000 Movies I've Seen of the "1001 Movies You Must See Before You Die"
Submitted by grantica on Sun, 09/18/2005 - 08:51
Tags:
- A Trip to the Moon/Le Voyage Dans La Lune (Melies, 1902)
- The Great Train Robbery (Porter, 1903)
- The Birth of a Nation (Griffith, 1915)
- Les Vampires (Feuillade, 1915)
- Intolerance (Griffith, 1916)
- The Cabinet of Dr. Caligari/Das Cabinet des Dr. Caligari (Wiene, 1919)
- Broken Blossoms (Griffith, 1919)
- Way Down East (Griffith, 1920)
- Within Our Gates (Micheaux, 1920)
- The Phantom Carriage/Körkarlen (Sjöström, 1921)
- Orphans of the Storm (Griffith, 1921)
- The Smiling Madame Beudet/La Souriante Madame Beudet (Dulac, 1922)
- Dr. Mabuse, Parts 1 And 2/Dr. Mabuse, der Spieler (Lang, 1922)
- Nanook of the North (Flaherty, 1922)
- Nosferatu, a Symphony of Terror /Nosferatu, eine Symphonie des Grauens (Murnau, 1922)
- Häxan (Christensen, 1923)
- Foolish Wives (von Stroheim, 1922)
- Our Hospitality (Blystone, Keaton, 1923)
- The Wheel/La Roue (Gance, 1923)
- The Thief of Bagdad (Walsh, 1924)
- Strike/Stachka (Eisenstein, 1924)
- Greed (von Stroheim, 1924)
- Sherlock, Jr. (Keaton, 1924)
- The Last Laugh/Letzte Mann, Der (Murnau, 1924)
- Seven Chances (Keaton, 1925)
- The Phantom of the Opera (Julian, Chaney, 1925)
- The Battleship Potemkin/Bronenosets Potyomkin (Eisenstein, 1925)
- The Gold Rush (Chaplin, 1925)
- The Big Parade (Vidor, 1925)
- Metropolis (Lang, 1927)
- Sunrise (Murnau, 1927)
- The General (Keaton, 1927)
- The Unknown (Browning, 1927)
- October/Oktyabr (Eisenstein, Aleksandrov, 1927)
- The Jazz Singer (Crosland, 1927)
- Napoleon (Gance, 1927)
- The Kid Brother (Howe, Wilde, 1927)
- The Crowd (Vidor, 1928)
- The Docks of New York (von Sternberg, 1928)
- An Andalusian Dog/Un chien andalou (Bunuel, 1928)
- The Passion of Joan of Arc/La Passion de Jeanne d'Arc (Dreyer, 1928)
- Steamboat Bill, Jr. (Reisner, 1928)
- Storm over Asia/Potomok Chingis-Khana (Pudovkin, 1928)
- Blackmail (Hitchcock, 1929)
- The Man with the Movie Camera/Chelovek s kino-apparatom (Vertov, 1929)
- Pandora's Box/Die Büchse der Pandora (Pabst, 1929)
- The Blue Angel/Der Blaue Engel (von Sternberg, 1930)
- The Age of Gold/L'Âge d'or(Bunuel, 1930)
- Earth/Zemlya (Dovzhenko, 1930)
- Little Caesar (LeRoy, 1930)
- All Quiet on the Western Front (Milestone, 1930)
- Freedom for Us/A Nous la Liberte (Clair, 1931)
- The Million/Le Million (Clair, 1931)
- Tabu (Murnau, 1931)
- Dracula (Browning, 1931)
- Frankenstein (Whale, 1931)
- City Lights (Chaplin, 1931)
- The Public Enemy (Wellman, 1931)
- M (Lang, 1931)
- The Bitch/La Chienne (Renoir, 1931)
- The Vampire/Vampyr (Dreyer, 1932)
- Love Me Tonight (Mamoulian, 1932)
- Boudu Saved from Drowning/Boudu sauvé des eaux (Renoir, 1932)
- I Am a Fugitive from a Chain Gang (LeRoy, 1932)
- Trouble in Paradise (Lubitsch, 1932)
- Scarface, The Shame of a Nation (Hawks, 1932)
- Shanghai Express (von Sternberg, 1932)
- Freaks (Browning, 1932)
- Me and My Gal (Walsh, 1932)
- Zero for Conduct/Zéro de conduite (Vigo, 1933)
- 42nd Street (Bacon, 1933)
- Footlight Parade (Bacon, 1933)
- Gold Diggers of 1933 (LeRoy, 1933)
- She Done Him Wrong (Sherman, 1933)
- Duck Soup (McCarey, 1933)
- Queen Christina (Mamoulian, 1933)
- Land Without Bread /Las Hurdes (Bunuel, 1933)
- King Kong (Cooper, Schoedsack, 1933)
- The Bitter Tea of General Yen (Capra, 1933)
- Sons of the Desert (Seiter, 1933)
- It's a Gift (McLeod, 1934)
- Triumph of the Will/Triumph des Willens (Riefenstahl, 1934)
- L'Atalante (Vigo, 1934)
- The Black Cat (Ulmer, 1934)
- Judge Priest (Ford, 1934)
- It Happened One Night (Capra, 1934)
- The Thin Man (Van Dyke, 1934)
- Captain Blood (Curtiz, 1935)
- Mutiny on the Bounty (Lloyd, 1935)
- A Night at the Opera (Wood, 1935)
- The 39 Steps (Hitchcock, 1935)
- Bride of Frankenstein (Whale, 1935)
- Top Hat (Sandrich, 1935)
- A Day in the Country/Partie de campagne (Renoir, 1936)
- Modern Times (Chaplin, 1936)
- Swing Time (Stevens, 1936)
- My Man Godfrey (La Cava, 1936)
- Mr. Deeds Goes to Town (Capra, 1936)
- Camille (Cukor, 1936)
- Sabotage (Hitchcock, 1936)
- Dodsworth (Wyler, 1936)
- Things to Come (Menzies, 1936)
- The Story of a Cheat/Le Roman d'un tricheur (Guitry, 1936)
- Captains Courageous (Fleming, 1937)
- Midnight Song/Ye ban ge sheng (Weibang, 1937)
- Grand Illusion/La Grande illusion (Renoir, 1937)
- Stella Dallas (Vidor, 1937)
- The Life of Emile Zola (Dieterle, 1937)
- Make Way for Tomorrow (McCarey, 1937)
- Snow White and the Seven Dwarfs (Disney, 1937)
- The Awful Truth (McCarey, 1937)
- Pepe Le Moko (Duvivier, 1937)
- Jezebel (Wyler, 1938)
- The Adventures of Robin Hood (Curtiz, Keighley, 1938)
- Angels with Dirty Faces (Curtiz, 1938)
- Olympia Part One: Festival of the Nations/Olympia 1. Teil - Fest der Völker/Olympia Part Two: Festival of Beauty/Olympia 2. Teil - Fest der Schönheit (Riefenstahl, 1938)
- The Baker's Wife/La Femme du boulanger (Pagnol, 1938)
- Bringing Up Baby (Hawks, 1938)
- Stagecoach (Ford, 1939)
- Zangiku monogatari/The Story of the Late Chrysanthemums (Mizoguchi, 1939)
- Babes in Arms (Berkeley, 1939)
- Mr. Smith Goes to Washington (Capra, 1939)
- The Wizard of Oz (Fleming, 1939)
- Destry Rides Again (Marshall, 1939)
- Only Angels Have Wings (Hawks, 1939)
- Gone With the Wind (Fleming, Cukor, 1939)
- Daybreak/Le Jour se leve (Carné, 1939)
