100 Greatest Dance/Electronic Artists

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  1. Criteria:

  2. ' For the purposes of this list, "dance/electronic" is considered to be a genre of popular music spanning an array of styles including but not limited to: early electronic, industrial, synthpop, ambient, electro, techno, freestyle, house, acid jazz, trip hop, trance, hardcore, and drum n bass. Some would refer to this genre as "electronica," though others dismiss this term.

  3. ' Artist rankings are based on impact, influence, and lasting popularity.

  4. ' Electronic composers of post-classical/avant-garde music are not eligible, unless they have contributed significantly to the popular electronic music genre (e.g. Wendy Carlos, Tomita).

  5. ' This list is reserved specifically for recording artists, therefore DJs, remixers, and producers who have little to no artistic output were not considered; however, artists are given extra weight in consideration of their ranking if they also excelled in DJing, remixing, and/or producing.


  6. Kraftwerk
  7. Yellow Magic Orchestra
  8. Tangerine Dream
  9. Brian Eno
  10. New Order
  11. Depeche Mode
  12. Jean-Michel Jarre
  13. Aphex Twin
  14. Juan Atkins/Cybotron
  15. Daft Punk
  16. Giorgio Moroder
  17. Afrika Bambaataa
  18. Larry Heard
  19. Madonna
  20. The Prodigy
  21. Massive Attack
  22. Klaus Schulze
  23. Moby
  24. The Chemical Brothers
  25. Nine Inch Nails
  26. The Orb
  27. Leftfield
  28. Wendy Carlos
  29. The KLF
  30. Orbital
  31. Gary Numan
  32. Underworld
  33. Paul van Dyk
  34. Frankie Knuckles
  35. Vangelis
  36. Goldie
  37. Kevin Saunderson/Inner City
  38. Cabaret Voltaire
  39. Autechre
  40. Todd Terry
  41. The Human League
  42. Derrick May
  43. Paul Oakenfold
  44. Cluster
  45. Björk
  46. Masters at Work
  47. Richie Hawtin
  48. Suicide
  49. Marshall Jefferson
  50. Pet Shop Boys
  51. Sasha & John Digweed
  52. Carl Craig
  53. Portishead
  54. LTJ Bukem
  55. Tomita
  56. Soul II Soul
  57. Fatboy Slim
  58. Primal Scream
  59. Joey Beltram
  60. Front 242
  61. Basement Jaxx
  62. Jeff Mills
  63. 808 State
  64. Art of Noise
  65. Tricky
  66. BT
  67. Armand Van Helden
  68. Man Parrish
  69. Silver Apples
  70. Roni Size & Reprazent
  71. The Future Sound of London
  72. DJ Shadow/UNKLE
  73. Throbbing Gristle
  74. LFO
  75. Air
  76. Jamiroquai
  77. Yello
  78. DJ Pierre/Phuture
  79. Coldcut
  80. Deep Dish
  81. Patrick Cowley
  82. Can
  83. The Black Dog/Plaid
  84. Faithless
  85. The Crystal Method
  86. 2 Live Crew
  87. Coil
  88. The Shamen
  89. Underground Resistance
  90. Cerrone
  91. Grandmaster Flash
  92. Ultravox
  93. Curtis Jones (Cajmere/Green Velvet)
  94. Shannon
  95. µ-Ziq
  96. Alec Empire/Atari Teenage Riot
  97. Neu!
  98. Sven Väth
  99. Kruder & Dorfmeister
  100. Squarepusher
  101. Deee-Lite
  102. Boards of Canada
  103. Skinny Puppy
  104. Mouse on Mars
  105. Einstürzende Neubauten


Author Comments: 



Artists being considered for positions 101-200 (and then some...):



