Films
Submitted by eli f. on Sun, 09/14/2008 - 07:18
Tags:
- 1. A Brighter Summer Day (Yang, 1991)
- SEE ALSO:
- Taipei Story (1985)
- The Terrorizers (1986)
- 2. Tokyo Story (Ozu, 1953)
- SEE ALSO:
- Early Spring (1956)
- The End of Summer (1961)
- 3. Andrei Rublev (Tarkovsky, 1969)
- OR
- The Mirror (1975)
- Stalker (1979)
- Nostalghia (1983)
- 4. Lancelot du Lac (Bresson, 1974)
- SEE ALSO:
- Diary of a Country Priest (1951)
- Au Hasard Balthazar (1966)
- Four Nights of a Dreamer (1971)
- 5. Sansho the Bailiff (Mizoguchi, 1954)
- 6. Satantango (Tarr, 1994)
- 7. Syndromes and a Century (Weerasethakul, 2006)
- 8. A City of Sadness (Hou, 1989)
- OR
- The Puppetmaster (1993)
- 9. The Rules of the Game (Renoir, 1939)
- 10. Eden and After (Robbe-Grillet, 1970)
- The Last Laugh (Murnau, 1924)
- Ménilmontant (Kirsanoff, 1926)
- The Man with a Movie Camera (Vertov, 1929)
- M (Lang, 1931)
- The Grand Illusion (Renoir, 1936)
- The Story of the Late Chrysanthemums (Mizoguchi, 1939)
- Ivan the Terrible I + II(Eisenstein, 1944/1958))
- The Saga of Anatahan (Sternberg, 1953)
- India: Matri Bhumi (Rossellini, 1959)
- An Autumn Afternoon (Ozu, 1961)
- The Fire Within (Malle, 1963)
- Muriel (Resnais, 1963)
- Shadows of Forgotten Ancestors (Paradjanov, 1964)
- Gertrud (Dreyer, 1964)
- Chimes at Midnight (Welles, 1965)
- A Fugitive from the Past (Uchida, 1965)
- Le Revelateur (Garrel, 1968)
- Army of Shadows (Melville, 1969)
- Ludwig (Visconti, 1972)
- Celine and Julie Go Boating (Rivette, 1974)
- Pastoral: To Die in the Country (Terayama, 1974)
- Edvard Munch (Watkins, 1974)
- The Travelling Players (Angelopoulos, 1975)
- India Song (Duras, 1975)
- The Seasons (Pelechian, 1975)
- Kings of the Road (Wenders, 1977)
- Eraserhead (Lynch, 1977)
- Days of Heaven (Malick, 1978)
- Perceval le Gallois (Rohmer, 1978)
- Berlin Alexanderplatz (Fassbinder, 1980)
- L'argent (Bresson, 1983)
- El Sur (Erice, 1983)
- The Time to Live and The Time to Die (Hou, 1985)
- The Sacrifice (Tarkovsky, 1986)
- Days of Eclipse (Sokurov, 1988)
- Distant Voices, Still Lives (Davies, 1988)
- Dekalog (Kieslowski, 1989)
- Close-up (Kiarostami, 1990)
- Nouvelle Vague (Godard, 1990)
- Dead Man (Jarmusch, 1995)
- The Hole (Tsai, 1998)
- Sicilia! (Straub-Huillet, 1999)
- Beau Travail (Denis, 1999)
- Outer Space (Tscherkassky, 1999)
- Platform (Jia, 2000)
- Werckmeister Harmonies (Tarr, 2000)
- The Heart of the World (Maddin, 2000)
- Colossal Youth (Costa, 2006)








Sort of structured into two tiers, both are one per director affairs. I don't know how sure I am with some of these films, so expect some edits and changes in the future. It's all very rough.