- Gunga Din (Stevens, 1939)
- Ninotchka (Lubitsch, 1939)
- The Rules of the Game/Le Regle du jeu (Renoir, 1939)
- Wuthering Heights (Wyler, 1939)
- His Girl Friday (Hawks, 1940)
- Rebecca (Hitchcock, 1940)
- Fantasia (Sharpsteen, 1940)
- The Philadelphia Story (Cukor, 1940)
- The Grapes of Wrath (Ford, 1940)
- Dance, Girl, Dance (Arzner, 1940)
- Pinocchio (Sharpsteen, 1940)
- The Mortal Storm (Borzage, 1940)
- The Bank Dick (Cline, 1940)
- Citizen Kane (Welles, 1941)
- The Lady Eve (Sturges, 1941)
- The Wolf Man (Waggner, 1941)
- The Maltese Falcon (Huston, 1941)
- Sergeant York (Hawks, 1941)
- Dumbo (Sharpsteen, 1941)
- High Sierra (Walsh, 1941)
- Sullivan's Travels (Sturges, 1941)
- How Green Was My Valley (Ford, 1941)
- The Palm Beach Story (Sturges, 1942)
- Now, Voyager (Rapper, 1942)
- Casablanca (Curtiz, 1942)
- To Be or Not to Be (Lubitsch, 1942)
- Cat People (Tourneur, 1942)
- The Magnificent Ambersons (Welles, 1942)
- Yankee Doodle Dandy (Curtiz, 1942)
- Meshes of the Afternoon (Deren, Hammid, 1943)
- Fires Were Started (Jennings, 1943)
- The Man in Grey (Arliss, 1943)
- The Life and Death of Colonel Blimp (Powell, Pressburger, 1943)
- I Walked with a Zombie (Tourneur, 1943)
- The Seventh Victim (Robson, 1943)
- The Ox-Bow Incident (Wellman, 1943)
- Shadow of a Doubt (Hitchcock, 1943)
- Ossessione (Visconti, 1943)
- Meet Me in St. Louis (Minnelli, 1944)
- To Have and Have Not (Hawks, 1944)
- Laura (Preminger, 1944)
- Gaslight (Cukor, 1944)
- Henry V (Olivier, 1944)
- Ivan the Terrible/Ivan Groznyy (Eisenstein, 1944)
- Double Indemnity (Wilder, 1944)
- Murder, My Sweet/Farewell My Lovely (Dmytryk, 1944)
- The Battle of San Pietro (Huston, 1945)
- Spellbound (Hitchcock, 1945)
- Mildred Pierce (Curtiz, 1945)
- Children of Paradise/Les Enfants du paradis (Carne, 1945)
- Open City/Roma, citta aperta (Rossellini, 1945)
- The Lost Weekend (Wilder, 1945)
- Detour (Ulmer, 1945)
- I Know Where I'm Going! (Powell, Pressburger, 1945)
- The Best Years of Our Lives (Wyler, 1946)
- Brief Encounter (Lean, 1946)
- Paisan/Paisa (Rossellini, 1946)
- The Postman Always Rings Twice (Garnett, 1946)
- My Darling Clementine (Ford, 1946)
- The Stranger (Welles, 1946)
- Beauty and the Beast/La Belle et la bete (Cocteau, 1946)
- The Big Sleep (Hawks, 1946)
- The Killers (Slodmak, 1946)
- A Matter of Life and Death (Powell, Pressburger, 1946)
- Great Expectations (Lean, 1946)
- Notorious (Hitchcock, 1946)
- Black Narcissus (Powell, Pressburger, 1946)
- It's a Wonderful Life (Capra, 1946)
- Gilda (Vidor, 1946)
- Monsieur Verdoux (Chaplin, 1947)
- Out of the Past (Tourneur, 1947)
- The Ghost and Mrs. Muir (Mankiewicz, 1947)
- Odd Man Out (Reed, 1947)
- The Bicycle Thief/Ladri di biciclette (De Sica, 1948)
- Letter from an Unknown Woman (Ophüls, 1948)
- Secret Beyond the Door (Lang, 1948)
- Force of Evil (Polonsky, 1948)
- Spring in a Small Town/Xiao cheng zhi chun (Fei, 1948)
- Red River (Hawks, Rosson, 1948)
- Rope (Hitchcock, 1948)
- The Snake Pit (Litvak, 1948)
- The Lady from Shanghai (Welles, 1948)
- The Paleface (McLeod, 1948)
- The Red Shoes (Powell, Pressburger, 1948)
- The Treasure of the Sierra Madre (Huston, 1948)
- Louisiana Story (Flaherty, 1948)
- The Heiress (Koenig, Wyler, 1949)
- Kind Hearts and Coronets (Hamer, 1949)
- Gun Crazy (Lewis, 1949)
- Adam's Rib (Cukor, 1949)
- Whiskey Galore! (Mackendrick, 1949)
- White Heat (Walsh, 1949)
- The Reckless Moment (Ophüls, 1949)
- The Third Man (Reed, 1949)
- On the Town (Donen, Kelly, 1949)
- Orpheus/Orphée (Cocteau, 1949)
- The Asphalt Jungle (Huston, 1950)
- Rashomon (Kurosawa, 1950)
- Winchester '73 (Mann, 1950)
- Rio Grande (Ford, 1950)
- All About Eve (Mankiewicz, 1950)
- Sunset Blvd. (Wilder, 1950)
- The Young and the Damned/Los Olvidados (Bunuel, 1950)
- In a Lonely Place (Ray, 1950)
- The Big Carnival (Wilder, 1951)
- A Streetcar Named Desire (Kazan, 1951)
- Strangers on a Train (Hitchcock, 1951)
- The Lavender Hill Mob (Crichton, 1951)
- Pandora and the Flying Dutchman (Lewin, 1951)
- The African Queen (Huston, 1951)
- Diary of a Country Priest/Journal d'un curé de campagne (Bresson, 1951)
- An American in Paris (Minnelli, 1951)
- A Place in the Sun (Stevens, 1951)
- The Day the Earth Stood Still (Wise, 1951)
- The Quiet Man (Ford, 1952)
- Forbidden Games/Jeux interdits (Clement, 1952)
- Angel Face (Preminger, 1952)
- Singin' in the Rain (Donen, Kelly, 1952)
- To Live/Ikiru (Kurosawa, 1952)
- Europa '51 (Rossellini, 1952)
- The Bad and the Beautiful (Minnelli, 1952)
- The Big Sky (Hawks, 1952)
- High Noon (Zinnemann, 1952)
- Umberto D (De Sico, 1952)
- The Golden Coach/Le Carrosse d'or (Renoir, 1952)
- The Bigamist (Lupino, 1953)
- The Band Wagon (Minnelli, 1953)
- The Earrings of Madame De… (Ophüls, 1953)
- From Here to Eternity (Zinnemann, 1953)
- Tokyo Story (Ozu, 1953)
- Roman Holiday (Wyler, 1953)
- Wages of Fear/Le Salaire de la peur (Clouzot, 1953)
- The Naked Spur (Mann, 1953)
- Pickup on South Street (Fuller, 1953)
- Gentlemen Prefer Blondes (Hawks, 1953)
- The Big Heat (Lang, 1953)
- M. Hulot's Holiday/Les Vacances de Monsieur Hulot (Tati, 1953)
- Voyage in Italy/Viaggio in Italia (Rossellini, 1953)
- Tales of Ugetsu/Ugetsu monogatari (Mizoguchi, 1953)
- Shane (Stevens, 1953)
- Beat the Devil (Huston, 1953)
- Johnny Guitar (Ray, 1954)
- On the Waterfront (Kazan, 1954)