2 Unlimited
4 Hero
A Guy Called Gerald
A.R. Kane
ATB
Adonis
Age of Love
Altern 8
Amber
Amon Düül
Amon Tobin
Aphrodite
Apollo 440
Aqua
Armando
Art of Trance
Artful Dodger
Arthur Baker
As One
Ash Ra Tempel
Astral Projection
Atom Heart
Augustus Pablo
Aux 88
B12
Bark Psychosis
Basic Channel
Beastie Boys
Beatles, The
Beaver & Krause
Beck
Beloved, The
Beth Orton
Biosphere
Black Box
Blaze
Bobby Orlando
Bomb the Bass
Brand New Heavies, The
Bruce Haack
Byron Stingily/Ten City
C + C Music Factory
Cameo
Carl Cox
Chicane
Chip E.
Christopher Lawrence
CJ Bolland
Cocteau Twins
Cornelius
Cornershop
Cristian Vogel
Crystal Waters
Curve
D-Train
Danny Rampling
Danny Tenaglia
Dave Angel
Dave Clarke
David Bowie
David Holmes
David Morales
David Parsons
De La Soul
Dead or Alive
Delerium
Depth Charge
Derrick Carter
Deutsch Amerikanische Freundschaft (D.A.F.)
Devo
Dimitri from Paris
DJ Hype
DJ Krush
DJ Magic Mike
DJ Rolando
DJ Spooky
DJ Tiësto
Donna Summer
Double Dee & Steinski
Dr. Octagon
Drexciya
Duran Duran
Dynamix II
ESG
Ed Rush
Eddie "Flashin" Fowlkes
Edgar Froese
Egyptian Lover
Enigma
Erasure
Eurythmics
Evelyn "Champagne" King
Evelyn Thomas
Everything but the Girl
Fabio
Fad Gadget
Farley Jackmaster Funk
Felix Da Housecat
Fila Brazillia
Fluke
François Kevorkian
Frankie Bones
Frankie Goes to Hollywood
Garbage
Gastr del Sol
George Clinton
Global Communication
Godflesh
Gorillaz
Grace Jones
Groove Armada
Grooverider
Haddaway
Happy Mondays
Hardfloor
Heaven 17
Herbert
Herbie Hancock
Higher Intelligence Agency
Holger Czukay
Hot Butter
Howie B
Invisibl Skratch Piklz
Irresistible Force, The
Jam & Spoon
Jamie Principle
Janet Jackson
Jean-Jacques Perrey & Gershon Kingsley
Jesse Saunders
Jim O'Rourke
John Chowning
Jon Hassell
Josh Wink
Jungle Brothers
Junior Vasquez
Juno Reactor
Justice
Kashif
Ken Ishii
Kenny Larkin
Kerri Chandler
King Tubby
Kitaro
Klein & M.B.O.
Kool DJ Herc
Kylie Minogue
LCD Soundsystem
La Bouche
Labradford
Lamb
Larry Levan
Laurent Garnier
Laurie Anderson
Lee "Scratch" Perry
Lil' Louis
Lime
Lisa Lisa & Cult Jam
Locust
Lords of Acid
Luke Slater
Luke Vibert (Wagon Christ/Plug)
M People
Mad Professor
Maggotron
Main
Mantronix
Manuel Göttsching
Material
Maurizio
Meat Beat Manifesto
Merzbow
Michael Jackson
Mike Ink (Gas)
Mike Oldfield
Miles Davis
Ministry
Moloko
Monolake
Moodymann
Morcheeba
Morgan Geist
Mother Mallard's Portable Masterpiece Co.
My Bloody Valentine
M|A|R|R|S
Neneh Cherry
Nightmares On Wax
Nitzer Ebb
Normal, The
Nurse With Wound
Olive
Oliver Lieb (Spicelab, L.S.G.)
Omar Santana
Omni Trio
Orchestral Manoeuvres In The Dark
Oval
Pan Sonic
Paul Elstak
Peech Boys
Pete Namlook
Pete Tong
Pete Townshend
Photek
Pink Floyd
Pizzicato Five
Pole
Popol Vuh
Porter Ricks
Pretty Tony
Prince
Propellerheads
Psychic TV
Public Enemy
Public Image Ltd.
Radiohead
Raymond Scott
Real McCoy
Residents, The
Ricardo Villalobos
Rick Wakeman
Rob Playford/2 Bad Mice
Robert Fripp
Robert Hood
Robert Rich
Roger Sanchez
Ron Hardy
Ronnie McNier
Ryuichi Sakamoto
Sabres of Paradise, The
Saint Etienne
Scanner
Scorn
Seefeel
Si Begg
Slam
Slipmatt
Sly & Robbie
Snap!
Sneaker Pimps
Soft Cell
Spacemen 3
Spacetime Continuum
Sparks
Speedy J
Spiritualized
Spring Heel Jack
Stereolab
Steve "Silk" Hurley
Steve Hillage
Steve Roach
Stevie B
Stevie Wonder
Stone Roses
Sun Ra
Sylvester
System
T.Power
TONTO's Expanding Head Band
Talk Talk
Techno Animal
Technotronic
Telex
Terrence Parker
Tetsu Inoue
Thievery Corporation
Thomas Brinkmann
Thomas Dolby
To Rococo Rot
Todd Edwards
Tony Humphries
Tortoise
Ultra Naté
Ultramagnetic MC's
Visage
Walter Gibbons
Weather Report
WestBam
William Orbit
Wire
Yazoo



