It generally hits one like a ton of bricks (and overwhelmed tears) around the 10th listen or so, and then again, even more extroardinarily, after another 20. So, if you haven't heard it, don't expect to "get it" right away, especially if you don't listen to much jazz.

That said, perhaps the most incredible thing about it is that each song recorded for the album was the first take. That means the performers Miles Davis, John Coltrane and others got it right the first time, no practice intervals, nothing. Additionally, legend has it that it wasn't only the first take but it's virtually all "off-the-cuff" as well, meaning they just played and this is what came out: instant communication, no thought involved, just playing by feel alone. There is not one mistake, not one misplay, not one moment that isn't just right.

It is miraculous.

Hopefully you get an idea of why I think it should be on there. I would strongly suggest you consider it. There are a few others I would place in the same category but this is good for now.

What about "Loveless-My Bloody Valentine" ahead of "Spiderland" for 1991?

One more thing: I love your Reggie Miller pick! How about Jordan's 1998 finish in the NBA finals of 1. scoring to put the Bulls down by one, then 2. stealing the ball from Malone, then 3. going down the court and nailing the game winner to capture the NBA crown. It's the pinnacle moment of the greatest competitive athlete we've ever seen, and it seems scripted.

That's all for now. Thanks for the awesome list! Please include explanations if possible as that would make it even better.

Wow, thanks for the extensive feedback.

I like "Kind of Blue" very much, but it hasn't yet hit me in that heavy, weepy way you describe. I'm playing it right now and this is only the seventh or eighth time, so you could still be right about the 10th listen. I'll keep listening and give it some consideration. I wouldn't mind bumping FLW's Guggenheim too much, because both Gehry's Guggenheim and Wright's Fallingwater are better, imo.

"Loveless" was good. I liked "Isn't Anything" better.

A big "No" to your Jordan suggestion. Partly because it looks like many other game-winning plays outside the significance of who and when it was (I liked the three-steal-three symmetry of Miller's play). Mostly because I'm a huge Jazz fan (more than I am a jazz fan) and that was painful to watch.

I want to include explanations. A few reasons why I haven't yet: (1) It's a lot of work. (2) About ten of these are placeholders until I can think of things I really want. (3) I'm not too confident of my ability to articulate why I like certain things.

Good to see you've heard "Kind of Blue" and I'm glad you like it. I hope it hits you as powerfully as it has hit me. Because it is so universal, I suspect it will. It happens to most anyone who gives it a worthy enough shot. As a side note, don't expect it to make you cry. It may not. But I think overwhelming awe is certain. If all goes how I think it will, there will be a point where you will be listening to it and YOU JUST CAN'T BELIEVE HOW GREAT IT IS. Very similar to when one meets a girlfriend or boyfriend and honestly falls in love. You know, that point YOU JUST CAN'T BELIEVE HOW GREAT IT ALL IS? I think that works well as an analogy.

Anyway there's my 4 cents on Davis' primary masterwork.

I can understand your feelings on Jordan, especially since you're a Jazz fan. Ouch! I feel sorry for Byron Russell. He's virtually disappeared ever since.

Surprised to hear you like "Isn't Anything" better, even though I've never heard it. It's just never mentioned in the same league as "Loveless", thought that doesn't necessarily mean squat.

Good luck on continuing the list!

I loved reading the depth of feeling that you have for Kind of Blue. You might want to read Ashley Khan's Kind of Blue: The Making of the Miles Davis Masterpiece. I haven't read it myself but I have nothing but respect for Mr. Khan. I must admit that I recognize and respect Kind of Blue more than I revere it. I do not find Mr. Davis endearing. Genius and protean, yes. Lovable, no.

Well that's beginning to sound negative... which is the last thing that I want. I'll take another run at it later but the point I'm trying to make is that this is just a small part of what makes jazz the greatest art form ever invented... and thank you for reminding me of what I know.

You're welcome.

I have to say, there have been more than a few albums I've heard that I respected for their technical achievements or what have you, a bit more than I enjoyed them on an aesthetic level. For some time, "Kind Of Blue" was one of them. I would listen to it and be amazed by the achievement, but wasn't thoroughly enjoying it simultaneously. Strangely, it first hit me fully while I was at work. I was at my desk and was playing it off crappy computer speakers of all things and it just annihilated me. I didn't get much done at all for a good 45 minutes. I was completely entranced, I just had to hear what was happening. Ever since it has been a recurring miracle for me.

I fully understand why it is so revered. And I really wish everyone would have the patience to truly discover it. There is almost no comparison in the past 100 years of modern music. And I've heard a good chunk of music.

All I have left to say is this: listen to it on occasion, as much as you really want. Eventually, if you don't put it aside for good, it will open up to you and bloom from being an intelligent, all-knowing super-robot, to a live, emotional, beautiful human being.

Thanks for all the links. Keep adding them, and especially your annotations when you can!

Support appreciated. Anytime I get the energy I'll work on it.

This is an admirable list - overambitious, but admirable. Even though you do limit your scope to a 'work of art' for each year, it is stlll ambitious. More ambitious, and difficult, would be, of course, to attempt a separate list for each artistic medium - pictorial, musical, theatrical, literary, cinematic, etc.

The trouble with these time-constrained lists of yours is that they conflict with the historical and cultural dynamics of the human phenomena they are about. All those phenomena, whether art or political assassination/executuion, or whatever, have their fat and their lean periods; their periods when, for example, a great genius or vigorous fashion appears, or when a Hill or a Gandhi or a Kennedy is assassinated. It's regrettable, perhaps, but some days nobody important gets assassinated; some years there are no truly great works of art.

These are the considerations that give me the creeps about these sorts of lists, even while I admire them. Hell, I may even have done one or two myself :-)

I don't see any difference between a time-constrained list and a medium-constrained one. Mediums are even more fluid and arbitrary than years. Time at least changes who sees what and what impact it has, whereas whether a work is music or scrimshaw is a syntax. And some mediums are leaner than others; because not as many people practice scrimshaw, even though it's just as viable.

I wasn't suggesting that you do a list for each form of art, I was saying that I can see why you chose art in general instead - because that gives you a much better chance of being able to fill all your time slots. And of course the time slots constraint isn't fluid and arbitrary - that was part of my point in saying that it conflicts with things that are (in effect) fluid and arbitrary, namely the irregular frequency of such things as great artworks, great artists, and artistic fashions or movements.

A form of art ('medium' of art is, on second thought, not the term I intended) is a much less fluid and arbitrary constraint than you are suggesting. No matter what the form of art, it belongs to one of only three ultimate kinds of art, namely autographic, formally allographic, and contextually allographic (see my article on philosophy of art for definitions). So really - for more of a challenge, but not *too much* of a challenge - this list could be divided up into three lists, respectively.