- Seven Brides for Seven Brothers (Donen, 1954)
- Les Diaboliques (Clouzot, 1954)
- Animal Farm (Batchelor, Halas 1954)
- Rear Window (Hitchcock, 1954)
- A Star Is Born (Cukor, 1954)
- The Barefoot Contessa (Mankiewicz, 1954)
- The Road/La Strada (Fellini, 1954)
- The Seven Samurai/Shichinin no samurai (Kurosawa, 1954)
- The Wanton Countess/Senso (Visconti, 1954)
- Silver Lode (Dwan, 1954)
- Carmen Jones (Preminger, 1954)
- Sansho the Baliff/Sanshô dayu (Mizoguchi, 1954)
- Salt of the Earth (Biberman, 1954)
- Artists and Models (Tashlin, 1955)
- Guys and Dolls (Mankiewicz, 1955)
- Pather Panchali (Ray, 1955)
- Bad Day at Black Rock (Sturges, 1955)
- The Mad Masters/Les Maitres Fous (Rouch, 1955)
- Hill 24 Doesn’t Answer (Dickinson, 1955)
- The Ladykillers (Mackendrick, 1955)
- Marty (Mann, 1955)
- Ordet (Dreyer, 1955)
- Bob Le Flambeur/Bob The Gambler (Melville, 1955)
- Kiss Me Deadly (Aldrich, 1955)
- The Man from Laramie (Mann, 1955)
- Rebel without a Cause (Ray, 1955)
- The Phenix City Story (Karlson, 1955)
- Smiles of a Summer Night/Sommarnattens Leende (Bergman, 1955)
- Night and Fog/Nuit Et Brouillard (Resnais, 1955)
- The Night of the Hunter (Laughton, 1955)
- Lola Montes/The sins of Lola Montes (Ophüls, 1955)
- Forbidden Planet (Wilcox, 1956)
- The Burmese Harp/Biruma No Tategoto (Ichikawa, 1956)
- The Searchers (Ford, 1956)
- A Man Escaped/Un Condamne a mort s'est Exhappe Ou Le Vent Souffle ou il veut (Bresson, 1956)
- Written on the Wind (Sirk, 1956)
- The Man Who Knew Too Much (Hitchcock, 1956)
- Giant (Stevens, 1956)
- All That Heaven Allows (Sirk, 1956)
- Invasion of the Body Snatchers (Siegel, 1956)
- The Wrong Man (Hitchcock, 1956)
- Bigger Than Life (Ray, 1956)
- High Society (Walters, 1956)
- The Ten Commandments (De Mille, 1956)
- 12 Angry Men (Lumet, 1957)
- The Seventh Seal/Det Sjunde Inseglet (Bergman, 1957)
- An Affair to Remember (McCarey, 1957)
- Wild Strawberries/Smultronstallet (Bergman, 1957)
- The Nights of Cabiria/Le Notti di Cabria (Fellini, 1957)
- Throne of Blood/Kumonosu Jo (Kurosawa, 1957)
- The Incredible Shrinking Man (Arnold, 1957)
- Aparajito/The Unvanquished (Ray, 1957)
- Gunfight at the O.K. Corral (Sturges, 1957)
- The Bridge on the River Kwai (Lean, 1957)
- Mother India/Bharat Mata (Khan, 1957)
- The Cranes Are Flying/Letjat Zhuravli (Kalatozishvilli, 1957)
- Paths of Glory (Kubrick, 1957)
- Sweet Smell of Success (Mackendrick, 1957)
- Man of the West (Mann, 1958)
- Touch of Evil (Wells, 1958)
- Cairo Station/Bab El Hadid (Chahine, 1958)
- Gigi (Minelli, 1958)
- The Defiant Ones (Kramer, 1958)
- Vertigo (Hitchcock, 1958)
- Ashes and Diamonds/Popiol I Diament (Wajda, 1958)
- Dracula (Fisher, 1958)
- Mon Oncle/My Uncle (Tati, 1958)
- The Music Room/Jalsaghar (Ray, 1958)
- The 400 Blows/Les Quatre Cents Coups (Truffaut, 1959)
- North by Northwest (Hitchcock, 1959)
- Some Like It Hot (Wilder, 1959)
- Anatomy of a Murder (Preminger, 1959)
- Eyes without a Face/Les Yeux Sans Visage (Franju, 1959)
- Ride Lonesome (Boetticher, 1959)
- Black Orpheus/Orfeu Negro (Camus, 1959)
- Shadows (Cassavetes, 1959)
- The World of Apu/Apur Sansar (Ray, 1959)
- Breathless/A bout de souffle (Godard, 1959)
- Ben-Hur (Wyler, 1959)
- Pickpocket (Bresson, 1959)
- Hiroshima Mon Amour (Resnais, 1959)
- Rio Bravo (Hawks, 1959)
- The Hole/Le Trou (Becker, 1959)
- Floating Weeds/Ukigusa (Ozu, 1959)
- Rocco and His Brothers/Rocco e i suoi fratelli (Visconti, 1960)
- La Dolce Vita (Fellini, 1960)
- Saturday Night and Sunday Morning (Reisz, 1960)
- Tirez Sur Le Pianiste/Shoot the Piano Player (Truffaut, 1960)
- L'Avventura/The Adventure (Antonioni, 1960)
- La Joven/The Young One (Bunuel, 1960)
- Meghe Dhaka Tara/The Cloud-Capped Star (Ghatak, 1960)
- Hayno/The Housemaid (Ki-Young, 1960)
- Psycho (Hitchcock, 1960)
- La Maschera del Demonio/Revenge of the Vampire/Black Sunday (Bava/Kresel, 1960)
- Peeping Tom (Powel, 1960)
- The Apartment (Wilder, 1960)
- Spartacus (Kubrick, 1960)
- Splendor in the Grass (Kazan, 1961)
- L'Année derniere a Marienbad/Last Year at Marienbad (Resnais, 1961)
- La Jetee/The Pier (Marker, 1961)
- One-Eyed Jacks (Brando, 1961)
- Lola (Demy, 1961)
- Breakfast at Tiffany's (Edwards, 1961)
- La Notte/The Night (Antonioni, 1961)
- Jules and Jim Jules et Jim (Truffaut, 1961)
- Viridiana (Bunuel, 1961)
- The Ladies Man (Lewis, 1961)
- Through a Glass Darkly/Sasom i en spegel (Bergman, 1961)
- Chronicle of a Summer/Chronique d'un été (Morin/Rouch, 1961)
- The Hustler (Rossen, 1961)
- West Side Story (Robbins/Wise, 1961)
- Mondo Cane/A Dog's Life (Cavara/Jacopetti/Prosperi, 1962)
- Clep De 5 A 7/Cleo from 5 to 7 (Varda, 1962)
- Dog Star Man (Brakhage, 1962)
- Sanma No Aji/An Autumn Afternoon (Ozu, 1962)
- L'Eclisse/The Eclipse (Antonioni, 1962)
- Lawrence of Arabia (Lean, 1962)
- To Kill a Mockingbird (Mulligan, 1962)
- The Manchurian Candidate (Frankenheimer, 1962)
- Lolita (Kubrick, 1962)
- O Pagador De Promessas/Keeper of Promises (Duarte, 1962)
- The Man Who Shot Liberty Valance (Ford, 1962)
- What Ever Happened to Baby Jane? (Aldrich, 1962)
- My Life to Live/Vivre sa vie: Film en douze tableaux (Godard, 1962)
- Heaven and Earth Magic (Smith, 1962)
- The Birds (Hitchcock, 1963)
- The Nutty Professor (Lewis, 1963)
- Blonde Cobra (Jacobs, 1963)
- The Cool World (Clarke, 1963)