Post-Classical/Avant-Garde Pioneers of Electronic Music:


Alvin Lucier
Edgard Varèse
Harold Budd
John Cage
Karlheinz Stockhausen
Luciano Berio
Milton Babbitt
Morton Subotnick
Pauline Oliveros
Philip Glass
Pierre Henry
Pierre Schaeffer
Steve Reich
Terry Riley
Tod Dockstader

I'd Recommend Brainticket. Good to see a lot of krautrock on this list!

They might be a little too obscure, but thanks for the suggestion all the same!

My two cents. Nice to see Tangerine Dream up there, although I slightly disagree with Frankie Knuckles' place.

Ricardo Villalobos
Burial
Lightwave
Peter Gabriel
Dandy Jack

Thanks for the feedback. Out of curiosity, why do you feel #4 is too high for Knuckles, and where do you think is a more appropriate position for him?

I feel it's too high because, while Knuckles has been highly influential in the house scene, he hasn't really delved into many other genres or been influential in any to the extent that people like Richie Hawtin, DJ Shadow, Juan Atkins, The Future Sound of London, Amon Tobin & Underworld have to name a few. Also, Knuckles hasn't produced any masterpeices in terms of albums which some of the above artists have.

I personally feel that he should be placed aroun 50-60 mark. Definatly below Sasha & Digweed.

You're actually not the first to disagree with Knuckles' high placement on my list. One of the most notable criticisms was from Frankie Bones (yes, the DJ Frankie Bones) who was appalled that Knuckles was above Richie Hawtin, whom he admires a great deal, apparently. I'll certainly consider lowering Knuckles a bit. You make a good point in saying that he never released an acclaimed album. Other than a handful of influential singles, his body of work isn't particularly noteworthy. While the guy's known as the "godfather of house", I can acknowledge that there have been several other DJs/producers that have done more for the genre. Thanks again for the feedback.

Pretty nice list. I don't know why Oakenfold makes it so high though. Great DJ, but his original work is downright awful.

It's great to see Yellow Magic Orchestra at #4, which is about right, but you ought to look into the work of two of the members, Ryuichi Sakamoto and Haroumi Hosono. Sakamoto in particular has been pushing electronic music forward for over 30 years now, and Hosono I would consider to be one of its best proponents and most influential personalities (similar to Brian Eno). I would recommend Sakamoto's B-2 Unit or Merry Christmas, Mr. Lawrence albums if you're looking for great 'early' electronic music (early 80's).

Also I would add Cornelius, I think he's something of a genius of electronic music, his approach as of late has been fascinating.

Of course I can't expect you to know all those guys, but they are just suggestions. Otherwise this list is surprisingly comprehensive. But I do wonder what your criteria for "greatness" is. For example I don't really see Oakenfold, Daft Punk, or even the Chems ranking very high on many of those criteria - they're somewhat influential, but their critical acclaim has dropped off somewhat and they're starting to fade away. If you're looking at influence first, I'd say Kraftwerk, Cluster, The KLF (like it or not they did really kickstart the house movement of the 90's), YMO, Brian Eno, Moroder (where would electronic music be without "I Feel Love"??), Gary Numan, Aphex Twin (for better or worse), The Orb, and Afrika Bamaataa. But, that is just the way I would do it. This list is great, kudos.

Thanks for all the feedback and kind words, JAMOOL. I agree that Oakenfold's original productions, more or less, suck ass, but his standing as the world's most popular/sucessful DJ for so many years can't be overlooked. I, myself, am not a fan of his, but it just seems like he's generally looked upon as the ambassador of electronic dance music, of sorts. I mean, he introduced house music to Europe in the late '80s and then popularized trance music in the '90s. His legend is set in stone, really.

I'm assuming you think The Orb, Moroder, Bambaataa, Cluster, and Numan could move up a bit? Where would you personally place them, out of curiosity? I'll certainly consider giving them a boost if you think they deserve it.

