British Film Institute: Top 100 Films of the 20th Century

Submitted by burneyfan on Thu, 10/30/2008 - 01:56
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  • The Third Man (Carol Reed, 1949)
  • Brief Encounter (David Lean, 1945)
  • Lawrence of Arabia (David Lean, 1962)
  • The 39 Steps (Alfred Hitchcock, 1935)
  • Great Expectations (David Lean, 1946)
  • Kind Hearts and Coronets (Robert Hamer, 1949)
  • Kes (Ken Loach, 1969)
  • Don’t Look Now (Nic Roeg, 1973)
  • The Red Shoes (Michael Powell, Emeric Pressburger, 1948)
  • Trainspotting (Danny Boyle, 1996)
  • The Bridge on the River Kwai (David Lean, 1957)
  • If… (Lindsay Anderson, 1968)
  • The Ladykillers (Alexander Mackendrick, 1955)
  • Saturday Night and Sunday Morning (Karel Reisz, 1960)
  • Brighton Rock (John Boulting, 1947)
  • Get Carter (Mike Hodges, 1971)
  • The Lavender Hill Mob (Charles Crichton, 1951)
  • Henry V (Laurence Olivier, 1944)
  • Chariots of Fire (Hugh Hudson, 1981)
  • A Matter of Life and Death (Michael Powell, Emeric Pressburger, 1946)
  • The Long Good Friday (John Mackenzie, 1980)
  • The Servant (Joseph Losey, 1963)
  • Four Weddings And A Funeral (Mike Newell, 1994)
  • Whisky Galore! (Alexander Mackendrick, 1949)
  • The Full Monty (Peter Cattaneo, 1997)
  • The Crying Game (Neil Jordan, 1992)
  • Doctor Zhivago (David Lean, 1965)
  • Monty Python’s Life of Brian (Terry Jones, 1979)
  • Withnail and I (Bruce Robinson, 1987)
  • Gregory’s Girl (Bill Forsyth, 1980)
  • Zulu (Cy Endfield, 1964)
  • Room at the Top (Jack Clayton, 1958)
  • Alfie (Lewis Gilbert, 1966)
  • Gandhi (Richard Attenborough, 1982)
  • The Lady Vanishes (Alfred Hitchcock, 1938)
  • The Italian Job (Peter Collinson, 1969)
  • Local Hero (Bill Forsyth, 1983)
  • The Commitments (Alan Parker, 1991)
  • A Fish Called Wanda (Charles Crichton, 1988)
  • Secrets & Lies (Mike Leigh, 1995)
  • Dr. No (Terence Young, 1962)
  • The Madness of King George (Nicholas Hytner, 1994)
  • A Man For All Seasons (Fred Zinnemann, 1966)
  • Black Narcissus (Michael Powell, Emeric Pressburger, 1947)
  • The Life and Death of Colonel Blimp (Michael Powell, Emeric Pressburger, 1943)
  • Oliver Twist (David Lean, 1948)
  • I’m All Right Jack (John Boulting, 1959)
  • Performance (Nicolas Roeg, Donald Cammell, 1970)
  • Shakespeare in Love (John Madden, 1998)
  • My Beautiful Laundrette (Stephen Frears, 1985)
  • Tom Jones (Tony Richardson, 1963)
  • This Sporting Life (Lindsay Anderson, 1963)
  • My Left Foot (Jim Sheridan, 1989)
  • Brazil (Terry Gilliam, 1985)
  • The English Patient (Anthony Minghella, 1996)
  • A Taste of Honey (Tony Richardson, 1961)
  • The Go-Between (Joseph Losey, 1970)
  • The Man in the White Suit (Alexander Mackendrick, 1951)
  • The Ipcress File (Sidney J. Furie, 1965)
  • Blow Up (Michelangelo Antonioni, 1966)
  • The Loneliness of the Long Distance Runner (Tony Richardson, 1962)
  • Sense and Sensibility (Ang Lee, 1995)
  • Passport to Pimlico (Henry Cornelius, 1949)
  • The Remains of the Day (James Ivory, 1993)
  • Sunday, Bloody Sunday (John Schlesinger, 1971)
  • The Railway Children (Lionel Jeffries, 1970)
  • Mona Lisa (Neil Jordan, 1986)
  • The Dam Busters (Michael Anderson, 1955)
  • Hamlet (Laurence Olivier, 1948)
  • Goldfinger (Guy Hamilton, 1964)
  • Elizabeth (Shekhar Kapur, 1998)
  • Goodbye Mr. Chips (Sam Wood, 1939)
  • A Room With A View (James Ivory, 1985)
  • The Day of the Jackal (Fred Zinnemann, 1973)
  • The Cruel Sea (Charles Frend, 1952)
  • Billy Liar (John Schlesinger, 1963)
  • Oliver! (Carol Reed, 1968)
  • Peeping Tom (Michael Powell, 1960)
  • Far From the Madding Crowd (John Schlesinger, 1967)
  • The Draughtsman’s Contract (Peter Greenaway, 1982)
  • A Clockwork Orange (Stanley Kubrick, 1971)
  • Distant Voices, Still Lives (Terence Davies, 1988)
  • Darling (John Schlesinger, 1965)
  • Educating Rita (Lewis Gilbert, 1983)
  • Brassed Off (Mark Herman, 1996)
  • Genevieve (Henry Cornelius, 1953)
  • Women in Love (Ken Russell, 1969)
  • A Hard Day’s Night (Richard Lester, 1964)
  • Fires Were Started (Humphrey Jennings, 1943)
  • Hope and Glory (John Boorman, 1987)
  • My Name is Joe (Ken Loach, 1998)
  • In Which We Serve (Noel Coward, David Lean, 1942)
  • Caravaggio (Derek Jarman, 1986)
  • The Belles of St. Trinian’s (Frank Launder, 1954)
  • Life is Sweet (Mike Leigh, 1990)
  • The Wicker Man (Robin Hardy, 1973)
  • Nil By Mouth (Gary Oldman, 1997)
  • Small Faces (Gillies Mackinnon, 1995)
  • Carry On Up The Khyber (Gerald Thomas, 1968)
  • The Killing Fields (Roland Joffe, 1984)