- 8 1/2 (Fellini, 1963)
- Pasazerka/Passenger (Lesiewicz, Munk, 1963)
- Le Mepris/Contempt (Godard, 1963)
- Hud (Ritt, 1963)
- Winter Light/ Nattvardsgästerna (Bergman, 1963)
- Flaming Creatures (Smith, 1963)
- The Great Escape (Sturges, 1963)
- Shock Corridor (Fuller, 1963)
- Il Gattopardo/The Leopard (Visconti, 1963)
- Vidas Secas/Barren Lives (Dos Santos, 1963)
- Mediteranee (Pollet/Schroeder, 1963)
- Khaneh Siah Ast/The House is Black (Farrokhzad, 1963)
- The Haunting (Wise, 1963)
- Yukinojo Hange/An Actor's Revenge (Ichikawa, 1963)
- The Servant (Losey, 1963)
- Goldfinger (Hamilton, 1964)
- Scorpio Rising (Anger, 1964)
- Les Parapluies de Cherbourg / The Umbrellas of Cherbourg (Demy, 1964)
- Marnie (Hitchcock, 1964)
- My Fair Lady (Cukor, 1964)
- Suna No Onna/Woman in the Dunes (Teshigahara, 1964)
- Dr. Strangelove or: How i Learned To Stop Worrying And Love The Bomb (Kubrick, 1964)
- A Hard Day's Night (Lester, 1964)
- Il Deserto Rosso/The Red Desert (Antonioni, 1964)
- Tini zabutykh predkiv/Shadows of Forgotten Ancestors (Parajanov, 1964)
- The Masque of the Red Death (Corman, 1964)
- Prima Della Rivoluzione/Before the Revolution (Bertolucci, 1964)
- Gertrud (Dreyer, 1964)
- Il Vangelo Secondo Matteo/The Gospel According to St. Matthew (Pasolini, 1964)
- Deus E o Diabo na Terra do Sol/Black God, White Devil (Rocha, 1964)
- Onibaba/The Demon (Shindo, 1964)
- Vinyl (Warhol, 1965)
- Obchod na korze/The Shop on Main Street (Kadar/Klos, 1965)
- Doctor Zhivago (Lean, 1965)
- The War Game (Watkins, 1965)
- Tokyo orimpikku/Tokyo Olympiad (Ichikawa, 1965)
- La Battaglia di Algeri/The Battle of Algiers (Pontecorvo, 1965)
- The Sound of Music (Wise, 1965)
- Rekopis znaleziony w Saragossie/The Saragossa Manuscript (Has, 1965)
- Alphaville, une étrange aventure de Lemmy Caution/Alphaville (Godard, 1965)
- Campanadas a medianoche/Chimes at Midnight (Welles, 1965)
- Repulsion (Polanski, 1965)
- Giulietta degli Spiriti/Juliet of the Spirits (Fellini, 1965)
- Pierrot Goes Wild/Pierrot Le Fou (Godard, 1965)
- Faster, Pussy Cat! Kill! Kill! (Meyer, 1965)
- Subarnarekha/Golden River (Ghatak, 1965)
- De Man die zijn haar kort liet knippen/The Man Who Had His Hair Cut Short (Delvaux, 1965)
- Hold Me While I'm Naked (Kuchar, 1966)
- Blowup (Antonioni, 1966)
- Il Buono, Il Brutto, Il Cattivo/The Good, the Bad and the Ugly (Leone, 1966)
- Sedmikrasky/Daisies (Chytilova, 1966)
- Da Zui Xia/Come Drink with Me (Hu, 1966)
- Seconds (Frankenheimer, 1966)
- Who's Afraid of Virginia Woolf? (Nichols, 1966)
- Persona (Bergman, 1966)
- Masculin féminin: 15 faits précis/Masculine-Feminine (Godard, 1966)
- Au Hazard Balthazar/Balthazar (Bresson, 1966)
- In the Heat of the Night (Jewison, 1967)
- 2 ou 3 choses que je sais d'elle/Two or Three Things I Know About Her (Godard, 1967)
- The Graduate (Nichols, 1967)
- Playtime (Tati, 1967)
- Report (Conner, 1967)
- Hombre (Ritt, 1967)
- Belle de Jour (Bunuel, 1967)
- Les Demoiselles de Rochefort/The Young Girls of Rochefort (Demi/Varda, 1967)
- Week End (Godard, 1967)
- La Samourai/The Godson (Melville, 1967)
- Cool Hand Luke (Rosenberg, 1967)
- Point Blank (Boorman, 1967)
- Wavelength (Snow, 1967)
- Bonnie and Clyde (Penn, 1967)
- Csillagosok, katonák/The Red and the White (Jancso, 1967)
- Marketta Lazarova (Viacil, 1967)
- The Jungle Book (Reitherman, 1967)
- Horí, má panenko/The Fireman's Ball (Forman, 1967)
- Terra em Transe/Earth Entranced (Rocha, 1967)
- Ostre sledované vlaky/Closely Watched Trains (Menzel, 1967)
- Vij (Kropachyov/Yershov, 1967)
- Gaav/The Cow (Mehrjui, 1968)
- C'era Una Volta Il West/Once Upon a Time in the West (Leone, 1968)
- Planet of the Apes (Schaffner, 1968)
- Faces (Cassavetes, 1968)
- Rosemary's Baby (Polanski, 1968)
- If…. (Anderson, 1968)
- Memorias del subdesarrollo/Memories of Underdevelopment (Alea, 1968)
- The Producers (Brooks, 1968)
- David Holzman's Diary (McBride, 1968)
- Skammen/Shame (Bergman, 1968)
- 2001: A Space Odyssey (Kubrick, 1968)
- Vargtimmen/Hour of the Wolf (Bergman, 1968)
- Targets (Bogdanovich, 1968)
- Night of the Living Dead (Romero, 1968)
- Ma nuit chez Maud/My Night with Maud (Rohmar, 1969)
- Lucia (Solas, 1969)
- Hsia Nu/A Touch of Zen (Hu, 1969)
- Butch Cassidy and the Sundance Kid (Hill, 1969)
- Midnight Cowboy (Schlesinger, 1969)
- Satyricon (Fellini, 1969)
- Z (Gavras, 1969)
- Il Conformista/The Conformist (Bertolucci, 1969)
- Easy Rider (Hopper, 1969)
- High School (Wiseman, 1969)
- In the Year of the Pig (de Antonio, 1969)
- The Wild Bunch (Peckinpah, 1969)
- Andrey Rublyov/Andrei Rublev (Tarkovsky, 1969)
- Le Boucher/The Butcher (Chabrol, 1969)
- The Color of Pomegranates/Sayat Nova (Parajanov, 1969)
- Kes (Loach, 1969)
- Tristana (Bunuel, 1970)
- Five Easy Pieces (Rafelson, 1970)
- El Topo (Jodorowsky, 1970)
- Woodstock (Wadleigh, 1970)
- Deep End (Skolimowski, 1970)
- La Strategia Del Ragno/The Spider's Stratagem (Bertolucci, 1970)
- Little Big Man (Penn, 1970)
- Ucho/The Ear (Kachyna, 1970)
- Patton (Schaffner, 1970)
- M*A*S*H (Altman, 1970)
- Performance (Cammell, Roeg 1970)
- Gimme Shelter (Maysles, 1970)
- Zabriskie Point (Antonioni, 1970)
- L'ucello Dalle Piume Di Cristallo/The Bird with The Crystal Plumage (Argento, 1970)
- Il Giardino Dei Finzi-Contini/The Garden of the Finzi-Continis (De Sica, 1970)
- Wanda (Loden, 1971)