If you have any other advice, I'm all ears. An objective list like this is hard as hell to compile accurately, so feel free to help me out and critique it some more. Thanks. =)

Honestly, this is too big an undertaking to really offer anything 'definitive', since it's based on several criteria. Who was the most influential? Kraftwerk, Moroder, Gary Numan, YMO, Bambaataa, the Orb, Eno, and the KLF all made huge contributions to the electronic landscape. Who made the best albums? I would say Underworld, Orbital, YMO, and the Orb. Eno did too, but IMO his best were the four 'vocal' albums, which were generally not too electronic (aside from Another Green World) Lasting popularity? Well, Kraftwerk is certainly up there surprisingly, and so is YMO. Eno's work is being rediscovered by many young people every day. And I have the feeling that Daft Punk will not go out of style for a long time. Most original? Of course Kraftwerk, then Eno, who was constantly looking for new ways to use sound, Cluster, the Orb, Haroumi Hosono, Juan Atkins (I think). I haven't mentioned Tangerine Dream since I only know one of their albums. I wouldn't disagree that they belong here.

In terms of New Wave - I see you have Depeche Mode and New Order ranked high. They continue to be popular and got lots of acclaim. But, I don't think they are necessarily 'the greatest' and perhaps should be taken down a few pegs. I think Gary Numan should be among them too - he used the synths as a powerful, electric-guitar like instrument and his robotic, gothic image most likely inspired Depeche Mode and New Order (besides, his first four albums rock).

As for what should move down - I don't think in 10 years many will even remember the Chemical Bros. or the Prodigy, and besides, their 'classic' albums haven't dated too well. Daft Punk somehow has more resiliance, but I don't really find them deserving of such a high spot - they have one good album and a great live show, but were not really influential or original (most of their good hooks were sampled), and with only three albums, one of which was panned to hell and back, I don't think the 'critically acclaimed' tag really fits.

Or, maybe I'm wrong. This list would be a lot easier if you judged on just one criteria or perhaps a couple of similar ones. Either way it's definitely very admirable ;)

Thanks again. I'll certainly consider your suggestions.

I just did a quick search but I did not see The Knife on there. I think they deserve a slot...

and check out Trentemøller, he is my favorite artist of all time. Not necessarily the best, but he's my favorite.

The Knife is certainly one of the better recent electronic groups, but I think it might be a little too early to add them right now. They're definitely a candidate for future revisions though.

I'm not familiar with Trentemøller. I'll check him out. Thanks for the recommendation.

Excellent list, you can't be more accurate with kraftwerk, depeche mode, aphex twin, jmj (although he deserves a higher place in the list), the prodigy...

Although Paul Oakenfold could be too high, Paul Van Dyk really deserves his place in the top. And one of the only tops in which I see PvD higher than Tiesto. I'm glad Armin van Buuren and Ferry Corsten are not in the list.

Yes, I am a trance listener.

Thanks. Glad you like the list. JMJ may move up. I'll think about it.

I really don't know what's with Madonna up in there. She is still THE pop queen, but her contribution to EDM is arguable.

It seems very unfair for me to see Hawtin in top 50 and Sven Vath in 101-200. Btw, I can't find Chicane.

At first, I resisted including pop singers in the list, but Madonna is simply too important to dance/electronic music for me to overlook. Throughout her entire career, she has helped the genre gain a mainstream audience. Everything from "Get into the Groove" to "Holiday" to "Vogue" to "Ray of Light" made an incredible impact.

Sven Vath may move up. Chicane will not touch this list.

These are the things that I do not agree with:

- Sasha&Digweed should have been only Sasha and should move 5-10 places higher...Digweed is pulling him back
- I really don't know what's with Richie Hawtin so high especially when Future Sound of London is on the 45th position
- One of the pioneers of EDM (FSoL) are ranked so low? No, I'm not a fan
- Jeff Mills is just a DJ, he's good, but he's only a DJ
- Pet Shop Boys & Bjork could move higher...common Plastikman before them?
- Armand van Helden? There are many better artists than him...put Tiesto near him and you will have a legend
- The same thing with Carl Cox, but I see him higher than Jeff Mills
- Pete Tong? What has he done excepting for that radioshow...then you should have put Armin van Buuren on your list (no, not a good idea)
- You have Deepdish in your list but I really can't find Gabriel & Dresden...they are way better
- Faithless so low? They are responsable for one of the greatest EDM tracks
- Danny Tenaglia, David Morales, Ricardo Villalobos - what's with them? There are more better DJs than them: Eddie Halliwell, James Zabiela
- Sven Vath should REALLY go up (he's one of the pioneers in everything), so should Oliver Lieb.
- William Orbit should reach top100
- Infected Mushroom or any other psy act not in the top?

