The films that make my heart go "thump thump" i.e. the Reuben canon (sorted chronologically)
Submitted by mistercreepy on Thu, 03/02/2006 - 03:35
Tags:
- The Man With the Movie Camera (Dziga Vertov, 1929)
- Regen (Joris Ivens, 1929)
- Love Me Tonight (Rouben Mamoulian, 1932)
- Land Without Bread (Luis Buñuel, 1933)
- It Happened One Night (Frank Capra, 1934)
- Ball of Fire (Howard Hawks, 1941)
- The Lady Eve (Preston Sturges, 1941)
- Sullivan's Travels (Preston Sturges, 1941)
- No Regrets for our Youth (Akira Kurosawa, 1946)
- The Third Man (Carol Reed, 1949)
- Los Olvidados (Luis Buñuel, 1950)
- Ikiru (Akira Kurosawa, 1952)
- Singin' in the Rain (Stanley Donen and Gene Kelly, 1952)
- Rear Window (Alfred Hitchcok, 1954)
- Crazed Fruit (Ko Nakahira, 1956)
- The Cranes Are Flying (Mikheil Kalatozishvili, 1957)
- Vertigo (Alfred Hitchcok, 1958)
- The 400 Blows (François Truffaut, 1959)
- The Apartment (Billy Wilder, 1960)
- L'Avventura (Michaelangelo Antonioni, 1960)
- Ivan's Childhood (Andrei Tarkovsky, 1962)
- Contempt (Jean-Luc Godard, 1963)
- High and Low (Akira Kurosawa, 1963)
- Band of Outsiders (Jean-Luc Godard, 1964)
- Nothing But a Man (Michael Roemer, 1964)
- The Umbrellas of Cherbourg (Jacques Demy, 1964)
- Loves of a Blond (Milos Forman, 1965)
- Red Beard (Akira Kurosawa, 1965)
- Report (Bruce Conner, 1967)
- Once Upon a Time in the West (Sergio Leone, 1968)
- Stolen Kisses (François Truffaut, 1968)*
- Double Suicide (Masahiro Shinoda, 1969)
- If You Were Young: Rage (Kinji Fukasaku, 1970)
- El Topo (Alejandro Jodorowsky, 1970)
- Cabaret (Bob Fosse, 1972)
- The Discreet Charm of the Bourgeoisie (Luis Buñuel, 1972)
- The Spook Who Sat by the Door (Ivan Dixon, 1973)
- The Conversation (Francis Ford Coppola, 1974)*
- Shivers (David Cronenberg, 1975)
- The Bad News Bears (Michael Ritchie, 1976)
- Harlan County, U.S.A. (Barbara Kopple, 1976)
- Stroszek (Werner Herzog, 1977)
- Manhattan (Woody Allen, 1979)
- The Fog (John Carpenter, 1980)
- The Thing (John Carpenter, 1982)
- Sleepaway Camp (Robert Hiltzik, 1983)
- Raising Arizona (The Coen Brothers, 1987)
- RoboCop (Paul VerHoeven, 1987)
- The Sky Over Berlin (Wim Wenders, 1987)*
- How to Get Ahead in Advertising (Bruce Robinson, 1989)
- Isle of Flowers (Jorge Furtado, 1989)
- The Stolen Children (Gianni Amelio, 1992)
- Unforgiven (Clint Eastwood, 1992)
- Time Indefinite (Ross McElwee, 1994)*
- Safe (Todd Haynes, 1995)
- Rushmore (Wes Anderson, 1998)
- The Wind Will Carry Us (Abbas Kiarostami, 1998)
- The Iron Giant (Brad Bird, 1999)
- The Straight Story (David Lynch, 1999)*
- Tears of a Black Tiger (Wisit Sasanatieng, 2000)
- Unbreakable (M. Night Shyamalan, 2000)
- Josie and the Pussycats (Harry Elfont and Deborah Kaplan, 2001)
- Pulse (Kiyoshi Kurosawa, 2001)
- Welcome to the Show/Intermission in the Third Dimension/The End of the Show (Don Hertzfeldt, 2003)
- 3-Iron (Ki-duk Kim, 2004)*
- The Incredibles (Brad Bird, 2004)
Author Comments:
(When there are two films in the same year, they are listed alphabetically)
An attempt to chart my growing love of cinema and map what I think is a respectable group of films to get both a sense of my particular leanings and the world of cinema at large.
Obviously, this list is very fluid, and although I won't change it daily when I see a film that I think I should put on here, others will be subject to the axe while certain unrepresented pictures might just muscle their way in.
I can't believe I forgot Harlan County, U.S.A. finally being released on DVD by Criterion in May!
*=10.0/10.0








Very nice. I didn't do a count to see how many we share, but the Sleepaway Camp overlap is really enough, isn't it?
Well the idea came from reading your list, so of course there's some overlap. Everyone I've met either loves Sleepaway Camp or Sleepaway Camp 2, so I don't understand why it's not on more canons.
Thanks for the article rec btw; I've been pimping it everywhere.
I just put 2 & 2 together. (LJ + Listology.)
Whoops, I thought I had made that explicit. Yup, same guy.
You probably did and I'm just that ridiculously dense.
You are not dense.
"The Spook Who Sat By the Door". Niiiiice.
Also, yay Hertzfeldt! (Those three shorts, actually, represent the only Hertzfeldt I have yet to see. Damn.)
They are easily the best in my opinion. Crazy that he has an academy award.
"Shivers" and "El Topo"!!?? Hooray!
(I'm still holding onto the possibility of Jodorowsky um, you know, directing another movie. One day. Eventually. You know.)
He's doing a sequel to El Topo sometime soon I believe.