- W.R.: Misterije Organizma/W.R.: Mysteries of the Organism (Makavejev, 1971)
- A Clockwork Orange (Kubrick, 1971)
- Le Chagrin et la pitié/The Sorrow and the Pity (Ophuls, 1971)
- Willy Wonka and the Chocolate Factory (Stuart, 1971)
- McCabe and Mrs. Miller (Altman, 1971)
- Walkabout (Roeg, 1971)
- Klute (Pakula, 1971)
- Harold and Maude (Ashby, 1971)
- Még kér a nép/Red Psalm (Jancso, 1971)
- Get Carter (Hodges, 1971)
- The French Connection (Friedkin, 1971)
- Shaft (Parks, 1971)
- Dirty Harry (Siegel, 1971)
- Le Souffle au coeur/Murmur of the Heart (Malle, 1971)
- Sweet Sweetback's Baadassss Song (Van Peebles, 1971)
- The Last Picture Show (Bogdanovich, 1971)
- Straw Dogs (Peckinpah, 1971)
- Two-Lane Blacktop (Hellman, 1971)
- The Heartbreak Kid (May, 1972)
- Aguirre, der Zorn Gottes/Aguirre, the Wrath of God (Herzog, 1972)
- Cabaret (Fosse, 1972)
- Ultimo Tango a Parigi/Last Tango in Paris (Bertolucci, 1972)
- High Plains Drifter (Eastwood, 1972)
- Sleuth (Mankiewicz, 1972)
- Deliverance (Boorman, 1972)
- Solaris (Tarkovsky, 1972)
- The Godfather (Coppola, 1972)
- Viskningar och rop/Cries and Whispers (Bergman, 1972)
- Fat City (Huston, 1972)
- Le Charme discret de la bourgeoisie/The Discreet Charm of the Bourgeoisie (Bunuel, 1972)
- Die Bitteren Tränen der Petra von Kant/The Bitter Tears of Petra Von Kant (Fassbinder, 1972)
- Frenzy (Hitchcock, 1972)
- Pink Flamingos (Waters, 1972)
- Superfly (Parks Jr., 1972)
- The Sting (Hill, 1973)
- La Maman et la putain/The Mother and the Whore (Eustache, 1973)
- Badlands (Malick, 1973)
- American Graffiti (Lucas, 1973)
- Papillon (Schaffner, 1973)
- Enter the Dragon (Clouse, 1973)
- Mean Streets (Scorsese, 1973)
- The Long Goodbye (Altman, 1973)
- The Wicker Man (Hardy, 1973)
- La Nuit américaine/Day for Night (Truffaut, 1973)
- Don't Look Now (Roeg, 1973)
- Sleeper (Allen, 1973)
- Serpico (Lumet, 1973)
- The Exorcist (Friedkin, 1973)
- Turks Fruit/Turkish Delight (Verhoeven, 1973)
- El Espíritu de la colmena/The Spirit of the Beehive (Erice, 1973)
- La Planete Sauvage/Fantastic Planet (Laloux, 1973)
- Amarcord (Fellini, 1973)
- The Harder They Come (Henzell, 1973)
- Pat Garret and Billy the Kid (Peckinpah, 1973)
- Dersu Uzala (Kurosawa, 1974)
- The Conversation (Coppola, 1974)
- The Texas Chainsaw Massacre (Hooper, 1974)
- Zerkalo/The Mirror (Tarkovsky, 1974)
- A Woman under the Influence (Cassavetes, 1974)
- Young Frankenstein (Brooks, 1974)
- Chinatown (Polanski, 1974)
- Céline et Julie vont en bateau/Celine and Julie Go Boating (Rivette, 1974)
- Blazing Saddles (Brooks, 1974)
- The Godfather Part II (Coppola, 1974)
- Ali: Fear Eats the Soul (Fassbinder, 1974)
- Bring Me the Head of Alfredo Garcia (Peckinpah, 1974)
- Dog Day Afternoon (Lumet, 1975)
- One Flew over the Cuckoo's Nest (Forman, 1975)
- Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles (Akerman, 1975)
- The Rocky Horror Picture Show (White, 1975)
- Deewaar/The Wall (Chopra, 1975)
- Monty Python and the Holy Grail (Gilliam/Jones, 1975)
- Barry Lyndon (Kubrick, 1975)
- Faustrecht der Freiheit/Fox and His Friends (Fassbinder, 1975)
- India Song (Duras, 1975)
- Picnic at Hanging Rock (Weir, 1975)
- Maynila: Sa mga kuko ng liwanag/Manila in the Claws of Brightness (Brocka, 1975)
- Salo o le centoventi giornate di sodoma/Salo, or the 120 Days of Sodom (Pasolini, 1975)
- Nashville (Altman, 1975)
- Cria Cuervos/Cria! (Saura, 1975)
- O Thiassos/The Traveling Players (Angelopoulos, 1975)
- Jaws (Spielberg, 1975)
- The Killing of a Chinese Bookie (Cassavetes, 1976)
- Carrie (De Palma, 1976)
- The Outlaw Josey Wales (Eastwood, 1976)
- All the President's Men (Pakula, 1976)
- Rocky (Avildsen, 1976)
- Taxi Driver (Scorsese, 1976)
- Network (Lumet, 1976)
- Voskhozhdenie/Ascent (Shepitko, 1976)
- Ai No Corrida/In the Realm of the Senses (Oshima, 1976)
- 1900 (Bertolucci, 1976)
- The Man Who Fell to Earth (Roeg, 1976)
- Star Wars (Lucas, 1977)
- Close Encounters of the Third Kind (Spielberg, 1977)
- The Last Wave (Weir, 1977)
- Annie Hall (Allen, 1977)
- Last Chants for a Slow Dance (Jost, 1977)
- Stroszek (Herzog, 1977)
- Czlowiek z marmuru/Man of Marble (Wajda, 1977)
- Saturday Night Fever (Badham, 1977)
- Killer of Sheep (Burnett, 1977)
- Eraserhead (Lynch, 1977)
- Ceddo (Sembene, 1977)
- Der Amerikanische Freund/The American Friend (Wenders, 1977)
- The Hills Have Eyes (Craven, 1977)
- Soldaat van Oranje/Soldier of Orange (Verhoeven, 1977)
- Suspiria (Argento, 1977)
- The Chant of Jimmie Blacksmith (Schepisi, 1978)
- Wu Du/Five Deadly Venoms (Cheh, 1978)
- L'albero degli zoccoli/The Tree of Wooden Clogs (Olmi, 1978)
- The Deer Hunter (Cimino, 1978)
- Grease (Kleiser, 1978)
- Days of Heaven (Malick, 1978)
- Dawn of the Dead (Romero, 1978)
- Shao Lin San Shih Liu Fang/Shaolin Master Killer (Liu, 1978)
- Up in Smoke (Adler/Chong, 1978)
- Halloween (Carpenter, 1978)
- Die Ehe Der Maria Braun/The Marriage of Maria Braun (Fassbinder, 1979)
- Real Life (Brooks, 1979)
- My Brilliant Career (Armstrong, 1979)
- Stalker (Tarkovsky, 1979)
- Alien (Scott, 1979)
- Breaking Away (Yates, 1979)
- Die Blechtrommel/The Tin Drum (Schlondorff, 1979)
- All That Jazz (Fosse, 1979)
- Being There (Ashby, 1979)
- Kramer vs. Kramer (Benton, 1979)
- Life of Brian (Jones, 1979)
- Apocalypse Now (Coppola, 1979)
- The Jerk (Reiner, 1979)