I mainly agree the rest, especially the top 20-25 (let's just say)...except for Madonna

The list is constantly being updated. Thanks for your opinions. I'll take them into consideration.

What about about Keith Fullerton Whitman?

He's made some noteworthy music, but I'm afraid he isn't important enough for this list.

Electronic Psychedelic (60's)

The psychedelic community co-opted the newfound Electronic instruments and keyboards and injected them into the music.

The Beatles - Tomorrow Never Knows (1966) This is one of the most influential electronc songs. In many ways it is the blueprint with it's drum and bass drone rhythm, looped effects, use of electronic instrument (mellotron), and vocal distortion. The Chemical Brothers "Let forever Be" – demonstrates how modern was Tomorrow never knows; in fact, these two songs have many aspects in common.

Pink Floyd - Set the Controls for the Heart of the Sun (1968)

Silver Apples - Ruby (1968)

Everyone is welcome to comment on my Guide to Early Electronica.

What about these artists:

Ulrich Schnauss
Royksopp
Ladytron
Goldfrapp
Apoptygma Berzerk
Kosheen
Bonobo
Bent
Zero 7
LCD Soundsystem
Lemon Jelly
Telefon Tel Aviv
Ultramarine
Way Out West
Spooky
- the band, not the DJ

Royksopp, Ladytron, Goldfrapp, and LCD Soundsystem are all particularly good suggestions. They do well in popularity and are quite critically acclaimed, though it might be a little too soon to add them since their full impact/influence on electronic music has yet to be seen. I'm definitely name-checking them for future revisions of the list.

Great list! I agree with most of your suggestions (besides a few poppier ones) - if not always the order, but that's to be expected. I'm going to check out the ones I haven't heard of. Thanks!

BTW, I have a few suggestions (all of them acclaimed, and all have produced at least one widely regarded classic). I did a search for each on the list to ensure I'm not recommending repeats:

Biosphere
Producer of what is almost unanimously voted the best ambient album of all time (or at least one of the top 10, although the ambient mailing list votes it to the top year after year): Substrata. It's highly influential as well, a whole subgenre has formed based around his conception of ambient: "arctic" ambient. His other work is also really good - it's all essentially extensions of and additions to his unique sound - from the impressionism inspired Shenzou to the jazz-inflected Dropsonde. The best is, of course, Substrata, but it's all worth checking out, and all really good, really acclaimed, and really important in the ambient world. I'd recommend him for the top 50, at least.

Steve Reich - He should go somewhere in your ambient pioneers section, or perhaps even the list itself (since his work is still loved in the current electronic scene, and he still produces what one might call ambient music, to favorable reviews). His take on minimalism was a huge inspiration for ambient house, "minimal," minimal techno, early trance, and actually a huge amount else in electronic music. And, unlike most of the other electronic pioneers, his music is quite beautiful and very listenable - check out the endlessly lovable Music for 18 Musicians - it's the kind of album you know you're still going to love in 50 years. Besides this only semi-electronic work, he also created many very influential (if very annoying) early electronic works. Brian Eno, for example, has reported Reich as one of his most major influences, and inspirations for ambient music.

Simon Posford - Created both what is almost universally regarded as psytrance's best album - Hallucinogen - Twisted, and again what is almost universally regarded as psybient's best album (Shpongle - Are You Shpongled). He is also potentially one of the inventors of psybient. Widely influential and regarded both in and out of the goa scene.

My Bloody Valentine - Their work was primarily based around the electronic effects they applied rather than their guitar work, so I'd argue that they qualify under "electronic" - especially with the influence they've had on the purely electronic genres nu-gaze and space ambient, and on the semi-electronic ones post-rock, indie noise pop (Broken Social Scene), and space rock. If you haven't heard them, check out Loveless. If a band like Primal Scream qualifies, then My Bloody Valentine most certainly does. To boot, they were much more important musically than Primal Scream, and a widely cited by electronic artists as a major influence. Plus Loveless is usually seen near the top of "Best albums of the 90s" lists, and is one of the few albums Scaruffi declares a masterpiece. I'd put these guys in the top 40 at least.

