Clone of Empire's 50 Greatest Independent Films

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  • Reservoir Dogs (Tarantino, 1992)
  • Donnie Darko (Kelly, 2001)
  • The Terminator (Cameron, 1984)
  • Clerks. (Smith, 1994)
  • Monty Python's Life Of Brian (Jones, 1979)
  • Night of the Living Dead (Romero, 1968)
  • Sex, Lies, And Videotape (Soderbergh, 1989)
  • The Usual Suspects (Singer, 1995)
  • Sideways (Payne, 2004)
  • Mean Streets (Scorsese, 1973)
  • Bad Taste (Jackson 1987)
  • Eraserhead (Lynch, 1977)
  • Memento (Nolan, 2000)
  • Stranger Than Paradise (Jarmusch, 1984)
  • Blood Simple (Coen, 1984)
  • She's Gotta Have It (Lee, 1986)
  • Withnail And I (Robinson, 1987)
  • City of God (Meirelles, 2002)
  • Lone Star (Sayles, 1996)
  • Slacker (Linklater, 1991)
  • Roger & Me (Moore, 1989)
  • Nosferatu, eine Symphonie des Grauens (Murnau, 1922)
  • The Evil Dead (Raimi, 1981)
  • Happiness (Solondz, 1998)
  • Drugstore Cowboy (Van Sant, 1989)
  • Lost in Translation (Coppola, 2003)
  • Dark Star (Carpenter, 1974)
  • In the Company of Men (LaBute, 1997)
  • Bad Lieutenant (Ferrara, 1992)
  • Sweet Sweetback's Baad Asssss Song (Van Peebles, 1971)
  • Pink Flamingos (Waters, 1972)
  • Two-Lane Blacktop (Hellman, 1971)
  • Shallow Grave (Boyle, 1994)
  • The Blair Witch Project (Myrick/Sanchez, 1999)
  • THX-1138 (Lucas, 1971)
  • Buffalo '66 (Gallo, 1998)
  • Being John Malkovich (Jonze, 1999)
  • Grosse Pointe Blank (Armitage, 1997)
  • The Passion Of The Christ (Gibson, 2004)
  • The Descent (Marshall, 2005)
  • Dead Man's Shoes (Meadows, 2004)
  • Swingers (Liman, 1996)
  • Shadows (Cassavetes, 1959)
  • Amores perros (Inarritu, 2000)
  • Mad Max (Miller, 1979)
  • The Texas Chain Saw Massacre (Hooper, 1974)
  • Blood Feast (Lewis, 1963)
  • Cube (Natali, 1997)
  • Lola rennt (Tykwer, 1998)
  • El Mariachi (Rodriguez, 1992)