- The Muppet Movie (Frawley, 1979)
- Manhattan (Allen, 1979)
- Mad Max (Miller, 1979)
- Nosferatu: Phantom der Nacht/Nosferatu (Herzog, 1979)
- Ordinary People (Redford, 1980)
- Atlantic City (Malle, 1980)
- Le Dernier Metro/The Last Metro (Truffaut, 1980)
- The Shining (Kubrick, 1980)
- Star Wars: Episode V-The Empire Strikes Back (Kershner, 1980)
- The Elephant Man (Lynch, 1980)
- The Big Red One (Fuller, 1980)
- Loulou (Pialat, 1980)
- Airplane! (Abrahams/Zucker, 1980)
- Raging Bull (Scorsese, 1980)
- Raiders of the Lost Ark (Spielberg, 1981)
- Das Boot/The Boat (Petersen, 1981)
- Gallipoli (Weir, 1981)
- Chariots of Fire (Hudson, 1981)
- Body Heat (Kasdan, 1981)
- Reds (Beatty, 1981)
- An American Werewolf in London (Landis, 1981)
- Tre Fratelli, Three Brothers (Rosi, 1981)
- Czlowiek z zelaza/Man of Iron (Wajda, 1981)
- Zu Fruh, Zu Spat/Too Early, Too Late (Hulliet/ Straub, 1981)
- Fast Times at Ridgemont High (Heckerling, 1981)
- E.T. The Extra-Terestrial (Spielberg, 1982)
- The Thing (Carpenter, 1982)
- Poltergeist (Spielberg, 1982)
- Blade Runner (Scott, 1982)
- The Evil Dead (Raimi, 1982)
- Tootsie (Pollack, 1982)
- Yol (Goren/Guney, 1982)
- Diner (Levinson, 1982)
- Fitzcaraldo (Herzog, 1982)
- Gandhi (Attenborough, 1982)
- Le Notti di San Lorenzo/The Night of the Shooting Stars (Taviani, 1982)
- De Stilte Rond Christine M./A Question of Silence (Gorris, 1982)
- Fanny Och Alexander/Fanny and Alexander (Bergman, 1982)
- A Christmas Story (Clark, 1983)
- El Norte (Nava, 1983)
- Videodrome (Cronenberg, 1983)
- Star Wars: Episode VI-Return of the Jedi (Marquand, 1983)
- The Big Chill (Kasdan, 1983)
- Sans Soleil/Sunless (Marker, 1983)
- Le Dernier Combat/The Last Battle (Besson, 1983)
- L'Argent/Money (Bresson, 1983)
- Utu (Murphy, 1983)
- Terms of Endearment (Brooks, 1983)
- Die Vierde Man/The Fourth Man (Verhoeven, 1983)
- The King of Comedy (Scorsese, 1983)
- The Right Stuff (Kaufman, 1983)
- Koyaanisqatsi (Reggio, 1983)
- Once Upon a Time in America (Leone, 1983)
- Scarface (De Palma, 1983)
- Narayama Bushi-ko/The Ballad of Narayama (Imamura, 1983)
- Amadeus (Forman, 1984)
- The Terminator (Cameron, 1984)
- Paris, Texas (Wenders, 1984)
- A Nightmare on Elm Street (Craven, 1984)
- This Is Spinal Tap (Murphy, 1984)
- Beverly Hills Cop (Brest, 1984)
- Ghostbusters (Reitman, 1984)
- A Passage to India (Lean, 1984)
- Stranger Than Paradise (Jarmusch, 1984)
- The Killing Fields (Joffe, 1984)
- The Natural (Levinson, 1984)
- The Breakfast Club (Hughes, 1985)
- Ran (Kurosawa, 1985)
- Idi I Smotri/Come and See (Klimov, 1985)
- La Historia Ofical/The Official Story (Puenzo, 1985)
- Out of Africa (Pollack, 1985)
- The Purple Rose of Cairo (Allen, 1985)
- Back to the Future (Zemeckis, 1985)
- Tong Nien Wang Shi/The Time to Live and the Time to Die (Hou, 1985)
- Brazil (Gilliam, 1985)
- Kiss of the Spiderwoman (Barbenco, 1985)
- The Quiet Earth (Murphy, 1985)
- Mishima: A Life In Four Chapters (Schrader, 1985)
- Prizzi's Honor (Huston, 1985)
- Sans Toit Ni Loi/Vagabond (Varda, 1985)
- Shoah (Lanzmann, 1985)
- The Color Purple (Spielberg, 1985)
- Manhunter (Mann, 1986)
- Stand By Me (Reiner, 1986)
- Blue Velvet (Lynch, 1986)
- Hannah and Her Sisters (Allen, 1986)
- She's Gotta Have It (Lee, 1986)
- Le Declin De L'Empire Americain/The Decline of the American Empire (Arcand, 1986)
- The Fly (Cronenberg, 1986)
- Aliens (Cameron, 1986)
- Ferris Bueller's Day Off (Hughes, 1986)
- Down by Law (Jarmusch, 1986)
- A Room with a View (Ivory, 1986)
- Childern of A Lesser God (Haines, 1986)
- Platoon (Stone, 1986)
- Caravaggio (Jarman, 1986)
- Tampopo (Itami, 1986)
- Do Ma Daan/Peking Opera Blues (Hark, 1986)
- Salvador (Stone, 1986)
- Top Gun (Scott, 1986)
- Sherman's March (McElwee, 1986)
- Dao Ma Zei/The Horse Thief (Zhuangzhuang, 1986)
- Yeelen/Brightness (Cisse, 1987)
- Der Himmel Uber Berlin/Wings of Desire (Wenders, 1987)
- A Gai Waak Juk Jaap/Project A, Part II (Chan, 1987)
- Babettes Gaestebud/Babette's Feast (Axel, 1987)
- Raising Arizona (Coen, 1987)
- Full Metal Jacket (Kubrick, 1987)
- Withnail and I (Robinson, 1987)
- Good Morning, Vietnam (Levinson, 1987)
- Au Revoir Les Enfants/Goodybe Children (Malle, 1987)
- Broadcast News (Brooks, 1987)
- Housekeeping (Forsyth, 1987)
- The Princess Bride (Reiner, 1987)
- Moonstruck (Jewison, 1987)
- The Untouchables (De Palma, 1987)
- Hong Gao Liang/Red Sorghum (Yimou, 1987)
- The Dead (Huston, 1987)
- Fatal Attraction (Lyne, 1987)
- Sinnui Yauman/A Chinese Ghost Story (Ching, 1987)
- Mujeres Al Borde De Un Ataque De Nervios/Women on the Verge of a Nervous Breakdown (Almodovar, 1988)
- Spoorloos/The Vanishing (Sluizer, 1988)
- Bull Durham (Shelton, 1988)
- Ariel (Kaurismaki, 1988)
- The Thin Blue Line (Morris, 1988)
- Akira (Otomo, 1988)
- Nuovo Cinema Paradiso/Cinema Paradiso (Tornatore, 1988)
- Hotel Terminus: Klaus Barbie Et Son Temps/ Hotel Terminus: The Life and Times of Klaus Barbie (Ophuls, 1988)
- A Fish Called Wanda (Crichton, 1988)
- The Naked Gun (Zucker, 1988)
- Big (Marshall, 1988)
- Dangerous Liaisons (Fears, 1988)
- Hotaru No Haka/Grave of the Fireflies (Takahata, 1988)
- Topio Stin Omichli/Landscape in the Mist (1988)
- The Decalogue (Kieslowski, 1988)
- Die Hard (McTiernan, 1988)
- A Tale of the Wind (Ivens, 1988)
- Who Framed Roger Rabbit (Zemeckis, 1988)