Matthew Herbert - He has put out three essential, genre-bending albums: Bodily Functions, Around the House, and Scale, all using completely new self-developed production techniques and an incredible sense of musicianship. Bodily Functions and Around the House are now widely considered a major classics of electronic music (IE making pitchfork's 100 best albums of the 90s list), and I can certainly attest to that. Check out Harmonize as a good introduction, then listen to Bodily Functions, then his remix of Koppchen. It's quite varied stuff, but always incredible and unmistakably Matthew Herbert - which to me is the mark of a great artist. Also look into the way he works and does things, and the amazing influence his techniques have had. I'd recommend this guy for the top 30, actually - he was certainly more influential and acclaimed than say, Oakenfold (and IMO better).

Akufen - probably the most creative electronic artist of the last 8 years. Listen to his album My Way (especially Deck the House - that's a great place to start - but give it a few minutes - it makes sense in a short time) - it's a masterpiece. He produces the most cacophonous, detailed funk house music has ever put out; along with some beautifully atmospheric and organic ambient tracks (IE: Horror Inc - The Absent).

James Holden - The father of so-called neo-trance. Again, an incredibly versatile artist with an unmistakeable style - which has been dubbed "the Border Community sound." Check out the first CD of his DJ mix Balance 005 (CD 1, especially) for his incredible DJ mix, then Nothing (93 Returning mix) for what was basically the last good idea pure trance came out with, Horizons, then his remix of The Sky was Pink. I'd be very surprised if you listened to them and didn't give him a place somewhere on the list. It's all very critically acclaimed - Balance 005 especially (his magnum opus, and a modern electronic classic in general).

Michael Mayer - founder of Kompakt records, he essentially shot today's minimal scene out of the gate, on the massive success of his label and productions. Listening to them, you really understand why - try Amanda and Lovefood. Plus he put out the definitive (and probably altogether best) microhouse mix - Immer.

DJ Koze - he's been a huge trendsetter for the minimal scene for the last 3 years, and an integral part of it for about 9, and was one of the original artists to kickstart it. His last three major productions have essentially led the minimal scene in its next direction - whenever the scene is out of ideas, a pile of tracks show up exploring whatever tangent his latest track went off on. Check out Djungle Froot, All the Time, and I Want to Sleep. It's really innovative stuff (within the genre), and I think it at least makes him worthy of an honourable mention.

Steve Roach - another huge ambient pioneer. His (again, widely regarded, acclaimed, and influential) classic is Dreamtime Return, but there's quite a bit of good work in his discography.

A few others to check out as well: 4Hero (jungle/drum and bass pioneers, and arguably the inventors of atmospheric jungle; try Parallel Universe - they probably deserve top 70, IMO); Farben (another acclaimed microhouse/minimal master - his best being Textstar); m83 (perhaps the best nu-gaze artists around - Dead Cities, Red Seas, and Lost Ghosts is deeply beautiful); Vladislav (one of the inventors of microhouse, and a glitch pioneer; check out Luomo - Vocalcity); Isolee (the other potential inventor of microhouse, and the producer of its first great track and anthem - Beau Mot Plage. His newer album Wearemonster is also very critically acclaimed); Tim Hecker (best glitch ambient producer - his album Radio Amour is beautiful, widely lauded, very acclaimed, and influential; also a very important nu-gaze producer); Fennesz (Venice and Endless Summer are masterpieces and classics that commonly make decade top 10 lists - another integral nu-gaze and noise ambient artist. He is also very popular and has crossover appeal, which is very unique for ambient music - let alone noise ambient).

Also, like others have suggested, Astral Projection, Infected Mushroom, Juno Reactor, and Man With No Name - the big 4 psytrance artists (besides Simon Posford) who have produced a huge portion of the genre's major classics.

Hope you enjoy the suggestions! And great job with the list. (sorry for the enormous post, I got a bit carried away - but I think they're all good suggestions and would highly recommend any one of them to you - I only posted musicians that I truly believe are classic artists - and I've heard quite a bit of electronic music).

Thanks for all the feedback, darktremor.

Several of the artists you mentioned will make it on the list once I expand it to 200. I'd say the most notable of those are: Biosphere, My Bloody Valentine, Matthew Hebert, James Holden, Steve Roach, Astral Projection, Juno Reactor, and Simon Posford.

4hero were actually in the top 100, but I must have accidentally deleted them. Thanks for pointing them out. I'm not sure if they'll be in the top 100 now, but they're pretty darn close.