- Rain Man (Levinson, 1988)
- Une Affaire De Femmes/The Story of Women (Chabroi, 1988)
- The Accidental Tourist (Kasdan, 1988)
- Noce Z Alenky/Alice (Svankmajer, 1988)
- Drowning by Numbers (Greenaway, 1988)
- Batman (Burton, 1989)
- When Harry Met Sally (Reiner, 1989)
- Crimes and Misdemeanors (Allen, 1989)
- The Cook, the Thief, His Wife and Her Lover (Greenaway, 1989)
- Drugstore Cowboy (Van Sant, 1989)
- My Left Foot (Sheridan, 1989)
- Die Xue Shuang Xiong/The Killer (Woo, 1989)
- Do the Right Thing (Lee, 1989)
- Roger & Me (Moore, 1989)
- Glory (Zwick, 1989)
- Astenicheskij Sindrome/The Asthenic Syndrome (Muratova, 1989)
- Sex, Lies and Videotape (Soderbergh, 1989)
- Say Anything (Crowe, 1989)
- The Unbelievable Truth (Hartley, 1989)
- Beiqing Chengshi/A City of Sadness (Hou, 1989)
- S'en Fout La Mort/No Fear, No Die (Denis, 1990)
- Reversal of Fortune (Schroeder, 1990)
- Goodfellas (Scorsese, 1990)
- Jacob's Ladder (Lyne, 1990)
- King of New York (Ferrara, 1990)
- Dances with Wolves (Costner, 1990)
- Hitlerjunge Salomon/Europa Europa (Holland, 1990)
- Pretty Woman (Marshall, 1990)
- Archangel (Maddin, 1990)
- Trust (Hartley, 1990)
- Nema-Ye Nazdik/Close-Up (Kiarostami, 1990)
- Edward Scissorhands (Burton, 1990)
- Henry: Portrait of a Serial Killer (McNughton, 1990)
- Total Recall (Verhoeven, 1990)
- Wong Fei-Hung/Once Upon a Time in China (Tsui, 1991)
- Boyz 'n the Hood (Singleton, 1991)
- Da Hong Deng Long Gao Gao Gua/Raise the Red Lantern (Zhang, 1991)
- Delicatessen (Caro/Jeunet, 1991)
- Guling Jie Shaonian Sha Ren Shijian/A Brighter Summer Day (Yang, 1991)
- The Naked Lunch (Cronenberg, 1991)
- La Belle Noiseuse/The Beautiful Troublemaker (Rivette, 1991)
- The Rapture (Tolkin, 1991)
- My Own Private Idaho (Van Sant, 1991)
- Thelma & Louise (Scott, 1991)
- Terminator 2: Judgment Day (Cameron, 1991)
- The Silence of the Lambs (Demme, 1991)
- JFK (Stone, 1991)
- Slacker (Linklater, 1991)
- Tongues Untied (Riggs, 1991)
- Hearts of Darkness: A Filmmaker's Apocalypse (Bahr/Coppola/Hickenlooper, 1991)
- La Double Vie De Veronique/The Double Life of Veronique (Kieslowski, 1991)
- Strictly Ballroom (Luhrmann, 1992)
- The Player (Altman, 1992)
- Reservoir Dogs (Tarantino, 1992)
- Romper Stomper (Wright, 1992)
- Glengarry Glen Ross (Foley, 1992)
- Unforgiven (Eastwood, 1992)
- Bram Stoker's Dracula (Coppola, 1992)
- Candyman (Rose, 1992)
- A Tale of Winter (Rohmer, 1992)
- Aileen Wuornos: The Selling of a Serial Killer (Broomfield, 1992)
- The Crying Game (Jordan, 1992)
- C'est Arrive Pres De Chez Vous/Man Bites Dog (Belvaux/Bonzel/Poelvoorde, 1992)
- Yuen Ling-Yuk/The Actress (Kwan, 1992)
- Ba Wang Bie Ji/Farewell My Concubine (Chen, 1993)
- Thirty Two Films about Glenn Gould (Girard, 1993)
- Groundhog Day (Ramis, 1993)
- Short Cuts (Altman, 1993)
- Philadelphia (Demme, 1993)
- Jurassic Park (Spielberg, 1993)
- The Age of Innocence (Scorsese, 1993)
- Hsimeng Jensheng/The Puppetmaster (Hsien, 1993)
- Schindler's List (Spielberg, 1993)
- Trois Couleurs: Bleu/Three Colours: Blue (Kieslowski, 1993)
- The Piano (Campion, 1993)
- Lan Feng Zheng/The Blue Kite (Zhuangzhuang, 1993)
- Hsi Yen/The Wedding Banquet (Lee, 1993)
- Trois Couleurs: Rouge/Three Colours: Red (Kieslowski, 1994)
- Hoop Dreams (James, 1994)
- Forrest Gump (Zemeckis, 1994)
- Clerks (Smith, 1994)
- Four Weddings and a Funeral (Newell, 1994)
- The Lion King (Allers/Minkoff, 1994)
- Satantango (Tarr, 1994)
- Natural Born Killers (Stone, 1994)
- The Last Seduction (Dahl, 1994)
- Pulp Fiction (Tarantino, 1994)
- The Shawshank Redemption (Darabont, 1994)
- Les Roseaux Sauvages/The Wild Reeds (Techine, 1994)
- Chong Qing Sen Lin/Chungking Express (Wong, 1994)
- Crumb (Zwigoff, 1994)
- Heavenly Creatures (Jackson, 1994)
- Through the Olive Trees/Zire Darakhatan Zeyton (Kiarostami, 1994)
- Riget/The Kingdom (Arnfred/Von Trier, 1994)
- Caro Diario/Dear Diary (Moretti, 1994)
- The Adventures of Priscilla, Queen of the Desert (Elliott, 1994)
- Muriel's Wedding (Hogah, 1994)
- Casino (Scorsese, 1995)
- Deseret (Benning, 1995)
- Babe (Noonan, 1995)
- Toy Story (Lasseter, 1995)
- Strange Days (Bigelow, 1995)
- Braveheart (Gibson, 1995)
- Safe (Haynes, 1995)
- Clueless (Heckerling, 1995)
- Heat (Mann, 1995)
- Kjaerlighetens Kjotere/Zero Kelvin (Moland, 1995)
- Seven (Fincher, 1995)
- Smoke (Wang/Auster, 1995)
- The White Balloon (Panahl, 1995)
- Xixch Lo (Tran, 1995)
- Underground (Kusturica, 1995)
- Dilwale Dulhaniya Le Jayenge/The Brave Heart Will Take the Bride (Chopra, 1995)
- Dead Man (Jarmusch, 1995)
- The Usual Suspects (Singer, 1995)
- The Pillow Book (Greenaway, 1996)
- Trois Vies & Une Seule Mort/Three Lives and Only One Death (Ruiz, 1996)
- Fargo (Coen, 1996)
- Independence Day (Emmerich, 1996)
- Secrets and Lies (Leigh, 1996)
- Breaking the Waves (von Trier, 1996)
- The English Patient (Minghella, 1996)
- Gabbeh (Makhmalbaf, 1996)
- Lone Star (Sayles, 1996)
- Trainspotting (Boyle, 1996)
- Scream (Craven, 1996)
- Shine (Hicks, 1996)
- Deconstructing Harry (Allen, 1997)
- L.A. Confidential (Hanson, 1997)
- Cheun Gwong Tsa Sit/Happy Together (Wai,1997)
- Mononoke Hime/Princess Mononoke (Miyazaki, 1997)
- Fast, Cheap and Out of Control (Morris, 1997)
- The Butcher Boy (Jordan, 1997)
- The Ice Storm (Lee, 1997)
- Boogie Nights (Anderson, 1997)
- Kundun (Scorsese, 1997)
- The Sweet Hereafter (Egpyan, 1997)
- Funny Games (Haneke, 1997)
- TA'm E Guillas/Taste of Cherry (Kiarostami, 1997)
- Abre Los Ojos/Open Your Eyes (Amenebar, 1997)
- Mat i Syn/Mother and Son (Sokurov, 1997)
- Titanic (Cameron, 1997)
- Tetsuo (Tsukamoto, 1998)
- Festen/The Celebration (Vinterberg, 1998)
- Saving Private Ryan (Spielberg, 1998)
- Buffalo 66 (Gallo, 1998)
- Lock, Stock and Two Smoking Barrels (Richie, 1998)
- Lola Rennt/Run Lola Run (Tykwer, 1998)
- Rushmore (Anderson, 1998)
- Pi (Aronofosky, 1998)
- Happiness (Solondz, 1998)
- The Thin Red Line (Malick, 1998)
- Idioterne/The Idiots (Von Trier, 1998)
- Sombre (Grandrieux, 1998)
- Ring (Nakata, 1998)
- There's Something About Mary (Farrelly, 1998)
- The Big Lebowski (Coen, 1998)
- Magnolia (Anderson, 1999)
- Beau Travail (Denis, 1999)
- The Blair Witch Project (Myrick/Sanchez, 1999)
- Gohatto/Taboo (Oshima, 1999)
- Rosetta (Dardenne, 1999)
- Todo Sobra Mi Madre/All About My Mother (Almodovar, 1999)
- Three Kings (Russell, 1999)
- Bad Ma Ra Khahad Bord/The Wind Will Carry Us (Kiarostami, 1999)
- Odishon/The Audition (Miike, 1999)
- Time Regained (Ruiz, 1999)
- Fight Club (Fincher, 1999)
- Being John Malkovich (Jonze, 1999)
- American Beauty (Mendes, 1999)
- Juyuso Seubgyuksageun/Attack the Gas Station! (Kim, 1999)
- Eyes Wide Shut (Kubrick, 1999)
- The Sixth Sense (Shyamalan, 1999)
- The Matrix (Wachowski, 1999)
- Nueve Reinas/Nine Queens (Bielinsky, 2000)
- La Captive/The Captive (Akerman, 2000)
- Dut Yeung Nin Wa/In the Mood for Love (Wong, 2000)
- Ali Zaoua, Prince de la Rue/Ali Zaoua, Prince of the Streets (Ayouch, 2000)
- Gladiator (Scott, 2000)
- Kippur (Gitai, 2000)
- Yi Yi/A One and A Two (Yang, 2000)
- Requiem for a Dream (Aronofosky, 2000)
- Amores Perros (Inarritu, 2000)
- Meet the Parents (Roach, 2000)
- Signs & Wonders (Nossiter, 2000)
- Wo Hu Cang Long/Crouching Tiger, Hidden Dragon (Lee, 2000)
- Traffic (Soderbergh, 2000)
- The Gleaners and I (Varda, 2000)
- Memento (Nolan, 2000)
- Dancer in the Dark (von Trier, 2000)
- O Brother, Where Art Thou? (Coen, 2000)
- Le Fabuleux Destin D'Amelie Poulain/Amelie (Jeunet, 2001)
- Ni Neibian Jidian/What Time Is It There? (Tsai, 2001)
- Y Tu Mama Tambien/And Your Mother Too (Cuaron, 2001)
- Safar E Ghandehar/Kandahar (Makhmalbaf, 2001)
- Sen To Chihiro No Kamikakushi/Spirited Away (Miyazaki, 2001)
- The Piano Teacher (Haneke, 2001)
- La Stanza Del Figlio/The Son's Room (Moretti, 2001)
- No Man's Land (Tanovic, 2001)
- Moulin Rouge! (Luhrmann, 2001)
- Monsoon Wedding (Nair, 2001)
- A Ma Soeur!/Fat Girl (Breillat, 2001)
- Mulholland Dr. (Lynch, 2001)
- The Royal Tenenbaums (Anderson, 2001)
- The Lord of the Rings: The Fellowship of the Ring (Jackson, 2001)
- A.I.: Artificial Intelligence (Spielberg, 2001)
- Lantana (Lawrence, 2001)
- Gangs of New York (Scorsese, 2002)
- The Pianist (Polanski, 2002)
- Uzak (Ceylan, 2002)
- Rabbit-Proof Fence (Noyce, 2002)
- Hable Con Ella/Talk to Her (Almodovar, 2002)
- Irreversible (Noe, 2002)
- City of God (Meirelles, 2002)
- Russkij Kovcheg/Russian Ark (Sokurov, 2002)
- Far From Heaven (Haynes, 2002)
- Adaptation (Jonze, 2002)
- Chicago (Marshall, 2002)
- Ying xiong/Hero (Zhang, 2002)
- The Lord of the Rings: The Two Towers (Jackson, 2002)
- Bus 174/Ônibus 174 (Padilha, Lacerda, 2002)
- Les Invasions Barbares/The Barbarian Invasions (Arcand, 2003)
- Kill Bill: Vol. 1 (Tarantino, 2003)
- Oldboy (Park, 2003)
- Good Bye Lenin! (Becker, 2003)
- The Lord of the Rings: The Return Of The King (Jackson, 2003)
- La Meglio gioventù/The Best of Youth (Giordana, 2003)
- Lost in Translation (Coppola, 2003)
- Gegen die Wand/Head-On (Akin, 2004)
- Bin-Jip/3-Iron (Ki-duk, 2004)
- Fahrenheit 9/11 (Moore, 2004)
- The Passion Of The Christ (Gibson, 2004)
- Crash (Haggis, 2004)
- Collateral (Mann, 2004)
- The Aviator (Scorsese, 2004)
- Million Dollar Baby (Eastwood, 2004)
- The Downfall: Hitler and the End of the Third Reich/Der Untergang - Hitler und das Ende des 3. Reichs (Hirschbiegel, 2004)
- A Very Long Engagement/Un long dimanche de fiançailles (Jeunet, 2004)
- Sideways (Payne, 2004)
- Caché/Hidden (Haneke, 2005)
- Va, Vis et deviens/Live and Become (Mihaileanu, 2005)
- Paradise Now (Assad, 2005)
- Brokeback Mountain (Lee, 2005)
- Tsotsi (Hood, 2005)
- The Constant Gardener (Meirelles, 2005)
- Little Miss Sunshine (Dayton, Faris, 2006)
- Apocalypto (Gibson, 2006)
- The Departed (Scorsese, 2006)
- El Labirinto Del Fauno/Pan's Labyrinth (Del Toro, 2006)
- Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Charles, 2006)
- Das Leben Der Anderen/The Lives of Others (Von Donnersmarck, 2006)
- Once (Carney, 2006)
- The Queen (Frears, 2006)
- Gwoemul/The Host (Joon-ho, 2006)
- Le Scaphandre et Le Papillon/The Diving Bell and the Butterfly (Schnabel, 2007)
- La Vie En Rose (Dahan, 2007)
- No Country For Old Men (Coen, 2007)
- Into The Wild (Penn, 2007)
- There Will Be Blood (Anderson, 2007)
- Atonement (Wright, 2007)
Author Comments:
06/12/2008 update of title








Along with A Trip to the Moon, The Fat and the Lean Wrestling Match is my favourite movie by Méliès. It's fun and well-done.
I also urge you to see Raging Bull. That is my favourite Scorsese, along with Taxi Driver of course.
If interested, here is an alternative 1001 movies-list in work. Suggestions are always welcome.