Steve Reich is actually included in my sidebar list "Post-Classical/Avant-Garde Pioneers."

I'm always researching and reading up on dance/electronic artists so this list is constantly changing. Thanks again. =)

Cool, glad you enjoyed the suggestions. I look forward to the top 200 version.

This is the one genre the Beatles are severely underrated. They basically popularized pre-recorded loops, backward looped vocal and instrumental effects, psychedelic electronic, the mellotron in popular music. They successfully incorporated the synthesizer with a strong pop structure. I know the Beatles naysayers don't like to hear this but "Tomorrow Never Knows" is about as important as anything Kraftwerk did. I am not saying the Beatles were exclusively an electronic band or the even the greatest but it seems some people who make these list are not hip to what they did.

The Beatles' ability to marry studio experimentation with a strong pop song structure is such a profound influence that it's taken for granted. I'd say it's their most important contribution. It's the very foundation of how music is still made, so I'd say their influence is very much evident today, even if not everybody knows it. I still say to this day the most prophetic record of the Sixties wasn't "Yesterday" or "Satisfaction" but "Tomorrow Never Knows," which sums up most of where music has gone. Minus the vocals, it's virtually an early hip-hop record that's as much Public Enemy as it is Philip Glass. Today's music is mostly about sound texture and the group that got us thinking about it the most is the Beatles. Some love to dismiss "Sgt. Peppers," and especially "Being for the Benefit of Mr. Kite," but I'll be damned if all that random splicing up of tape and punching it into a song for sound effects can't be found in Kanye West or many hip-hop crews of the last 25 years or so.

Whether we're talking Radiohead, Coldplay, U2, L.A. Reid or Raphel Saadiq, to mention a few, they still mention or show the Beatles' influence.

"This is the one genre the Beatles are severely underrated"
There is not one area in which The Beatles are underrated, let alone severely. When a band sells the amount The Beatles did, and is declared by a majority of critics to be the greatest ever to exist, in all of history, ever ever, whether true or not (not) there is no question that they are not being under-rated in any way.

"The Beatles' ability to marry studio experimentation with a strong pop song structure..."
The Beatles were not the first to do this, nor particularly influential in this field. It was a standard practice in psychedelic pop, before and after The Beatles.

Still, I agree that Tomorrow Never Knows is a pretty clever song, and actually quite good. However, I disagree that they had more than a fleeting impact on electronic music, and most of that comes from the fact that rock bands constantly cite The Beatles as an influence (although why not say, The Beach Boys, who did much more for the development of electronic music? - which is still not that much). Since a lot of rock bands "go electronic" (IE Radiohead), those that did this and cited The Beatles could be said to have had their sound influenced by The Beatles in some way - even after going after electronic. In other words, if The Beatles didn't exist, bands like Radiohead would likely sound at least a bit different.

Thanks for your opinion. I agree that "Tomorrow Never Knows" was groundbreaking and extremely influential; there's no doubt of that. I wouldn't compare The Beatles to Kraftwerk in terms of overall influence on the genre, though they certainly have dealt a hand in shaping it. You might have missed it, but The Beatles are listed under the Honorable Mentions, seeing that they're not a true dance/electronic artist.

Very good list.

But I am surprised to see Enigma out of top 100 as well as Vangelis at #30 only.

Enigma actually created some sub geners - with hundreds of quite successfull artists following as well as probably millions of indie small acts. Also we should note that Enigma sold over 50 million albums and stayed in Billboard top 200 for a total almost 10 years. With about 100 platinum records and 1000 important compilations including Enigma tracks.

as about Vangelis - his part in music of 20th century shouldnt require explanations. Just will add that if not Vangelis we wouldnt have for example the same Enigma !

Thanks, ilias. I had Enigma in the 90-100 range at one point in time. There's no denying they're immensely popular worldwide (selling millions upon millions of records), but I don't know if they've got enough impact or influence to make the top 100. Along with a couple other music collectives (e.g. Deep Forrest, Delerium) Enigma was among the first to put danceable grooves to new age music, but what subgenres did they create? I'm not quite sure where I'll place them when I get to ranking the next 100 spots, though it will probably be somewhat high based almost solely on their enormous popularity... I'm thinking 100-120 range.

As for Vangelis, he's a crucial electronic pioneer that deserves a high placement, but because the majority of his work falls under new age, his influence is somewhat limited on the major electronic subgenres (house, techno, trance). I figured the 25-35 range was good for him. Great artist all around, though.